Sentences with phrase «final third of the film»

The result became a film that included voice - over narration to explain the main character's motivation, a toning down of his instances where he clearly crosses the line, a new intro, and a completely new final third of the film.

There are some lurches in the final third of the film, written by Bahrani and Amir Naderi, when Nash bottoms out before his moral reckoning.

The final third of the film, in which Katja sets out to ensure that justice is served by any means necessary, is the most overwhelmed with anxiety I've been in a movie theater all year.

The supremely clear 2.40:1, 1080p transfer brings to mind an answer print projected under ideal circumstances, though some shots in the final third of the film are subtly out of register, perhaps betraying the dual - strip 3 - D process in which the climax was shot for IMAX exhibition.

These are hit and miss; the colonel and his orders seem an unnecessary addition to the final third of the film.

Without giving anything away, the 72 - year old auteur's filmmaking remains incredibly sprightly; one scene is as shocking and heart - stopping as anything a younger British filmmaker might serve up, and the final third of the film lets him tackle the issues facing today's youth with surprising credibility and nuance.

It doesn't play like a calling card, although there are moments, most of them coming in the final third of the film, arranged with a careful, painterly intentionality.

The final third of the film loses its way a little, ending on more of a whimper than a bang.

There's the added joy of Angourie Rice (pictured above with Gosling) as March's wise - beyond - her - years 12 - year - old daughter Holly, who tags along resourcefully even when the bullets fly, which in the final third of the film they do with a certain stylised relentlessness.

The first third of Clockstoppers is an interminable high school comedy ending with a DJ showdown, the second third of the film is Zak on the run from evil corporate drones led by Michael Biehn, and the final third of the film is an infiltration of the evil corporation ending in a ludicrous action sequence and capped by a Back to the Future resolution involving a shiny new car and a nubile young lass.

Similarly, the final third of the film focuses on this issue of political inconvenience which got the original documentary shelved, which is itself fascinating viewing.

Things go a bit haywire in the final third of the film, as Robert Forster becomes action star and we are thrown into a faster - paced adventure, with less to think about.

Johnson has a lot of story that he wants to tell and that contributes to a rushed feeling in the final third of the film.

The writer / director truly fumbles in the final third of the film.

Here, the comedy stays quite present and at the fore front despite the final third of the film turning into a CGI demon / zombie fest.

The final third of the film involves El Chivo, a homeless, dog - loving man who was witness to the accident, who gave up his life with his wife and daughter to pursue a cause as a master terrorist and assassin.

The final third of the film is breathless in its pacing and excruciating in its level of suspense.

The final third of the film sees a scare movie unhinged, and contains a plethora of references to well - known horror staples, though Goddard seems to think that merely referencing the films that horror fans enjoy will be enough to please them; without being in on the joke, there's not as much entertainment if watching this as a straight horror - comedy.

The film has a similar problem to Sunshine, in that its destination does not cash in on the intricacies of its voyage, though this film is by no means as disastrous as the final third of that film.

, in that its destination does not cash in on the intricacies of its voyage, though this film is by no means as disastrous as the final third of that film.

Kiss the Girls is a film based on the James Patterson bestseller, slickly directed by Gary Fleder (Impostor, Runaway Jury), and relatively engaging until about the final third of the film.

Although the final third of the film is a bit anti-climactic in terms of momentum, the build - up offered serves up enough entertainment and interest to make K - PAX satisfying enough as a whole.

The final third of the film escalates, in classic screwball style, through a masterful series of set - pieces, as hilarious as they are devastating.

But while nearly all of Saint - Exupery's memorable characters make appearances (including Marion Cotillard as the Rose, James Franco as the Fox and Ricky Gervais as the Conceited Man), the final third of the film is a formulaic action - heavy sequence set on a dystopian city - planet, where the adult Mr. Prince (Paul Rudd) works as a chimney sweep.

And some of the set and character designs in the final third of the film are fantastically creepy: a suburb where everyone dresses alike and bounces their balls in sync; a red - eyed devil played by Michael Pena that devolves into an easily - deconstructed marionette, an image that would've scarred me as a seven - year - old urchin.