Art lovers in West Yorkshire are being asked to choose their favourite painting as the county's
finest art works go online for the first time... 100 paintings held in collections across Yorkshire, dating from the 17th to the 21st century and...
Not exact matches
Working with Toddlers and Preschoolers I knew that following the process exactly wasn't
going to be possible — tissue paper is too
fine for them to
work with easily especially when wet so with some modifications we
went about creating some Eric Carle inspired
art.
I
went to a prestigious New England liberal
arts college,
worked in NYC
fine dining restaurants and
went to CIA.
It's also decorated with lots of
fine works of
art and some custom furnishings to
go with them.
Alumni from these first two clubs have
gone on to
work in industry at Signal Studios, Schell Games, Disney, Microsoft Studios, Red 5, Activision, Double
Fine, Bungie, Demiurge, Ready at Dawn, Pandemic, Electronic
Arts, thatgamecompany, Zynga, Maxis, Sledgehammer Games, PopCap, Hi - Rez, Thrust Interactive, Turbo Button, Lumosity, Stork Burnt Down, Adult Swim Games, Side Effects Software, Oculus, 343 Industries, Golden Glitch Studios, and multiple startups.
Lee Petty,
art director of Double
Fine, will be holding a one - hour lecture about the
art of Brutal Legend,
going in detail into the process of how the company takes something from an initial idea to a full - blown piece of
work.
Hansen's interest in combining technology, human biology and
fine art is longstanding and has led to some rather unusual experiments: we're told he recently used his own DNA to form the codes that
go on to create his
work.
Hello, I have been reading your comments and replies and they are all good, I myself have a problem and some questions about selling
art online, you I'm disable and been out of work of a few years, So I decided to go and get back into my art work like painting and drawing, I been wanting to see if I could sell my paintings online, so what I have done is start searching different websites to post my art work, I have been checking out eBay, Ugallery, Art Break, Esty, Fine Art America and some others, the problem for me is which one of these should I choose, I was thinking about putting different pieces on different websites and see what happen, O before I got hurt I use to do wall murals and still do sometimes, of the wall isnt too high, but I want to do some work from home, so what websites would you recomme
art online, you I'm disable and been out of
work of a few years, So I decided to
go and get back into my
art work like painting and drawing, I been wanting to see if I could sell my paintings online, so what I have done is start searching different websites to post my art work, I have been checking out eBay, Ugallery, Art Break, Esty, Fine Art America and some others, the problem for me is which one of these should I choose, I was thinking about putting different pieces on different websites and see what happen, O before I got hurt I use to do wall murals and still do sometimes, of the wall isnt too high, but I want to do some work from home, so what websites would you recomme
art work like painting and drawing, I been wanting to see if I could sell my paintings online, so what I have done is start searching different websites to post my
art work, I have been checking out eBay, Ugallery, Art Break, Esty, Fine Art America and some others, the problem for me is which one of these should I choose, I was thinking about putting different pieces on different websites and see what happen, O before I got hurt I use to do wall murals and still do sometimes, of the wall isnt too high, but I want to do some work from home, so what websites would you recomme
art work, I have been checking out eBay, Ugallery,
Art Break, Esty, Fine Art America and some others, the problem for me is which one of these should I choose, I was thinking about putting different pieces on different websites and see what happen, O before I got hurt I use to do wall murals and still do sometimes, of the wall isnt too high, but I want to do some work from home, so what websites would you recomme
Art Break, Esty,
Fine Art America and some others, the problem for me is which one of these should I choose, I was thinking about putting different pieces on different websites and see what happen, O before I got hurt I use to do wall murals and still do sometimes, of the wall isnt too high, but I want to do some work from home, so what websites would you recomme
Art America and some others, the problem for me is which one of these should I choose, I was thinking about putting different pieces on different websites and see what happen, O before I got hurt I use to do wall murals and still do sometimes, of the wall isnt too high, but I want to do some
work from home, so what websites would you recommend?
After completing a master's in English at Columbia University in 1952, she
went to New York University's Institute of
Fine Arts to complete her doctoral
work in
art history.
Originally from the Canadian prairies, she received her Advertising
Art diploma majoring in illustration from Red River College in Winnipeg, Manitoba, went on to work in several advertising agencies and then as art director for Global Television in Saskatoon, Saskatchewan while continuing to work as a fine arti
Art diploma majoring in illustration from Red River College in Winnipeg, Manitoba,
went on to
work in several advertising agencies and then as
art director for Global Television in Saskatoon, Saskatchewan while continuing to work as a fine arti
art director for Global Television in Saskatoon, Saskatchewan while continuing to
work as a
fine artist.
After studying at St Martin's College of
Art and the Slade School of
Fine Art, in 1968 she
went on to become the first female teacher at Slade, where she
worked for more than three decades.
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The
Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy
Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One
Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary
Arts Museum Houston, Houston, TX (catalogue) 2013
Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA
Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum
Art Party Benefit Auction, Whitney Museum of American
Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue)
Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual
Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA
Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual
Arts Gallery, New York, NY (catalogue) 2011 MFA
Fine Arts Fall Open Studios, School of Visual
Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual
Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual
Arts Gallery, New York, NY MFA
Fine Arts Spring Open Studios, School of Visual
Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of
Art, Huntington, NY College
Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA
Fine Arts Winter Open Studios, School of Visual
Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual
Arts Gallery, SUNY Ulster, Stone Ridge, NY The New,
Art (That Matters), Oyster Bay, NY New York
Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of
Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3:
Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown
Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley
Art Gallery, New Paltz, NY Three, Smiley
Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of
Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the
Arts
After high school, Ash
went on to obtain a Bachelor of
Fine Arts from McMurry University in Abilene, where she began to perfect her unique style,
working mainly with mixed media, including enamel, oil, acrylic and graphite.
The
works will
go to the Denver
Art Museum, which currently holds the largest collection of colonial art in the US, as well as the Blanton Museum of Art in Texas, Boston's Museum of Fine Arts, the Hispanic Society Museum & Library in New York and The Museo de Arte de Lima in Pe
Art Museum, which currently holds the largest collection of colonial
art in the US, as well as the Blanton Museum of Art in Texas, Boston's Museum of Fine Arts, the Hispanic Society Museum & Library in New York and The Museo de Arte de Lima in Pe
art in the US, as well as the Blanton Museum of
Art in Texas, Boston's Museum of Fine Arts, the Hispanic Society Museum & Library in New York and The Museo de Arte de Lima in Pe
Art in Texas, Boston's Museum of
Fine Arts, the Hispanic Society Museum & Library in New York and The Museo de Arte de Lima in Peru.
A few
works on paper that I did in the 1970s are
going to be shown for the first time in Four Figures, a group exhibition curated by artist Tom Knechtel at Marc Selwyn
Fine Art in Beverly Hills, California, opening Saturday July 12 through August 23.
Emblematic of the latter, John Alexander recently spent a few days at Rice University
working alongside Patrick Masterson, master printer at Burning Bones Press; Rice Professor Karin Broker; and Patrick Palmer, director of the Museum of
Fine Arts, Houston's Glassell School of
Art, to create a series of monotypes that
go on view in May at McClain Gallery.
But, as I expressed an interest in
fine art at that time — because I had been
going to museums — he really gave me my first serious critical confrontation with how hard you had to
work, how you had not to expect much, because you were dealing with a tradition which was an extraordinary community of excellence.
In the 1920s, Stone studied at the
Art Academy of Cincinnati, the Pennsylvania Academy of
Fine Arts, and the
Art Students League in New York City with Boardman Robinson and Thomas Hart Benton before rejoining his family in Lansing, Michigan, where he
went to
work for a company designing cemetery monuments.
Everything is
going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox
Art Gallery, Buffalo, New York, USA
Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias
Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias
Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary
Art, Ridgefield, CT Palm Beach Institute of Contemporary
Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the
Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie
Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip
Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary
Art, Museum of
Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)
The eminent German curator Kasper König has had an extraordinary career in Europe, organizing his first show — a survey of Claes Oldenburg's
work — at the age of 23,
working on Pontus Hultèn's seminal Warhol retrospective at the Moderna Museet at 25, and
going on to curate dozens of major exhibitions, found Frankfurt's esteemed Portikus kunsthalle, and hold professorships at the Academy of
Fine Arts in Düsseldorf and the Städelschule.
Now, if the New York trip doesn't pan out next week, I'll just
go luxuriate some more in the slow - cooked pleasures of Georges Braque: A Retrospective at the Museum of
Fine Arts, Houston — the only U.S. venue — and the myriad conceptual riddles of Magritte: The Mystery of the Ordinary, 1926 - 1938, which the Menil Collection co-organized with the Museum of Modern
Art and the
Art Institute of Chicago and is supplementing with its exclusive, collection - based Memories of a Voyage: The Late
Work of René Magritte.
Howard Rachofsky, a Dallas - based collector saw an opportunity in postwar Italian
art when more than a decade ago he
went after
works by undervalued at the time Lucio Fontana and bought «Concerto Spaziale, la
Fine di Dio» at auction for $ 2.3 million.
received an honorable mention award * 2012 Small
Works Show, juried show at Segil
Fine Art Gallery, Monrovia, California * 2012 California Open, juried show at TAG Gallery, Santa Monica, California * 2012 Best In Show...
Art Goes to the Dogs, juried show at the Liberty
Art Gallery, Long Beach California * 2012 Just California, juried show at the McGroarty
Art Center, Tujunga California Affiliations
John Grod: Formerly the Little City Center for the
Arts Media Arts Manager, John received a degree in fine arts from The University of Illinois at Chicago and went on to work at The Center for New Television; a non-profit media arts center for ten ye
Arts Media
Arts Manager, John received a degree in fine arts from The University of Illinois at Chicago and went on to work at The Center for New Television; a non-profit media arts center for ten ye
Arts Manager, John received a degree in
fine arts from The University of Illinois at Chicago and went on to work at The Center for New Television; a non-profit media arts center for ten ye
arts from The University of Illinois at Chicago and
went on to
work at The Center for New Television; a non-profit media
arts center for ten ye
arts center for ten years.
And when he
went to see the
works in the collections of the Museum of
Fine Arts, Houston and at the Dallas Museum of
Art, he made a connection between why American art is the way it is — especially in Rauschenberg's work — once he saw American folk a
Art, he made a connection between why American
art is the way it is — especially in Rauschenberg's work — once he saw American folk a
art is the way it is — especially in Rauschenberg's
work — once he saw American folk
artart.
From the academic approach to painting I learned in
art school, I
went to totally abstract
work, particularly influenced by the paintings of Clyfford Still who had been a major force at the California School of
Fine Arts just previous to my arrival.
Incorporating materials not traditionally associated with
fine art into his
works — including latex, satin, bamboo, and other found objects — Sonnier began to create sculptural
works that challenged the conception of
art at the time, and which
went on to redefine contemporary sculptural practices.
In one of her earliest performances (Museum Highlights), the artist posed as a tour guide at the Philadelphia Museum of
Art and lead museum -
goers on a verbose and theatrical tour of the museum, describing a common a water fountain as «a
work of astonishing economy and monumentality» or the museum cafeteria as «regarded as one of the very
finest of all American rooms.»
MP: And your own history has fed into your
work... reading history at college and then
going on to... The School of the Museum of
Fine Arts, and your grandmother [painter Alice Neel]-- but there was something else I wanted to say.
She
went on to study Anthropology and
Fine Art in 2007, and
worked in medical illustration, exotic animal care and stop motion animation.
Beijing based artists who
go by the name Unmask, Liu Zhan, Kuang Jun and Tan Tianwei met one another at the Central Academy of
Fine Arts and has been doing sculptural
work together since 2001.
It's proof that his
work went way beyond the
fine art world.
Photography from the Deutsche Bank Collection, Singapore
Art Museum, Singapore The New International, Garage Museum of Contemporary
Art, Moscow Songs of Loss and Songs of Love, Gwangju Museum of
Art, South Korea Look at Me: Portraiture from Manet to the Present, Lelia Heller Gallery, New York I Look at Things...
Work From the Collection, Faurschou Foundation, Copenhagen Shirin Neshat: Don't Ask Where the Love is
Gone, Moscow Photobiennale 2014, Multimedia
Art Museum, Moscow Pionniéres: Lynda Benglis, Louise Bourgeois, Marlene Dumas, Tracey Emin, Roni Horn, Shirin Neshat, Cindy Sherman, Nancy Spero, Niki De Saint Phalle, CAB
Art Center, Brussels 2013 My Third Land, Frankendael Foundation, Amsterdam Collection Exhibition II, 21st Century Museum of Contemporary
Art, Kanazawa Come Together: Surviving Sandy, Year 1, Industry City, New York The Ghost of Architecture: Recent and Promised Gifts, Henry
Art Gallery, University of Washington, Seattle SKIN, an artistic atlas, Royal Hibernian Academy, Dublin She Who Tells a Story: Women Photographers from Iran and the Arab World, Museum of
Fine Arts, Boston Legacy: Photographs from the Emily Fisher Landau Collection, the Aldrich Contemporary
Art Museum, Ridgefield, Connecticut Displaced Visions Emigré Photographers of the 20th Century, The Israel Museum, Jerusalem All You Need is Love, Mori
Art Museum, Tokyo 2012 OC Collects, Orange County Museum of
Art, Newport Beach Voice of Images, Palazzo Grassi - Françoise Pinault Foundation Pulso Iranioano.
He graduated from the University of Southern California Roski School of
Fine Arts and currently
works as a full time graphic designer and co-founder of Winnow + Glean, a Los Angeles - based creative studio, where design and storytelling
go hand - in - hand.
«In fact, a devoted James client once said, `... his
work went beyond fashion and was a
fine art.
Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life at the Virginia Museum of
Fine Arts in Richmond brings together more than 60
works from each artist, 128 in all, in an exploration of affinity and influence that
goes to the heart of a singular American artist's lineage and identity.
Little HISK (Higher Institute for
Fine Arts in Ghent) will be presenting the
work of five current and five former HISK students and then the chance to
go on a hike and enjoy the Contemporary Photography Route that will take you to galleries that specialise in contemporary photography along with other
art spaces exhibiting photography based work for the Antwerp Art Weeke
art spaces exhibiting photography based
work for the Antwerp
Art Weeke
Art Weekend.
«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary
Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American
Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of
Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of
Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of
Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary
Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art and Memory,» Museum of
Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines
Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american
art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
art,» Zacheta National Gallery of
Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park
Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary
Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts
go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of
Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern
Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American
Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic
works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006
SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary
Art, Houston, TX; Cameron Museum of
Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC
Art on Paper, Curated by Emily Stamey, Weatherspoon
Art Museum, Greensboro, NC Objectifying Myself:
Works by Women Artists from the Pennsylvania Academy of
Fine Arts, William Benton Museum of
Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre
Arts, Durham, NC Typecast, Hillyer
Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary
Art @ PAFA Remixed, Pennsylvania Academy of
Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of
Art, TX 2013 Contemporary Vietnamerican
Art, Maier Museum of
Art, Lynchburg, VAThe Linda Lee Alter Collection of
Art by Women, Pennsylvania Academy of
Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation
Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam
Art HK 12, Hong Kong International
Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary
Art, Yekaterinburg National Centre for Contemporary
Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary
Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental
Art Gallery, Hanoi, Vietnam (solo) Small
Works, Morris Graves Museum of
Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin
Art Center, Marin, CA Juror: Rene de Guzman Small
Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach
Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA
Go West!
Anita studied
Fine Art & History of
Art in Newcastle's College of
Arts & Technology and subsequently spent ten years
working as a project manager in interior architecture before
going back to study Modern
Art & Auctioneering at Christies.
Numerous
art styles — Minimalism, Conceptualism, Pop Art — came and went, but Fine stuck to abstraction in her work for close to 50 yea
art styles — Minimalism, Conceptualism, Pop
Art — came and went, but Fine stuck to abstraction in her work for close to 50 yea
Art — came and
went, but
Fine stuck to abstraction in her
work for close to 50 years.
Once you have the Tucson car insurance coverage you need you can do whatever you would like be it catch a
fine arts performance, musical concert,
go to
work or attend class at one of the four University of Phoenix campuses in Tucson or Pima Community College, which has six campuses.