Sentences with phrase «finished filming her scenes»

An Instagram post from Josh Gad (Frozen) has confirmed that he has finished filming his scenes in 2017's live - action Beauty and the Beast film.

Not exact matches

As Disney was wrapping up production on A Wrinkle in Time, the latest film from lauded director Ava DuVernay and an adaptation of the beloved children's book, out Friday, the production team reached out to Rodeo FX to add finishing touches on a selected scene.

The production spent time creating scenes for a trailer they had no intention of ever being in the finished film, scenes that badly characterized what kind of movie it would be.

To be sure, all of these scenes are in the finished film (why do some trailers have so much discarded material?

They feature a director's commentary on the finished film and deleted scenes, and an extended documentary.

During the interview, Hooper talked about if he felt any pressure following up Les Miserables and The Kings Speech, the experience of making a film about transgender issues when the subject is so timely, when he first realized Redmayne and Vikander would deliver such tremendous performances, deleted scenes, how his first cut compared to the finished film, if he's conscious of making «awards» films and whether he want to break out of that, future projects, and so much more.

The DVD contains 8 Deleted Scenes, four of which are simply alternate examples of scenes which are in the finishedScenes, four of which are simply alternate examples of scenes which are in the finishedscenes which are in the finished film.

You see these scenes as the crew films them then the finished product.

Indeed, Waititi previously revealed that much of the dialogue in the film was improvised, and Hemsworth explains in the clip below that this scene was originally just one line — what we see in the finished film is all improvisation.

It looks like Selena Gomez has finished her scenes for now, with the film moving to Elle Fanning «s character, hanging out with Timothée Chalamet.

Galleries of production stills, production art, filmmaker biographies, posters, lobby cards, merchandise, set documents (call sheets and the like), and a screenplay excerpt of the film's climax (Felton had a beautiful command of language), three radio spots, storyboard - to - screen comparisons for the scuba and squid scenes, an outtakes reel, and 20,000 Leagues Under the Sea's 1954 theatrical trailer finish off this exhaustive treasure chest of a DVD.

A newly revealed Star Wars: The Last Jedi deleted scene gives Gwendoline Christie «s Captain Phasma much more screentime than the finished film.

We've been following this film since early behind - the - scenes footage and photos showed up last year, but now we get to watch some actual finished footage and it looks outstanding.

Interwoven with the finished scenes, the B - roll gives us looks at filming with stunt doubles, animal trainers, moving cameras, Fincher directing, the creation of storyboards, and multiple takes.

There are interesting side - by - side storyboard / finished scene comparisons for the film's more visually complex sequences; a selection of rather understandably deleted scenes that can be viewed with commentary by director and producer as well as within the context of the film (albeit in rather cumbersome fashion); a largely useless montage of still photos from the production cut to a cue of John Murphy's score; the usual cast and crew filmographies and production notes; plus a full - frame version of the film to go with the nicely transferred anamorphic widescreen one.

The DVD extras are a scream, with Guest and co - star / co-writer Eugene Levy illuminating the process of culling a finished film from reams of improvised scenes.

It's an exhaustive and informative featurette, with Duffield walking us through various sets and scenes, including neat background art barely glimpsed in the finished film but deserving of this sort of archiving.

On Disc Two, which contains the unrated version of the film, there's an audio commentary with zombie performers Matt Blazi, Glena Chao, Michael Felsher, and Rob Mayr; another audio commentary with George A. Romero, producer Peter Grunwald, and editor Michael Doherty; the When Shaun Met George with Simon Pegg and Edgar Wright featurette; the Bringing the Dead to Life featurette; a Scenes of Carnage montage; Zombie Effects: From Green Screen to Finished Scene; the oddball Scream Tests: Zombie Casting Call CGI test; Bringing the Storyboards to Life split - screen comparison; the Undead Again: The Making of Land of the Dead featurette; and A Day with the Living Dead featurette.

Other production sections include «Sequence Breakdowns,» covering 6 key fight scenes and locations, and offers viewers the chance to read the scene in Goyer's screenplay, compare it with the final shooting script, view the scene through storyboards, jump to the scene in the finished film, and view video footage from the set.

Game of Thrones finally finishes filming the show's most massive battle scene after 55 consecutive days of principal photography.

And I don't quite understand why he chose to finish - out the film as he did, taking a documentary approach with the final five minutes, including a jarring final scene better suited for the 2014 Oscar - winning Snowden documentary, «Citizenfour».

At a recent roundtable interview, Revolori talked about the atmosphere on set, working opposite Fiennes, his kissing scene with Saoirse Ronan, adapting to act in the Wes Anderson universe and the research he did beforehand, the physicality and pacing required on set, having fun being a part of the film's exciting adventure set pieces, being slapped repeatedly by Harvey Keitel in sub-zero weather, bowling with F. Murray Abrahams, his chocolate allergy, and his upcoming Bollywood film, «Umrika» which he just finished shooting in India with Suraj Sharma from «Life of Pi.»

At that time I was into reading genre film novelization prior to seeing the films because they often had extra scenes and information not found the finished film.

At one point, Casey lived not only with her parents and brother, but her uncle and his children; at another point, Casey's mom (Judy Greer, who has more screen time here than in the feature) appeared to be a cancer patient, which would explain her absence in the finished film's present - day scenes.

Based on all the behind the scenes drama, this movie should have been a disaster, but it proves my theory that film goers should never pay attention to the voice behind the curtains and let the finished product speak for itself and there's something about this film that just works.

The one extra not blatantly promotional (though heavily media - hyped prior to the DVD release) is a trio of very brief deleted scenes, most notably Ben Affleck's excised cameo as an out - of - costume Matt Murdock, which turns out to be one hugely anticlimactic throwaway of a missed opportunity — much like the entire finished film itself.

Given the film's reportedly chaotic development, there's probably five times as much fascinating footage as we get in a tantalizing selection of «Deleted Scenes» (12:22, SD), but we're given trims that compliment the finished product: CIA Director Ezra Kramer (Scott Glenn) testifying before Congress and firing Landy, a slaying on the streets of Spain, Ross getting a point in the right direction, Bourne attempting to squeeze information from a contact, extra footage from the Waterloo Station sequence, two strategic pow - wows between Landy and Vosen, and Bourne seeing off Parsons.

One scene has Denise under arrest, something that's only referred to in the finished film rather than shown.

As Lady Bird's mother, Laurie Metcalf is alternately ferocious and loving, a dynamic established during the film's shocking opening scene: After finishing a book on tape in the car, mother and daughter switch instantly to screaming at each other, prompting Lady Bird to open the car door and roll out.

We see the scene progress in various stages and then with the finished effect as it appears in the film.

During my interview with Browning and Cornish, we talked about how everyone bonded off set while they filmed in Vancouver, their reaction to seeing the finished film, the many deleted scenes and will they be in a director's cut (they will), and what is their go to karaoke song.

When Harold's sketches for «The Ten Commandments,» for instance, are compared to the film's finished scenes, the similarities are unmistakable.

There is some good stuff here, as the scenes are funny and show some subplots which weren't explored in the finished film.

A storyboard to final film comparison (1:24) lets you watch a Mushu scene from the film in its finished form, in storyboard form, or, most logically, a split - screen comparison.

Eight of these scenes merely show extra footage from scenes in the finished film, but three, which show Tracy with her former friends, an early visit from Tracys dad, and Evie shunning one of Tracys old friends, are worth watching.

Stone follows - up his commentary with voiceover for the approximately ten deleted scenes elsewhere on the platter, and his justification for some of these cuts is up for debate: I don't agree that the finished film ends on a peak note — instead, it's a hasty retreat, and that abruptness could have been alleviated by either of the alternate denouements presented here.

That scene is still in the film, but following is a shot of Barbara (Roberts), the eldest daughter, driving away from the house and through Osage County, stopping to look at the landscape, finishing her story as well.

«Multi-Angle Featurette» gives the viewer the chance to watch a scene where they can compare the previs to storyboards to the finished film.

He is a great director of scenes, not of movies, but in «Phantom Thread» he has devised a film that hangs in from start to finish, his first since «Boogie Nights.»

Though it'll be interesting to see whether the behind the scenes problems (including a bloated budget and reported head butting between Forster and star Brad Pitt) have bled onto the film, if the finished product is any bit as good as the source material promises, Paramount will surely view it as a small victory regardless of its box office performance.

However, he kept an air of mystery whether the cameos would be in the finished film, stating «I think they took that scene out.»

That scene never reached cameras and was ultimately scrapped in favor of the assassinations included in the finished film.

Kojima wasn't allowed to go to bed till the film had finished, even if it contained sex scenes.