Sentences with phrase «finding film camera»

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Not exact matches

We've also looked at the presence of women behind the camera in the film industry and found that there's a great disparity there also.

To find out what was happening inside the tower, the researchers fed half their ants a liquid laced with radioactive iodide and then filmed the insects using a camera that captured X-rays.

To find the dents that need to be flattened out, a helicopter drone travels alongside the track and films it with 3D stereoscopic cameras.

Having invented a camera Gentet found he now needed to invent a holographic film as well.

To find out, Hu's team used high - speed cameras to film the insects flying in a specially constructed «rain box» — a small container with a mesh roof through which water can be sprayed to simulate a rain shower.

Filming with handheld cameras, over-exposing the film, and making extensive use of jump - cuts, Peploe seems to be trying to find the spirit if Jean - Luc Godard in The Triumph of Love.

Seth Rogen, who produced the film, dryly captures a camera operator who is not alone in his surprise in finding Wiseau's paychecks to be legitimately cashable.

The film isn't perfect - Mr. Chon's wild camera motions seem more undisciplined than electric - but it does find an angle on the riots that hasn't been seen much onscreen.

A founding member of both the Drama Division of New York's Juilliard School and John Houseman's The Acting Company, she is equally at home on the Broadway stage as she is in front of film and television cameras.

In the 2000s, Stevens found new success on the other side of the camera, as a prolific producer of both independent and mainstream Hollywood films, even winning the Oscar for Best Documentary for his 2009 film about the slaughtering of dolphins, The Cove.

Aesthetically, the film finds Bertolucci in a transitory mode, caught between his early Godard - influenced abstraction and his later style of lush, operatic camera movements and theatrical use of color and music.

For Faces by a Person Unknown Paolo Gioli re-photographed footage from a turn of the 20th century film he had found in 1972, using the same camera the original footage was likely shot on.

It's as though Hytner has found a strange middle - distance with his camera placement and his pacing that corrupts his films with this overriding sense of noisome disturbance.

Claimed to be «one of the scariest movies of all time», the film captivates audiences through its style of «found footage», on a camera the couple sets up by their bed to determine what is haunting them.

In the film's first scene, the camera finds Katniss not in the arena with her face marred by sweat and blood, but alone and lost in thought.

The only weaknesses I found in the original film were the low - budget special effects, and the shaky camera work.

Hong Sang - soo, whose recent film «On the Beach at Night Alone» finds an actress wandering around a seaside town thinking about her relationship with a married man, is not too different from his thematic concerns in «Claire's Camera,» This is a multi-lingual project that clocks in at sixty - nine mostly magical minutes, the whole episode graced with performances by Ms. Huppert in the title role and Kim Min - hee, who worked with the director in three of his films, in the role of youthful Manhee.

Howard's feature debut also finds him in front of the camera — the only time he's made more than an uncredited cameo in any of his films.

In recognition of Infinity War being the first Hollywood film shot entirely with IMAX cameras, there are four hidden IMAX logos to be found in the poster — and you may well need some souped - up Tony Stark gadgetry to uncover them all.

Because there is such a complicated, polluted, labyrinthine past, both America's and this American's, and because none of it can be faced and corrected, this film does what is denied a whole nation: it pares down all troublesome memories, focuses the camera on Jack and occasionally on Clara and Jack, or Father Benedetto and Jack, or Mathide (Thekla Reuten) and Jack, and finds an untormented, easily digestible Hollywood «international underworld / intrigue» plot to house the whole.

After all, a swords»n' sorcery saga takes a lot of work, and I found myself fretting about all the hours Jason Momoa must have spent in the gym to get those muscles, all the expense that must gone into the ridiculous costumes and sets, all that effort that must gone into lugging lights and cameras to the Bulgarian hills and caves where the film was shot... all to make such a noisy, bombastic load of nonsense.

Headliner Antwone Fisher (a rancid piece of garbage I like to refer to as «Good Antwone Fishing» or «Finding Fisher - er») gains esteem just by the association of twinkly - eyed Denzel Washington behind the camera (and stentorian Denzel in front), while small foreign film Evelyn will probably gain esteem by dint of its small and foreign status.

Kay's curve of elegance goes the opposite direction as Ward's — he starts out in fancy clothes and becomes more raggedy as the film progresses — and cinematographer John Bailey objectifies Gere in ways Marshall's camera wouldn't dare do to Roberts (just try to find another Hollywood movie so in horny lust for its male actor's physicality).

His 2015 feature film, The Visit, wasn't without its share of faults — the found - footage angle was unnecessary and hampered his strengths, which has always been his shot selection behind the camera — but it was thrilling, cohesive, and digestible enough that it didn't seem too silly or outlandish.

Realizing that they are trapped in their room with hidden cameras now aimed at them filming their every move, David and Amy desperately find a means of escape through locked doors, crawlspaces and underground tunnels before they too become the newest stars of the mystery filmmaker's next cult classic!

For its smart, honest storytelling and strong performances (particularly from Ronan and Metcalf), the film suffers some significant pacing problems with it lurching between acts in an at times ungraceful manner, the aftershock of Gerwig finding her footing behind the camera.

And here's a trailer for a fresh new take on the found - footage genre — a man accidentally films an alien invasion of Pumpkinhead - like monsters with a camera installed in his prosthetic eye.

Well, we're unlikely to find out for a little while: we imagine Anderson will be writing for a little while, with the film unlikely to go before cameras before 2013.

The real star of the film, though, is Bava's fluid and often balletic camera work: long takes frequently incorporate mercurial compositions, moving from extreme close - ups to wide, tracking, and variable zooms; and with the exception of three moments, Five Dolls is less zoom - happy than the ludicrous indulgences found in Planet of the Vampires («watch out for the bubbling LAVA - LAVA - LAVA!»)

And like that American singer, he finds a way of sneaking subversive content in past cultural gatekeepers: This is To's first movie made entirely under mainland China's auspices, and it is chaste, blunt and impersonal on the surface while his camera dances as deliriously as it did in personal films like «The Exiled.»

Things we take for granted in today's films, like fancy mobile camera work and snappy editing, can be readily found here, without undermining the film and its director's distinctly classical sensibilities.

Despite the opening moments of the film which make use of gritty CCTV footage, shaky camera phones, and webcams, taking a found footage approach, the rest of the film is smoothly and aesthetically shot in widescreen.

As Lawson explains, «I wrote a script in 2003, found someone with a camera in 2007 and started filming.

On that track, I was relieved to see the film resist the Dogme impulses of non-formal shaky - camera vérité and found lighting — Dogme entries (Tillsammans and julien donkey - boy, to name two) tend towards the aesthetically putrid.

Major influences: «As far as the camera, I was thinking about [Stanley] Kubrick and «The Shining» and I was thinking about Peter Greenaway, who is a filmmaker I actually find really upsetting and I don't love his films but I do find them very haunting.

Women's representation is sorely needed both in front of and behind the camera: the Celluloid Ceiling, which tracks women's employment behind the camera, found that in 2017, only 11 % of the top 250 films were directed by women.

In a clever twist on the found footage genre, the entire film takes place from the perspective of Brice's video camera as viewers slowly begin to suspect that the oddball client Josef might be more sinister than he initially seems.

As Michael Meade says off camera at the beginning of the film, Alchemy is about entering the darkness to find the hidden gold.

It's important to note that you don't have to find all seven film cameras in one match, but you will need to complete the match normally by winning or being eliminated for each of the film cameras you dance in front of to count towards the challenge.

Although you may recall seeing some film cameras while exploring Fortnite's new Season 4 map, you might still need a nudge in the right direction to find all the cameras needed for this challenge.

For the second week of Fortnite Season 4, players must dance in front of different film cameras found throughout the map to complete one of this week's Battle Pass challenges.

In the end, the film wasn't loaded properly in the camera and all of the footage came out blurred, which Moran found to be an inspiring dilemma.

Filming with a hand - held camera and narrating the film herself, Varda travelled around France, profiling gleaners, from those who follow the country harvests, through to urban scavengers, such as the bricoleur artist who finds objects and transforms them into sculpture, and Varda herself, who ponders the gleaning nature of digital filmmaking.

Three years on and 40 films later I could be found nonchalantly mooching around a giant incinerator camera in hand wearing high viz and hardhat.

Photographed with a large - format film camera, the images find moments of pause and quiet contemplation amidst the frenetic energy of war games.

Her unmanned camera panning indiscriminately through the backlots of a film studio, pulling in and out of focus, swinging side to side, is an interesting idea (although of course the viewpoint never settles on anything the human eye could find interesting)- until you learn that it is spelling out the letters of the word Cinematography.

When Hans Namuth, a documentary photographer, began producing a film of Pollock working, Pollock found it impossible to «perform» for the camera.

All of the photographs I took of my children with film cameras are still safe in a box or on the walls, but the digital prints from a decade ago have faded and I can't find the CDs I saved the images on.

In his 2013 thesis «The Blue Line on Thin Ice: Police Use of Force Modifications in the Era of Camera phones and YouTube», published in the British Journal of Criminology, Greg Brown found that police tend to change their behaviour when they believe they are being filmed: