Not exact matches
This is a transitional painting from the minimalism that Christensen had adopted when he
first came to New York and the
lyrical abstraction of his «Dorado» period — but beyond that, worthwhile in its own right, very tight and neat and sober.
The continuation of abstract expressionism, color field painting,
lyrical abstraction, geometric
abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist movements in both painting and sculpture continued through the
first decade of the 21st century and constitute radical new directions in those mediums.
Despite these experiences, Tàpies was swiftly drawn to the
lyrical abstraction known as art informel, especially after 1953, when he experienced the American equivalent, abstract expressionism, at the time of his
first one - man show in New York.
He is considered one of the
first color field painters and is one of the forerunners of
Lyrical Abstraction.
American
Lyrical Abstraction was
first recognized as an art movement in the 1960s and 70s.
An exhibition aptly titled
Lyrical Abstraction was held
first at Aldrich Contemporary Art Museum in 1970 after which it was moved to the Whitney Museum of Contemporary Art in 1971.
Born 1941 in Maspeth, New York, his paintings are among some of the
first to be referred to as works of
Lyrical Abstraction.
Bernède
first turned to
Lyrical Abstraction during the early 1960s.