A drama of this nature demands
the finest quality film but what comes across is hazy, resembling a digital print or one shot largely with a handheld camera intent on extreme close - ups.
Not exact matches
Throughout the
film vacillating between the legalistic and the spontaneous, Marianne seems to place the
finer human
qualities outside the realm of formula.
There are many
fine elements to the story, sufficient to think that they might develop into a
quality film, and yet the story feels like three chapters that don't quite jibe thematically with one another.
Fox's bargain bin - bound Blu - ray + DVD release offers
fine A / V
quality, a solid featurette on the improbable real heist, and the best presentation the
film can expect to have in physical media anytime soon.
The
finer qualities of the rest of the
film do keep the story afloat, despite Levinson's tendency to overplay his hand, making Liberty Heights one of the better
films of 1999.
There's something missing here, something big, something that would have tied up all the
film's
finer qualities into a coherent whole.
Special Award: Brattle Theater, on its 100th anniversary, «for maintaining the tradition of revival
film programming in the Boston area and for its commitment to
quality prints and projection» (the Globe's language, not necessarily the BSFC's) Special Award: The Coolidge Corner Theater Foundation and Friends in Support of the Somerville Theater, «for their efforts to preserve historic theaters as sites for alternative
film programming» (ditto) Best Discovery or Rediscovery: The Great Rock»n' Roll Swindle (Temple), The Dybbuk (Waszynski), Coonskin (Bakshi), restored Lawrence of Arabia (Lean), Carnival of Souls (Hervey) Best
Film Series: The West Rides Again (Museum of
Fine Arts), The Films of Carl Theodor Dreyer (MFA), The Boston Jewish
Film Festival (MFA), The Films of Anna Magnani (MFA), and The Films of John Cassavetes (Harvard
Film Archive)
That said, there's easily enough
quality to make this one of the year's
finest, and Newman continues to stake his claim to be the
finest film composer there now is.
Paramount's Blu - ray combo pack offers some of the
finest picture and sound
quality you'll find on the format plus a solid collection of entertaining and informative bonus features highlighted by a winning documentary, an enjoyable animal featurette, and deleted / extended scenes viewable on their own or as part of the
film.
The
film's high
quality makes it easy to recommend Warner's long - awaited Blu - ray release, which unearths an alternate ending and a wealth of really good bonus material, much of it previously unseen, to complement a
fine HD feature presentation.
The audio
quality of the
film was
fine, with no noticeable flaws, but also nothing to remember.
Olsen, whose talent was made powerfully apparent with her breakout
film, 2011's «Martha Marcy May Marlene,» does a
fine job but, given her wide - eyed ethereal
quality, she seems an unusual casting choice.
The Kino releases of Chabrol's early
films are
fine and KimStim's releases look good, but many of the Pathfinder releases are indifferently mastered from mediocre prints and the
quality varies substantially from disc to disc.
While exhibiting
fine audio and video
quality, the DVD makes the befuddling decision of presenting the
film cropped for standard televisions and the extensive alternate ending in 16x9 - enhanced glory.
I must admit, I'm not a huge fan of horror
films, mostly because I find many of them lacking in suspense and good stories, and Ginger Snaps isn't really an exception despite the
fine qualities.
An overview of the work of filmmaker John Smith, and an appreciation of its humble, earthly
qualities, its
fine - tuned probing of the «local» world, the artist's relationship to this world and the
film form itself.
Too few of Hollywood's recent offerings can boast such a simple throughline and know when to wrap it up, so while it might feel ridiculous to give The
Finest Hours credit for having a finite ending, it's one
quality that really makes the
film stand out.
42nd Street unavoidably suffers from the gauzy, low - texture
quality of many
films from the early talkie age, but the Blu - ray maximizes
fine detail without ever sanding away the flaws that give such
films part of their throwback charm.
Call
quality sounded
fine from the phone's speaker and the dual loudspeakers at the bottom of the phone weren't too shabby either, with the option of a virtual surround sound effect for
films, games and music.
The Flood Gallery
Fine Art Center fulfills its mission by designing and providing art exhibitions, public events, and educational experiences that promote the appreciation and enjoyment of art, support the creative efforts of artists, and enhance the
quality of life through interpreting, collecting, and exhibiting art, architecture, dance,
film, and design.