Sentences with phrase «finds visual harmony»

Not exact matches

That harmony eventually found expression in Gothic proportion — its visual equivalent.

• Ed Paschke (1939 — 2004), neon - lit Chicago Pop artist Jeff Koons (b. 1955), world - famous sculptor of elevated banality and gleaming toys Prema Murthy (b. 1969), Net - conscious media artist Sarah Morris (b. 1967), brainy geometric abstractionist and appropriationist Jennifer Rubell (b. 1970), food artist extraordinaire Tony Matelli (b. 1971), hyperrealistic sculptor of flora and aggressive fauna • Edward Kienholz (1927 — 1994), Ferus gallery co-founder, iconic Los Angeles artist Jack Goldstein (1945 — 2003), Pictures Generation star and looper of films Ashley Bickerton (b. 1959), Neo-Geo artist of lurid island pop Mark Dion (b. 1961), naturalist conceptualist and arch-cataloguer • Vito Acconci (b. 1940), seminal father of transgressive»70s performance art Kathryn Bigelow (b. 1951), artist - turned - «Hurt Locker» director Ken Feingold (b. 1952), conceptualist sculptor of heads Robert Longo (b. 1953), wizard of charcoal and graphite, disturber of «Men in Cities» Mark Innerst (b. 1957), engineering - slanted landscape painter Brock Enright (b. 1976), postmodern pop - culture investigator David Salle (b. 1952), brainy Neo-Expressionist descendent of Picabia Annette Lemieux, lecturer of visual and environmental studies at Harvard Michele Zalopany, pastel Postmodernist • Dan Graham (b. 1942), sculptor of reflective / transparent psychological architecture R.H. Quaytman (b. 1961), literary - minded process painter of high intellectual wattage Cameron Rowland (b. 1988), conceptual found - object sculptor • Julian Schnabel (b. 1951), Neo-Expressionist godhead and Hollywood filmmaker Bill Saylor, sketchy maximalist and Harmony Korine collaborator Greg Bogin (b. 1965), post-Net minimalist

At Jack Shainman Gallery, the audience will find some of the most recent examples of Abney's signature visual language in which hard - edged and resolute figures from an ample source of inspirations gather on canvases within a buoyant harmony of disarray.

Collage, which unites these dissonant parts into disquieting harmony, seduces the viewer with visual pleasure and suggests the violent consumption of African bodies found in news sources across the world.

As they search for a contemporary visual language with which to express our anxieties, our harmonies, our questions and our trepidations, our contemporary abstract artists happily are finding inspiration and conceptual guidance in the iconic Modern voices of the past.

The conversation, verbal and visual, evolved over time to be more refined, in order to find harmony and balance within the artists distinctly different sensibilities and techniques.