Sentences with phrase «find real characters»

On - the - rise working actors should seek part - time «survival» work that allows you to «find real characters.

Thirty minutes from Montego Bay Airport is the Royalton White Sands where families will find some real characters: bunnies Max and Ruby and Mike the Knight star in nightly stage shows.

Not exact matches

But remember one thing: All the judges ask is that you make it as easy as possible on them to find the real you, by creating content that allows them to understand your business» character.

Elder recognizes there are a lot of «snakes and shady characters» associated with these kinds of seminars, but he found that this particular group provided him the coaching and education he needed to make the leap into real estate investing.

The new season will still take place over a 24 - hour period, with episodes playing out in real time, but because of the shorten season length, not all the hours of the day will be shown (presumably skipping the period of time a major character finds themselves ensnared in a bear trap).

Under these conditions it is easy to understand that a real connection between the God of the future and the God of the present is often not to be found, or that if it is asserted, the prophecies in which God is looked upon as God of the present generally display the character of theoretical speculation.

What is real necessarily happens only once, and this character of happening only once [Einmaligkeit](Translator's note: I can find no English equivalent for Einmaligkeit.

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

It endures in the hearts and minds of children who grow up hearing and reading about magical people and places, and who find a real live world of those same characters in Glen, NH.

Cool features include sea turtles, sharks, and all the characters from Finding Nemo in one tank (for reals!)!

The conviction was later overturned by the High Court, which found «there was no evidence to suggest that any of the followers of the appellant's «tweet» found it to be of a menacing character or, at a time when the threat of terrorism is real, even minimally alarming.»

Using Tolkien's villainous character Smaug as a dragon archetype, Gee found numerous real - world examples, and nature - based theoretical possibilities, that could explain everything from fire - breathing to flight.

Perhaps it is just splitting hairs but Ken Perlin, a computer science professor and founding director of the New York University Media Research Lab, makes a distinction between simply dropping digital characters onto a screen based on a player's location and integrating those characters into their surroundings so that they seem more real than virtual.

If the struggle to find a black dress with character is too real for you then I got you covered with this post!

Find out more about me yourself if you are also real and have character:)

On the whole, I was hardly interested in this snoozefest of a mystery «thriller», but there are moments in which I found myself genuinely invested in this layered and meditative drama, and for those moments, I give some credit to Refn for actually waking up, and even more credit to the real force behind this misguided character study.

As this film progresses in its short narrative, we find out deeper elements of the real addiction of the few characters that we get to know.

There is still real passion to be found behind the walls these very British characters erect.

Levinson has a deft touch with ordinary people and places, and the film's early scenes, especially, take care of business in a satisfying, sideways fashion, developing character with exposition and finding every avenue for real - world humor.

Unlike series co-star Biel, Mitchell remained with the program throughout its run, and through many character changes that found Lucy marrying Kevin Kinkirk, working as an associate pastor, giving birth, and surviving both a miscarriage to twins and clinical depression.Although Mitchell branched out from television into cinematic work as early as 1996, with a turn in the fantasy - action thriller The Crow: City of Angels, and continued intermittent film appearances (such as a supporting role in 2005's slasher movie Saw II), she made no secret of her real passion: performing country music as a guitarist and vocalist.

By the end, though both characters have found a measure of that normalcy for themselves, there's a strong sense their real home is out in the open of the New Zealand bush, in each other's company, armed with a renewed sense of openness to life's possibilities.

However, when Matthews is lured off his guard and badly wounded, Isaac moves centre stage as he finds himself pinned down by an unseen Iraqi sniper (loosely based on a real - life character called Juba, who was responsible for killing a huge number of Americans).

Imelda Staunton, star of new film Finding Your Feet, claims that ageing audiences want real characters, not violence and special effects

Even in the deep dramatic films, we've found there's a real concerted effort to look at empathy for dark subjects and the characters in them.»

Curmudgeonly Tony is accessible and somewhat sympathetic thanks to the stellar work of Mr. Broadbent, who always seems to find the real person within his characters.

The turn - based approach Fire Emblem is famous for is gone in Fire Emblem Warriors, and in its place you'll find hordes of enemies to cut your way through (in real time, naturally), screen - filling special moves and a surprisingly deep character development system which not only allows for levelling - up, but permits you to augment each protagonist's abilities on a more granular level, such as selecting and improving their weaponry.

April Wolfe writes for the Village Voice: «[Director Martin] McDonagh painstakingly humanises a character who we find has unapologetically tortured a black man in police custody... and then Three Billboards seems to ask audiences to forgive and forget wrongs like police violence, domestic abuse, and sexual assault without demonstrating a full understanding of the centuries - long toll these crimes have taken on victims in real life.»

Though the story of Marcus Luttrell's incredible survival is tailor - made for the big screen, and Berg does a good job of highlighting the soldiers» brotherhood and courage under fire, it's hard to find any pleasure or entertainment value from watching the characters (real - life men whose family and friends are still living with that loss) get brutally slaughtered.

Justin Simien's film has a surprising amount of heart, and so much of that is down to Thompson, who finds the real pathos and pain of the character, while still being an eminently likable, warm and winning presence.

There he finds a prominent character from his father's stories, and learns much about the real Edward Bloom's achievements and failures.

It's often difficult to find real, meaningful character development in comedic films.

This is a real performance by an actor as present and in - tune to the demands of the character as we have seen in some time by a child, with no aw - shucks cutesiness to be found.

I found his essay to be insightful and a nice addition to the companion as he focuses on the themes of being a mercenary as both a character in a film and as an actor in real life.

I would like to say here that I believe redemption is something earned — in real life, yes, but I'd also like to see that played out in the characters I'm expected to find a connection with.

Although the remarkable number of recognizable faces to be found within the cast make it worth checking out (Sam Rockwell, Alyssa Milano, Matthew McConaughey, John Rhys - Davies, Kristin Bauer, French Stewart, Brendan Fraser, Leah Remini, Meredith Salinger, Mary Woronov, and Spaulding Gray all make appearances), the predominant reason we've included «Glory Daze» — which is, for the record, explores the hesitation all college graduates experience before entering the real world — is because no matter how many films he may eventually have to his credit, Matt Damon should never be allowed to escape the fact that, even though it was only for a few fleeting moments, he once played a character named Edward Pudwacker.

The jury found that the film «salutes one of Hollywood's unsung heroes, and is a rip - roaring look at the modern film industry through the experiences of an exceptional and prolific character actor Dick Miller who who had a unique ability to fit into any scene, wear any hat put on his head, step into any shoes, and make it real.»

These characters felt very real to me which is often missing from other young adult novel characters or even teen soaps found on the CW.

But when he finally makes contact and accepts an invitation to visit Rebney, the film finally finds its real story: a character piece on a genuine character.

«McDonagh painstakingly humanizes a character who we find has unapologetically tortured a black man in police custody... and then Three Billboards seems to ask audiences to forgive and forget wrongs like police violence, domestic abuse, and sexual assault without demonstrating a full understanding of the centuries - long toll these crimes have taken on victims in real life,» April Wolfe wrote at the Village Voice.

The Visit M Night Shyamalan went minimal for this unoriginal found - footage horror - comedy that manages a hint of gleeful grisliness but no real characters or plot.

It's very possible to find yourself losing almost every fight after the third or fourth one simply because you didn't make an effective enough character even though you had no real idea what would be a «perfect» character at the time.

Of course, we learn a lot about the effects, but we also find info about cast and performances, shooting on location and dealing with weather, real tornadoes and research, story and characters, music and audio design, and a mix of other production topics.

Hamm's character, J.B. Bernstein, is a real person, and the plot of Million Dollar Arm — which is based on Bernstein's involvement with a reality TV competition in India to find pitchers and turn them into MLB prospects — is more or less true.

The episodic nature of the film, the various physical environments in which Babydoll and her fellow warrior - inmates find themselves, as well as the sexualized nature of these characters, bear all the earmarks of a videogame, but the real world filled with real danger that intrudes at crucial moments raises the stakes, engaging the audience in a way that the female - centric, video - game - turned - film Aeon Flux (2005), which I also like, never quite achieves.

So casual observers may be surprised to find that the movie, which recreates and riffs off of real interviews with its «characters,» portrays Harding as only vaguely aware of the plot instigated by her on - and - off lover / abuser Jeff Gillooly (Sebastian Stan), and even portrays Gillooly himself as not entirely aware of the measures that his delusional right - hand man Shawn Eckhardt (Paul Walter Hauser) is willing to take.

More than just a bumbling boss, Carell found real depth and heart in Michael Scott that allowed the character to flourish over seven seasons.

The camera soars clear of the action for another sweeping CGI cityscape, a dozen partygoers shimmy between the characters and the audience, the throbbing Jay - Z - produced soundtrack wells; Luhrmann finds a hundred different ways to rob his able but overwhelmed stable of actors any real voice.

The Bechdel Test may measure the female presence in a film, but in truth, it can't do anything to increase it without others taking action and working to assure that more films find a place for real female characters.

Some of the real - life people Baker found living in the motels were cast as background characters, which reflects the verisimilitude he has sought to employ.

, and its sweeping gothic romance, which finds its characters, at one point, reading the real deal in Wuthering Heights.