Sentences with phrase «find black identity»

Pinder seeks to find black identity through his experimental videos and feature films that reference music, videos, and musical theater.

Not exact matches

Largely excluded from the PFNA when the whites were joining the NAE, and more likely to find solidarity with the other black churches than with the white Pentecostals or evangelicals, these churches are much less tempted by a fundamentalist identity.

Black Pentecostals will find even more of their identity in being a part of the black experience, and the highly sectarian «oneness churches» will remain somewhat isolated for the time bBlack Pentecostals will find even more of their identity in being a part of the black experience, and the highly sectarian «oneness churches» will remain somewhat isolated for the time bblack experience, and the highly sectarian «oneness churches» will remain somewhat isolated for the time being.

He was the veteran of increasingly outdated show business traditions trying to stay relevant; he frequently found himself bracketed by the bigotry of white America and the distaste of black America; he was the most public black figure to embrace Judaism, thereby yoking his identity to another persecuted minority.

Fresh from filming «Creed,» the boxing spin - off of the «Rocky» series that starred Jordan, Coogler grappled with his own cultural identity and found himself in the midst of a personal journey when he began conversations to direct «Black Panther.»

Named one of «25 New Faces of Independent Film» by Filmmaker Magazine for 2017, she tells stories about black girls and women who find themselves between worlds and identities.

Talking about whiteness, and asking every student in the room to think about his or her race, could mitigate the feeling many students of color often have in these conversations of, «Okay, now I feel like I have to represent what it means to be black, or Latino, etc.» Find ways to have conversations about what it means to be all different racial identities.

In the new works on view at Hauser & Wirth, Bradford probes stories found in comic books to question the archetype of the antihero and the influence of the media on contemporary society, while also revisiting misconceptions of black identity and gender as seen in previous works.

Winning first prize at Frame for Toronto's Cooper Cole gallery, Jamaican sculptor Tau Lewis sewed found materials into passionate expressions of black identity.

She sees bodies in their physical, social and political aspects, exploring the ideas of eroticization of Black femininity in arts and culture and social construction of racial identities within the frame of ideas found in Orientalist discourse.

While their identity as black Americans is not the motivation for their inclusion in the show, this identity is nonetheless significant in that many found themselves marginalized in a white - dominated art world that granted limited admission to black artists and again within the Black Arts movement, which rested on a revolutionary ethos that saw abstraction as a site of established privilege, limited in its ability to express political dissent and contribute to the struggle for racial equablack Americans is not the motivation for their inclusion in the show, this identity is nonetheless significant in that many found themselves marginalized in a white - dominated art world that granted limited admission to black artists and again within the Black Arts movement, which rested on a revolutionary ethos that saw abstraction as a site of established privilege, limited in its ability to express political dissent and contribute to the struggle for racial equablack artists and again within the Black Arts movement, which rested on a revolutionary ethos that saw abstraction as a site of established privilege, limited in its ability to express political dissent and contribute to the struggle for racial equaBlack Arts movement, which rested on a revolutionary ethos that saw abstraction as a site of established privilege, limited in its ability to express political dissent and contribute to the struggle for racial equality.

Carmen Neely's work — a combination of painting and found objects — is imbued with deep intention and awareness of her identity as a young black woman making art in the twenty - first century.

In 1997, Montague founded the non-profit Wedge Curatorial Projects, which promotes themes of culture and identity in art — particularly within the diasporic African and Black communities — through exhibitions, lectures and discussions.

Watch a clip from The Happy Sad: Two young couples in New York — one black and gay, one white and heterosexual — find their lives intertwined as they create new relationship norms, explore sexual identity, and redefine monogamy.

,» as a way to encourage young black people to find strength in their identity.

Her use of digital tools and material, ranging from blue screen technology and 3D avatars to found footage from the internet, reflects on these modes of representation and the abstraction of black identity in art and media.