Sentences with phrase «first art history class»

He taught the first art history class I ever took (at UMass Amherst), and it was one of the first classes he taught after graduating from Princeton.

Not exact matches

To name but a few: - Literature, History, Science, etc. discussion & debates over various aspects - Lab experiences - Band, Orchestra, Choral, Drama and Dance classes - Meaningful field trips - Physical Education (Sports)- Studio Art Except for the first one, all of the above experiences need a physical setup.

Plastic Explosive — David Hawtin drives an unspoilt example of one of the first post-war British GT cars — Jensen's handsome all - glassfibre 541 / Jenks — The Last Word For Bill Boddy memories of the little man just keep flooding back... / Barn Fresh — An astonishingly original 1914 Model T Ford provides Douglas Blain with unexpected food for thought / Racing Stars — Bill Boddy fills in some further detail in a learned postscript to Edward Eves's recent history / MG TF Exposed — The second in our exclusive James Allington cutaways this time of the last of the Abingdon «square riggers» / Nearly Great Marque authority — Ian Dussek tells the story of HRG one of the great British might - have - beens / Economy Class — The Editor is charmed in spite of himself by a late - vintage Rover saloon / The Gamy Mystery — The golden years of automobile art described by Jonathon Wood.

Western Spirit is a first - class museum celebrating the art, culture and history of the American West in its galleries in the 43,000 - square - foot two - story main building.

This exhibition is described by the museum as the first - ever to present the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.»

It is the first exhibition to highlight the voices and experiences of women of color — distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.

Organized by the Brooklyn Museum, this exhibition is presented as the first - ever to explore the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.»

I remember the first time I learned about Yves Klein in art history class.

Having seen an earlier Sherman survey in 1991 — several years before making art or taking my first art - history class — I was struck by how much of her earlier work I instantly recognized when I saw this retrospective at its San Francisco Museum of Modern Art stop last yeart or taking my first art - history class — I was struck by how much of her earlier work I instantly recognized when I saw this retrospective at its San Francisco Museum of Modern Art stop last yeart - history class — I was struck by how much of her earlier work I instantly recognized when I saw this retrospective at its San Francisco Museum of Modern Art stop last yeArt stop last year.

She graduated with first class honours from the University of Oxford in 2006, gaining master's degrees in both International Relations at the London School of Economics in 2007 and Art History at the Courtauld Institute of Art in 2009.

Louisa Howard graduated from the University of Bristol in 2012 with First - Class Honours in History of Art and Italian.

One of the required courses was «Research and Writing Art History and Criticism,» and the first class assignment was to write a 20 - page paper on a single work of art from the museum's collectiArt History and Criticism,» and the first class assignment was to write a 20 - page paper on a single work of art from the museum's collectiart from the museum's collection.

Described as the first - ever exhibition to present the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history,» featured artists include Camille Billops, Beverly Buchanan, Elizabeth Catlett, Jeff Donaldson, Jae Jarrell, Wadsworth Jarrell, Samella Lewis, Lorraine O'Grady, Faith Ringgold, Betye Saar, Lorna Simpson, and Carrie Mae Weems, among others.

Her spring semester included the first of three art history classes that she took with Walter Horn, a medievalist and the first art historian in the University of California system [8].

Nordland speaks about his birthplace and childhood home; parent's occupations; interests as a child; beginning interest in art history; first visits to the Los Angeles County Museum; relationship with Lincoln Kirstein; move to Yale; his book on Gaston Lachaise; attending the University of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting out of the Army; first paintings purchased; writing for «Frontier» magazine; the invitation to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and Californart history; first visits to the Los Angeles County Museum; relationship with Lincoln Kirstein; move to Yale; his book on Gaston Lachaise; attending the University of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting out of the Army; first paintings purchased; writing for «Frontier» magazine; the invitation to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and CalifornArt Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and CalifornArt in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and CalifornArt; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and California.

When her first year didn't go too well, she considered dropping out but ended up staying after meeting her future husband, Bill Brown, who encouraged her to stay and take the landscape class by Bischoff, and also introduced her to art history when he give her a number of books where she was first encountered works of artists such as Goya, Velàzquez, Rembrandt, and the Impressionists.

Dr Cullinan was educated at the Courtauld Institute of Art, London, where he was awarded First Class Honours for his B.A. in History of Art, a distinction for his M.A. and where he also gained his PhD.

I first learned about her during a college art - history class.

Starting out with a background in fine art practice at University of the Arts London (UAL), Rosa studied under Griselda Pollock at the University of Leeds, gaining a BA with First Class Honours in Social and Critical Histories of Aart practice at University of the Arts London (UAL), Rosa studied under Griselda Pollock at the University of Leeds, gaining a BA with First Class Honours in Social and Critical Histories of ArtArt.

1950's Abstract Expressionism was the first «contemporary» art history class I took so anything reminiscent of that style will always hold a special place in my heart.

In pursuit of this dream she read History of Art at Reading University and graduated with a First Class Honors degree.

This year, for the first time in the history of CalArts Open Studios, the undergraduate Fine Arts program graduating class opens their studios alongside their MFA counterparts.

He studied Photography at the Arts University Bournemouth, receiving First Class Honours before studying Art History at Goldsmiths College, University of London.

The Cooper Union graduates are among the many co-founders of the student activist group Free Cooper Union, which protested the college's decision to charge tuition for the first time in its history, and both Sobel and Gollan contributed to Artforum's recent «Class Dismissed: A Roundtable on Art School, USC, and Cooper Union» piece, along with artists Frances Stark and Jory Rabinovitz, curator Helen Molesworth, and others.

Described by the museum as the first - ever exhibition to present the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.»