Sentences with phrase «fine art works made»

These are fine art works made by celebrated artists who have worked with Universal Limited Art Editions (ULAE) in Bay Shore, LI.

Not exact matches

Whether you and your kids are making some fun summer crafts, spring crafts, or lovely gifts or decorations for Mother's Day, Father's Day, Easter, or other holiday, kids» arts and crafts supplies can help them... MORE exercise their imaginations and hone their fine - motor skills as they cut, paste, and draw to create their personal works of art.

For one — there are no detectable glitter flecks, just a wash of gilded shimmer that makes your cheeks look like a work of fine art.

I love it to create things which make people a little bit happier, so I love my job: I work as a fine art printmaker, that's mean, I work together with and for (international) artists to print their editions and pictures..

London, England About Blog Nadia Attura is a Fine Art Photography Blog talking about my work drawing with light mark making painting exhibitions art for sale and publications Frequency about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1,3Art Photography Blog talking about my work drawing with light mark making painting exhibitions art for sale and publications Frequency about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1,3art for sale and publications Frequency about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1,344.

Understanding A-Level Photography / Fine Art Marking and Assessment for AFL: This presentation (and accompanying jpegs) contain resources for helping A-Level students understand Marking and Assessment at A-Level (AFL)- I use these resources in my teaching of AS and A-Level students and help students: - Learn about marking - Mark / Peer Assess their work - Try to understand how the numbers correspond to their grade / mark It has been really useful in my lessons for ensuring understanding of marking and AFL - and has made what can be a painful part of the lesson - really worthwhile and useful.

These resources are supported by Videos I have made using my own work to illustrate the tips and guides - They can be found http://bit.ly/1HEaYOo Portfolios and interviews can be stressful for students - and lengthy for teachers to prepare students for - considering the time constraints of A-Level teaching - so I made this resource to help both teachers and students: — RRB - The resources are also available to view @ http://linkd.in/1TtnJU9 Please check out my other resources for Photography and Fine Art on TES and on be.net / grw

2 to 4 people can be comfortably accommodated / • Main bedroom with queen size bed and fine linen • Ample cupboards and dressing table • Luxurious en - suite bathroom with large shower and double vanity • A second bedroom with two single beds and its own en - suite is an optional extra • The clerestory windows bring views of the mountain behind into the spacious, light filled living area where two custom made daybeds work equally well as two single or as a double bed • Well equipped kitchenette with fridge, microwave / convection oven, gas hob and state of the art appliances • Glazed sliding, folding doors provide a seamless flow from the living area onto a magnificent balau deck with 360 degree views.

Every piece of material for the building is a work of art, the furniture is made from the finest quality antique wood, using top quality timber from old phinisi boats, wooden Javanese houses and recycled antique woods that are well over 100 years old..

We want to build a studio where great ideas flourish, people are rewarded for their hard work, and the art of making games is honed to a fine edge.

I sell my art work on Fine Art America and I also have an etsy shop where I sell faerie related items that I maart work on Fine Art America and I also have an etsy shop where I sell faerie related items that I maArt America and I also have an etsy shop where I sell faerie related items that I make.

It is important that all artists who care about preserving their bodies of work and the integrity of the art print and multiples they create be diligent about making proper disclosure of the art edition to their buyers and ensure that the disclosure is indelible by using the Fine Art Registry tagging system, database and Multiples Certificate of Disclosuart print and multiples they create be diligent about making proper disclosure of the art edition to their buyers and ensure that the disclosure is indelible by using the Fine Art Registry tagging system, database and Multiples Certificate of Disclosuart edition to their buyers and ensure that the disclosure is indelible by using the Fine Art Registry tagging system, database and Multiples Certificate of DisclosuArt Registry tagging system, database and Multiples Certificate of Disclosure.

James Panero reviews six New York shows: Keith A. Smith: The Fabric Works: 1964 — 1980 at Bruce Silverstein (through June 6), Karen Schwartz: Down the Rabbit Hole at Life on Mars Gallery (through May 31), Mel Bernstine at McKenzie Fine Art (through May 3), Graham Nickson: Spectrum at Betty Cuningham Gallery (through May 22), Louise P. Sloane: Recent Paintings at Andre Zarre Gallery (through May 9), and Arts in Bushwick: Making History at Storefront Ten Eyck, Brooklyn (through May 10).

As it happens, the Williams College Museum of Art in Williamstown, Massachusetts, provided one fine example in the fall of 2016 when it worked with the guest curator Chaédria LaBouvier to present a show and programming around another Basquiat, a modestly sized piece from a private collection titled The Death of Michael Stewart (1983), named for the artist who was killed by New York police officers the year it was made.

«Some illustrators make a living creating personal work that's exhibited at major museums and sold through dealers [and college illustration programs that offer gallery / fine art as a concentration],» she says.

«Our collaboration with the Fine Arts Museums of San Francisco on this historic acquisition is at the heart of our mission to make the work of these African American artists from the South accessible to the public and scholars alike,» said Anderson, Souls Grown Deep's president.

And there was certainly a time, not so long ago, when I was also a fully paid - up McKeever Believer: his seriousness, his commitment to the act of painting, and the complete absence from his work of what the American painter Gary Stephan has dubbed «visual sarcasm» — that is, the use of paint only in order to flaunt its supposed inadequacy and redundancy — made him seem like a bulwark against the insufferable smart - alec nihilism of Richard Prince, Wade Guyton, or Christopher Wool; and against the prevailing attitudes within the Higher Education establishment at which I both teach, and study on the MA programme, where the buzz - phrase on the Fine Art Critical Studies syllabus is «post-Making»; in other words, goodbye and good riddance to all that messy business with brushes and squeegees and welding torches, once and for all.

It's a busy time for Lane, whose work ranges from representational commercial commissions to abstract fine art: She's in the current issue of Studio Visit, a series of juried art books, and this summer, she's teaching «Art Making: 2D Processes» at the Arlington Arts Center, where she'll help familiarize students with a wide range of surfaces and techniquart: She's in the current issue of Studio Visit, a series of juried art books, and this summer, she's teaching «Art Making: 2D Processes» at the Arlington Arts Center, where she'll help familiarize students with a wide range of surfaces and techniquart books, and this summer, she's teaching «Art Making: 2D Processes» at the Arlington Arts Center, where she'll help familiarize students with a wide range of surfaces and techniquArt Making: 2D Processes» at the Arlington Arts Center, where she'll help familiarize students with a wide range of surfaces and techniques.

Standout solo booths included an overview of abstract paintings from 1966 to 2013 by the brilliant British artist Richard Smith at Flowers Gallery, Ai Weiwei's conceptually playful sculptures and editions at Chambers Fine Art and painted abstract wood works by Cordy Ryman at Galerie Zurcher, while juxtapositions of works by Tony Tasset and Scott Reeder at Kavi Gupta and David Wojnarowicz and Martin Wong at P.P.O.W made group hangings pop.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

Sean developed and honed his signature style while he was studying Fine Art here and it will be fascinating to see his early works and sketches — many of which were made while he was student here.»

b. 1987 in Long Island, NY Lives and works in Brooklyn, NY EDUCATION 2012 MFA Fine Arts, School of Visual Arts, New York, NY 2009 BFA Painting and Drawing, Magna Cum Laude; SUNY New Paltz, New Paltz, NY SOLO AND TWO PERSON EXHIBITIONS 2015 Storms, Gavlak, Los Angeles, CA 2014 Patient Zero, The Arts Club, London, UK 2013 I Made It Through the Wilderness, Gavlak, Palm Beach, FL NADA New York, Andrew Brischler & David Haxton, Gavlak Booth, New York, NY 2012 Goodbye to All That, Gavlak Palm Beach, FL 39 Great Jones, New York, NY GROUP EXHIBITIONS 2017 Flaming June VII (Flaming Creatures), Gavlak, Los Angeles, CA

She received her BFA in painting and print making from The Cooper Union and continued post graduate studies at Indiana University, Yale, and The Fine Arts Work Center in Provincetown.

Organized by former National Gallery of Art curator Ruth Fine, in cooperation with PAFA's Robert Cozzolino and Michael Rosenfeld Gallery, the exhibition reveals the range and power of his abstraction through nearly 100 paintings and works on paper made between the early 1930s through the 1970s.

The works currently on display include traditional ephemera (Italian language guides, bakery business cards) as well as original works of art that mimic knickknacks, such as Sinead Cahill's hand - embroidered «girl scout» merit badges made from lithographed fabric, and many things that are not ephemeral at all, but step outside traditional fine art forms into the realm of the quotidian.

The two were encouraged to seek out artists making work about sports after a Google image search for «sports related fine art» brought up little in the way of contemporary art.

Rauschenberg, who died in 2008 and whose work is the subject of a major retrospective that opened this month at Tate Modern, was an outspoken critic of auction houses and the outsize profits from which artists were excluded, making Ms. MacLear, who will become a vice chair of Sotheby's fine arts division, an unusual choice.

Af Klint is now finally credited with making the first non-objective painting in the Western fine - art tradition, and it is both her grand imagination and sense of purpose, and the idea of how histories are and can be constantly re-written, that has informed and inspired McElheny's new works.

She infused her art with these experiences through a labor intensive process — applying many layers of paint by hand to each piece and sanding the surfaces to a fine finish — and the bands of rich color that cover her sculptures, liberated from the traditional two - dimensional plane of painting, prompt viewers to make their own associations with her work.

This year, at Ben Brown Fine Arts in London, he mounted a solo exhibition titled «Make America Great Again»; and at Night Gallery in Los Angeles, he presented a body of work using imagery sourced from a rejected 1968 Black Panther coloring book to explore institutionalized racism and police brutality in the United States.

2014 dis order — Pattern and Structure in the Collection, Museum Folkwang, Essen, Germany Post Pop: East Meets West, Saatchi Gallery, London Making Links: 25 Years, SCAI The Bathhouse, Tokyo Wall Works II, Hamburger Bahnhof Museum für Gegenwart, Berlin From Rauschenberg to Jeff Koons: The Ileana Sonnabend Collection, Ca'Pesaro International Gallery of Modern Art, Venice Checkmate: Depero / Halley, Galleria In Arco, Turin Urban Theater: New York Art in the 1980's, The Modern Art Museum of Fort Worth, Fort Worth, TX The Mysterious Device was Moving Forward, Longhouse Projects, New York Man in the Mirror, Vanhaerents Art Collection, Brussels 30 Years, Foundation Cartier pour l'art contemporain, Paris (collaboration with Alessandro Mendini) Speaking Through Paint: Hans Hoffmann's Legacy Today, Lori Bookstein Fine Art, New York 93: 20th Anniversary Exhibition, Centro Galego de Arte Contemporánea (CGAC), Santiago de Compostela, Spain

Maurício Nogueira Lima, Rhythmic Object 2 (second version), 1953 The Adolpho Leirner Collection, The Museum of Fine Arts, Houston The Museum of Fine Arts, Houston, has acquired the Adolpho Leirner Collection of Brazilian Constructive Art, a group of 98 works made in the 1950s and «60s by Sergio Camargo, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, Alfredo Volpi and other Brazilian abstractionists and assembled by Adolpho Leirner (b. 1935).

American Art of the 80's, curated by Gabriella Belli and Jerry Saltz, Palazzo delle Albere, Trento, Italy A Passion for Art: Watercolours and Works on Paper, Tony Shafrazi Gallery, New York, NY Closet No. 9, Queens Museum of Art, Flushing, NY Just What Is It That Makes Today's Home So Different, So Appealing, The Hyde Collection, Glen Falls, NY The 1980's; A Selected View From the Permanent Collection, Whitney Museum of Fine Art, New York, NY Metropolitan Home Showhouse 2, New York, NY To Benefit Fashion Moda, Brooke Museum of Art, New York, NY Children in Crisis, A Benefit Exhibition, Lorence Monk Gallery, New York, NY

But the legendary school might not be teaching students today — indeed might not have made it into the 20th century — were it not for the vision of the men and women who worked together to develop the American Fine Arts Society (AFAS) building, the League's home on 57th Street since 1892.

Maurício Nogueira Lima, Rhythmic Object 2 (second version), 1953 The Adolpho Leirner Collection, The Museum of Fine Arts, Houston May 20 — September 23, 2007 The Museum of Fine Arts, Houston, has acquired the Adolpho Leirner Collection of Brazilian Constructive Art, a group of 98 works made in the 1950s and «60s by Sergio Camargo, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, Alfredo Volpi and other Brazilian abstractionists and assembled by Adolpho Leirner -LSB-...]

Archaeology - themed exhibition to complement Terracotta Army: Legacy of the First Emperor of China From uncovering objects in a virtual dig to studying ancient works of art to understand their age, function and make - up, visitors to the Virginia Museum of Fine Arts» new Dig It!

Crochet, knitted and yarn works have been making their way into the fine art scene for years, from Mike Kelley's scruffy thrift store animals and blankets to the likes of Lisa Anne Auerbach, whose clever handmade sweaters including embedded words and pictures are currently being shown through Gavlak Gallery in Palm Beach.

One is a work clearly made from the backs of bras, here used as graphic geometric patterns, another symbol of femininity used by Bourgeois, who amongst all 20th century artists was a pioneer who made materials such as textiles appropriate to be used in fine art.

So when the Fine Arts Museums of San Francisco made a deal early this year to acquire 62 works by 22 contemporary African American artists, the museums decided to produce a full - scale exhibition with catalog in four months — a fraction of the normal lead time — to celebrate.

PUBLICATIONS / RESEARCH Currently I am working on a research project exploring the decision making process in Fine Art practic.

Peter Pezzimenti, Really Having Fun Like Jobless Fucking People, 2008 Flashe on wood, 27 x 24 inches May 9 — July 3, 2008 Tobey Fine Arts presents No Thing Impossible, a group exhibition of non-objective works made with non-art materials.

Tobey Fine Arts presents No Thing Impossible, a group exhibition of non-objective works made with non-art materials.

It will bring together outstanding works of fine and decorative art that reflect the history of making, collecting, researching and exhibiting art in the German - speaking world, from the Renaissance to the present.

An installation view of works made in homage to Marcel Duchamp's 1917 «Fountain,» at Francis M. Naumann Fine Art.

Her works include paintings and sculptures and has shown in different venues including Houston Fine Art Fair, Chicago Artist Coalition, Women Made Gallery and Soap Factory and also lectured at Siamak Pourzand Foundation.

Their ability to blur and subvert the lines between fine art and craft, decoration and abstraction, folklore and history, hand - made and processed, and the ancient and post-modern, results in a highly unique, inimitable and fascinating body of work.

The exhibition, which was organized by the Dallas Art Association, showcased 626 works of art made from various media in the Fair Park Fine Arts buildiArt Association, showcased 626 works of art made from various media in the Fair Park Fine Arts buildiart made from various media in the Fair Park Fine Arts building.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fraart agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

In 2016 his work, «Made in Korea» about South Korea, has been hosted at the Italian Center for Fine Art Photography in Bibbiena, at Modena's Foro Boario as New Talent selected by the Modena Foundation Photography, at Rome's Museum of Contemporary Art (MACRO) as selected Emerging Talent and at Somerset House in London by the Sony World Photography Awards.

We also recognize the generosity of the following private and public donors who have made capital gifts or grants to the Fine Arts Work Center as part of the 50th Anniversary Campaign and past campaign efforts: