Not exact matches
Entitled «Inside Michael Ferro's secret content monetizaton engine, «Jon Regardie's
piece plumbed what he surmised to be the
finer points of the «content monetization engine» strategy Ferro has outlined only in hazy ways so far, and only to a journalist in his own employ («Tribune Publishing Chairman Michael Ferro says Gannett is «trying to steal the company»).
Hmmm, you and I usually see eye - to - eye on things, so, maybe i am missing a
piece of information or
fine point or distinction you were trying to make...?
(I blame Lesnar mostly for that, because at this
point he's a big lazy
piece of shit that doesn't care about wrestling, and is perfectly
fine doing enough to get by)
Deep into her
piece, Goldberg repeats the Tuteur talking
point that some midwives — nurse midwives — are
fine and safe because they «have the same sort
of training as midwives in countries like the Netherlands,» but not «the other kind,» i.e., the certified professional midwives, who attend home births in the United States but are not nurse practitioners.
Now I know that cookies are not for everybody, and that others consider a muffin or a
piece of cake a real treat, but the
point I'm making is that treats are perfectly
fine every now and then.
For those interested in the
finer points of education policy, I'd also recommend: Alyson Klein on helping long - term English - language learners, Chad Aldeman on the difficulty
of «raising the bar» for teacher preparation entry, Mike Petrilli's Education Next
piece on a schools agenda for working - class families, Kathleen Porter Magee on a great - news story for Catholic schools, Nat Malkus on the Title I funding fight, and Paul Peterson on the «Bush - Obama» approach to reform.
To put a
fine point on the two very different standards
of evidence demanded for the Bennett Hypothesis and state disinvestment, recall the earlier
piece by Libby Nelson
of Vox.
Linger around the chikkinizer too long and players will subject to a camping
fine, which reduces the
point value
of every acquired
piece of poultry.
If each artist makes a
point of ensuring that every single
piece of art and limited edition print created or produced carries the
Fine Art Registry ID tag and the details
of the art object are registered and recorded in the FAR database, both artists and their collectors are protected.
In the example below, I've used a
fine pointed blue felt tip and a 1/2 inch flat brush to maintain horizontal ripples and waves, giving a satisfying linear appearance to the finished
piece, while contrasting with the round outline
of the boat.
Yet, as one looks closely at each
piece, the
fine points of the artist's style come alive, creating a visual disconnect with what one expects to view and what one actually sees.
1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success
of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University
of Arizona Museum
of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance
of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown
Point Press, New York, USA Faces, Crown
Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade
of Pattern: Prints,
Pieces and Prototypes from the Fabric Workshop, The Graduate School
of Fine Arts, University
of Pennsylvania at the Institute
of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama
of seven drawings by Steir) For 25 Years: Crown
Point Press, Museum
of Modern Art, New York, USA Drawings, Sylvia Cordish
Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images
of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University
of Houston, USA, traveled toSan Angelo Museum
of Fine Arts, San Angelo, TX; Tyler Museum
of Art, TX; Aspen Art Museum, Aspen, CO..
1999 Strengthening Wind from Changing Directions: The Paul Maenz Collection, Kunst zu Weimar Sammlungen - Neues Museum Weimar, DE Entrevoir, Villa du Parc, Annemasse, FR oLdNEWtOWn, Casey Kaplan, New York, US Kirsten Ortwed, Lawrence Weiner, Barry Le Va, Kunsthalle, Malmö, SW Zeichnen ist eine Andere Art von Sprache: Neuere Amerikanische Zeichnungen aus einer New Yorker Privatsammlung, Akademie der Künste, Berlin, DE Til Mertz, Vestsjœllands Kunstmuseum, Sorø, DK Heroines and Heroes: an Idiosyncratic Anthology
of International Art (1943 - 1999), Cynthia Broan Gallery, New York, US Hogar TV Hogar: Guía de Televisión (Canal 3: La Cocina), Museo Nacional - Centro de Arte Reina Sofía, Madrid, ES Bookmarks7, Northern Illinois University Art Gallery, Chicago, Illinois, US Art at Work: Forty Years
of the Chase Manhattan Collection, Museum
of Fine Arts and Contemporary Arts Museum, Houston, Texas, US Proliferation, Museum
of Contemporary Art, Los Angeles, California, US Positionen / Posizioni, Museum für Moderne Kunst, Bolzano, IT L'Art et l'Écrit, Espace Sculfort, Maubeuge, FR Parkett, Parkett Viewing Room, New York, US Mach's Gut, Mensch: das Letzte Jahrtausend des Homo Sapiens geht zu Ende, Kunstverein, Schwerte, DE Drawn from Artists» Collections, Drawing Center, New York, US A
Piece of Furniture..., Galerie Anselm Dreher, Berlin, DE Conceptualism:
Points of Origin, 1950s - 1980s, Queens Museum
of Art, New York, US; Walker Art Center, Minnesapolis, Minnesota, US; Miami Art Museum, Miami, Florida, US Scripta Manent, Esso Gallery, New York, US Wallpaintings, Helga Maria Klosterfelde, Hamburg, DE Audrey Hepburn: una Donna, lo Stile, Museo Salvatore Ferragamo, Florence, IT Wände / Walls, Konrad Fischer Galerie, Dusseldorf, DE Troublespot.Painting, MUHKA & NICC, Antwerp, BE Save the Day: Eine Aktion anlässlich des 60.
The placement
of his unusually large and
fine abstract
piece just outside the sculpture park visitor center windows renders it incoherent from every vantage
point.
Regardless
of the US» ambiguous position, negotiators made steady progress
piecing together the
finer points of the rulebook.
The posts did
point out that «Some
of the other
pieces in this series are
fine» but do not reflect the large amount
of analysis in the investigation
of the way the emails have been misused by those with a political agenda and the extensive context we included to indicate the pressure scientists writing those emails were under from time - consuming requests for data.