Eggers was determined to stay authentic to his research and the time period, even if it meant waiting a long time to
finally get the film made.
Not exact matches
Fox's decision to
finally move forward with the
film followed a years - long process in which Reynolds, director Tim Miller, and writers Rhett Reese and Paul Wernick had to fight through various obstacles (including the box office failure of another Reynolds superhero movie, 2011's Green Lantern) to
get the movie
made.
The plot is loosely held together by quite a bit of setting up and falling down, devoting much of its runtime to
making you want to care about what the Pentagon Papers are, how the newspaper operates, and what's clearly at stake, before
finally getting to the point where everything
finally comes together, which is when the
film is at its sharpest.
Even while I spent six years learning about
film production, I was mostly thinking about what I was going to
make for dinner when I
finally got back to my Upper West Side apartment.
But first, there was the big closing - night screening of his new
film, Colossal (Grade: B),
finally finished after a bumpy pre-production period thanks to star and executive producer Anne Hathaway, who Vigalondo says was instrumental in
getting the
film made.
Not long afterward we see Blanc arrive at the Cannes
film festival, demanding a suite at the Hotel Carlton (he
finally gets moved into the suite of Gerard Depardieu, who's off wine tasting in Bulgaria) and
making a crude pass at Charlotte Gainsbourg in her room, then stealing money from her purse while she goes to fetch him some Valium.
The Man Who Killed Don Quixote (tbc)- Terry Gilliam has been trying to
get this
film made for more than 20 years, and it's
finally here, starring Adam Driver.
What a tedious
film.Over acting, wobbly plot, dialogue at times pure drivel and a laughable ending.It really was poor.The
film goes straight into a Cul de Sac and can not
get out.Way too much nudity from the metro sexual looking Tilda Swinton.Her androgynous body quite turned my stomach.A redeeming feature was the glorious sunshine and powerful light of Italy.The
film meanders, wobbles and
finally falls down.Older people like Swinton and Fiennes should really keep their pants on at all times.It is acutely embarrassing when the oldies need to do so much nudity (l suspect it is to appease their insecurity that they might not be physically desirable anymore) Horrible attempt at
film making
Also on board is an audio commentary from» 09 — Disney, alas, has dropped the picture - in - picture option that
made this a full - blown «Cine - Explore feature» on the PE — teaming Leonard Maltin with Disney animator («and unashamed animation geek») Eric Goldberg and
film historian J.B. Kaufman, who at the time was writing a book about the
making of Pinocchio that
finally got published in 2015.
Finally, we
get not one but two trailers (each 2 1/2 minutes) for The Road, both
making the
film seem far more accessible and Charlize Therony than it really is.
Finally, we
get Zeitgeist's subtitled U.S. theatrical trailer for the
film (1:32), which throws out many a grandiose cinematic comparison and
makes no effort to appeal to your typical American moviegoer.
The following year (2002), Buena Vista Home Entertainment
finally got around to putting the Muppets» fourth and fifth
films (which were
made at Walt Disney Pictures in the 1990s) on DVD and they did so with some impressive bonus features and clever menus, but inconceivable fullscreen - only presentations.
«In all of that time, all of those sacrifices you have to
make, family things you couldn't go to or friends» events you couldn't do,
getting to the end of
making a
film is like I'm glad I
finally got to do it and I
get to live a bit of my normal life again.»
Bottom Photo: This decades - old character is
finally getting her own story, but even though it took us way too long to
get here, the
film lacks a certain something that would
make it truly shine.
We were sadly disappointed but fans
making the trip to this weekend's New York event would
finally get the chance to see some footage of the
film being led by Josh Brolin.
Finally, Marvel has
got its tempo right when it comes to the golden - locked, blue - eyed Nordic god, giving Hemsworth a
film that
makes the best of his looks and the best of his humorous side, last seen in the 2016 all - female Ghostbusters.
Re-imagining the 1984 classic with female leads (especially one
made up of today's funniest women: Kristen Wiig, Melissa McCarthy, Kate McKinnon, and Leslie Jones), directed by a man who not only
makes hilarious
films but seems to innately understand the unique humor women afford to
film, Paul Feig, is not only a great indicator that Hollywood might
finally be wising up that we need less
Get Hard and more Spy and Bridesmaids.
And despite most of the characters having already been introduced and fleshed out prior to the events of the
film, Infinity War will still have to
make time for each to
get their own moment to shine, while also
making way for Josh Brolin's Thanos, who audiences will
finally get to spend some real time with after years of cameo appearances in previous Marvel
films.
After a massive bidding war, the
film finally got picked up by Lionsgate who plan to release the
film on August 23, 2013
making You're Next easily one of -LSB-...]
Fashioning a tale of abuse, revenge, and guilt into a bizarre mixture of moods and influences, the
film will
finally make its way to U.S. theatres next month, and we've
got a crop of five new clips to help us
get a sense of Denis» latest rhythms.
After a massive bidding war, the
film finally got picked up by Lionsgate who plan to release the
film on August 23, 2013
making You're Next easily one of my most anticipated
films of 2013.
After many years of George trying to
get the next
film made with various independent entities, Universal Pictures
finally gave him the funds necessary to
make the
film, but with some fail - safes in place.
He had grown up enjoying these
films so much and
finally getting the chance to
make one is the ultimate honor.
Last month it was announced that Scarlett Johansson's Black Widow is
finally going to
get a solo movie in the Marvel Cinematic Universe, but it seems that she could have been beaten to the punch by another Iron Man supporting character, with Black Panther screenwriter Joe Robert Cole revealing to Complex that Marvel considered a War Machine solo spinoff
film prior to
making Iron Man 3.
Peter Jackson just posted this letter to his Facebook fan page: It is only at the end of a shoot that you
finally get the chance to sit down and have a look at the
film you have
made.
Somehow, in 2017, we have
finally gotten to the point where they are
making great STARS WARS
films.
When the action
finally gets started near
film's end, the LFE comes out to play with enough power to
make you think you were watching The Dark Knight.
Chan - wook Park, the man behind the cult classic Oldboy will be
making his English - language
film debut with Stoker which has
finally just
gotten a release date of March 1, 2013.
So when I heard that Dead by Daylight was
finally making the transition to consoles I couldn't help but
get excited; as a massive Horror Hound the prospect of playing a game that allowed you to take control of Michael Myers, The Shape from the Halloween
films, amongst an assortment of other antagonists crafted from different genre archetypes definitely appealed to me and would serve as a nice counterpoint to stalking around Crystal Lake.
Moon and Warcraft director Duncan Jones
finally gets to
make his dream
film, which stars Alexander Skarsgård as a mute bartender in futuristic Berlin who has to find his missing girlfriend.
«Pulp Fiction»
finally gets the Blu - ray treatment thanks to Lionsgate, and it's every bit as good as the movie deserves, with a director - approved high definition transfer that looks amazing, a 5.1 DTS - HD Lossless Audio track, and two brand new special features: a 43 - minute retrospective titled «Not the Usual Boring
Getting to Know You Chit Chat» that includes interviews from several key cast members about
making the movie, and a
film critic roundtable («Here Are Some Facts on the Fiction») moderated by Elvis Mitchell.
Wonder Woman (Patty Jenkins, 2017), because it's the most powerful popular feminist statement in mainstream cinema thus far, inspiring countless young women and girls to dare to succeed; because Patty Jenkins more than deserved it after languishing in the wilderness of episodic television after her masterful
film Monster (2003), when any male director would have gone on to direct four of five features on the strength of that one
film; because it's about damned time that a female comic book feature
got made; because Jenkins still had to fight to
get a fair payday to direct WW 2 — enduring months of fight - to - the - death negotiations to
get a directorial fee comparable to that of Zack Snyder or J.J. Abrams for the sequel; and
finally because she's better than either of those two directors, who are overrated hacks with little or no vision at all.
The talk of the Cannes
Film Festival, where it received as rapturous a critical response as any
film is likely to
get (no less than Amy Taubin said it was one of her ten favorite
films of all - time on
Film Comment's festival podcast), Toni Erdmann is
finally making its run through the fall festival circuit, and here in Vancouver it capped my first day at the festival.
It could be the equivalent of somebody looking at an old
film, and realizing that the
film came from a projector, and discovering that there is an image in the projector, and that it's
made of molecules of grains of
film - and then trying to find the mystery of the story by looking at ever more detailed molecules of
film, thinking, If I
finally get to the heart of that, will it tell me where my story comes from?