Sentences with phrase «first as a conceptual artist»

Not exact matches

Hank Willis Thomas: All Things Being Equal... will be the photo - conceptual artist's first comprehensive survey, and explores how Thomas points to the roles that images, brands, and popular icons play in perpetuating stereotypes as well as upending dominant culture narratives.

Flavin has been credited with being «one of the first artists to make use of a basically progressional procedure,» and the systematic arrangement of color and light fixtures was an aspect of his work that not only led to it being characterized as Minimal art but which moreover influenced Conceptual artistic practices.

CIMA's first two - person exhibition pairs the Metaphysical painter Giorgio de Chirico with the contemporary conceptual artist Giulio Paolini, who has described de Chirico as an «illustrious model» and has incorporated overt and coded images and references to de Chirico in his work for years.

May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum

Although this project marks the first time de Neige has made autonomous AI - as - art, he believes the work is in line with his ongoing conceptual trajectory as an artist.

Many first generation Conceptual artists working in the late 60s and early 70s de-emphasized the art object, in part as a gesture against what they perceived as the increasing commercialization of the artwork (one thinks of Sol LeWitt's ephemeral wall drawings, painted over at the end of their exhibition, or the linguistic investigations of Lawrence Weiner who in 1972 wrote, «I do not mind objects, but I do not care to make them»).

He cites the Minimalist conceptual artist Fred Sandback, whose yarn drawings in space Redl first saw in 1997, as an inspiration.

Following the first publication, an exhibition catalogue that relied more heavily on text than image, Printed in Germany was conceived to exist as a stand - alone visual object and extend the artist's conceptual and aesthetic concerns into book form.

Cornelia Parker discusses her role as the first woman and conceptual artist to be chosen for the role of U.K.'s official election artist.

At the Studio Museum in Harlem, she curated more than 12 exhibitions, including those on Rodney McMillian, Titus Kaphar, Glenn Kaino, and Robert Pruitt, as well as the first major museum survey of the LA conceptual artist Charles Gaines, which traveled to the Hammer Museum in Los Angeles and was nominated in 2014 for a Best Monographic Museum Show in New York by the International Association of Art Critics (AICA - USA).

A key figure in the first generation of British conceptual artists, he was a professor at Goldsmith's College, where he trained many of the YBA (Young British Artists), such as Damien Hirst and Garartists, he was a professor at Goldsmith's College, where he trained many of the YBA (Young British Artists), such as Damien Hirst and GarArtists), such as Damien Hirst and Gary Hume.

Among the most influential feminist artists working today, Mary Kelly (b. 1941) first came to prominence as a Conceptual artist in 1976 with the controversial Post Partum Document series, notorious for incorporating her baby's dirty nappies.

In its first exhibition dedicated to the work of Yoko Ono, the Museum of Modern Art presents an exploration of the artist's groundbreaking performances and films, as well as her role in the development of Conceptual art, experimental film, and performance art.

As a pioneering London gallery that championed the careers of many influential artists, it was one of the first gallery venues to be associated with Minimalism and Conceptual Art.

He is considered as an important figure among the first generation of Conceptual artists — including Bas Jan Ader, Michael Asher, John Baldessari, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, and William Wegman — that emerged in Los Angeles during the late 1960s and 1970s.

Some of the venues — such as the Selda Asal - founded Apartment Project (one of the first artist initiatives in Turkey)-- have yet to announce their events, and all that's left to go on is the promise of eclecticism laid along the conceptual platform of the project space.

Brandt had researched, curated, and written the exhibition catalogue for the first major museum retrospective of the work of the Chinese - American photographer and conceptual artist who gained a following in the 1980s as an «ambiguous ambassador» in a signature Mao suit.

Cut and Paste, artist Mary Evans» first solo exhibition at Tiwani Contemporary as well as in London presents a new large - scale installation, works in cut paper and a video, which highlight the conceptual intricacies and emotional pendulum that frequently surface within her work.

The result of research conducted on two fronts — conservation and curatorial — the catalogue offers a reconsideration of the cut - outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing.

Invented in secret in the privacy of Oiticica's New York loft in the early 1970s, they were not shown as works of art until 1992, twelve years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part of the first traveling retrospective of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity of his artistic production between the years 1970 and 1978.4 The 1992 presentation of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service of the sensorial is surely the most striking of these animating threads), they indicated the artist's pointed engagement with the avant - garde artistic culture of New York.

Gaines's keynote concerned art as an aesthetic practice versus art as a cultural practice, and as he dug into the work of Adrian Piper and a group he termed «first - generation Conceptual artists,» he related the stakes of reading, teaching, and understanding artwork in the twenty - first century.

For the unfamiliar, a brief history of Mike Kelley, artist: born in Detroit, 1954, studied art at the University of Michigan, earned his MFA at Cal Arts during its moment as the epicenter of conceptual art in the»70s, remained in Los Angeles, was first embraced by the art world for his found - object sculptural works that toyed with the conventional in the cynical 1980s, grew increasingly influential as his work expanded in ambition and scale, committed suicide at age 57.

Now in her 80s, the Japanese conceptual artist Yayoi Kusama is still as vigorously productive as when she first burst onto New York's counterculture scene in the 1950s.

At the suggestion of the conceptual artist Jonathan Monk, his friend and former flatmate, Shrigley reconsidered becoming an artist, and began presenting his drawings as they first appeared, instead of polishing them up.

With over 600 shows during the last 50 years, it first gained recognition by exhibiting conceptual and minimal artists such as Carl Andre, Martin Barré, Christian Boltanski, Donald Judd, Joseph Kosuth, Sol LeWitt, Richard Serra.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

First trained as an animator, Yu also produces video works that appropriate iconic artworks including Jeff Koons's balloon dogs and conceptual artist Lawrence Weiner's text works.

This unique selection of materials documents Wilson's actions and work and reveals her interest in fellow artists such as Vito Acconci, Carolee Schneemann, Nancy Spero and Lynda Benglis and includes in its entirety Lucy Lippard's exhibition catalogue for c. 7,500, the groundbreaking 1973 exhibition of women Conceptual artists, which first declared the significance of Wilson's work.

After creating a beguiling environment at Documenta 13, and a retrospective first at the Pompidou Centre in Paris, narrowly missing out to Albainian / French artist Anri Sala, as runner up, at the 2014 Vincent Award at the Gemeentemuseum in The Hague; the next project that followed the French conceptual artist was being chosen for the next rooftop installation at the Metropolitan Museum of Art, in New York.

After creating a beguiling environment at Documenta 13, and a retrospective first at the Pompidou Centre in Paris, not to mention narrowly missing out to Albainian / French artist Anri Sala, as runner up, in Artlyst's opinion, at the 2014 Vincent Award at the Gemeentemuseum in The Hague; now the French conceptual artist Pierre Huyghe has been chosen for the next rooftop installation at the Metropolitan Museum of Art, in New York.

In a reflection of Willem de Kooning's status as one of the most famous artists in America, in 1953, Robert Rauschenberg (1925 - 2008) used one of de Kooning's sketches to create one of the first works of conceptual art, entitled: Erased de Kooning Drawing (1953).

Conceptual pieces by artists such as Daniel Buren and Sol LeWitt, closely related to the museum's first program of exhibitions or presented in later shows organized by Harald Szeeman and Marie - Laure Bernadac, coexist with emblematic interventions by artists such as Annette Messager and pieces by more recent creators such as Leonor Antunes, Wolfgang Tillmans and Lili Reynaud - Dewar.

This year, Tohme invited the Brussels - based Egyptian curator El Fetouh to participate, and the latter responded with a small but complex exhibition that used three historical exhibitions — the first Alexandria Biennial (1955); «China / Avant - Garde» (Beijing, 1989); and the First Biennale of Arab Art (Baghdad, 1974)-- as a conceptual springboard for probing the ways in which such historical touchstones have remained fertile territory for artists engaging with — and altering — narratives of moderfirst Alexandria Biennial (1955); «China / Avant - Garde» (Beijing, 1989); and the First Biennale of Arab Art (Baghdad, 1974)-- as a conceptual springboard for probing the ways in which such historical touchstones have remained fertile territory for artists engaging with — and altering — narratives of moderFirst Biennale of Arab Art (Baghdad, 1974)-- as a conceptual springboard for probing the ways in which such historical touchstones have remained fertile territory for artists engaging with — and altering — narratives of modernity.

That these two great but for decades overlooked artists are finally being honored at home and abroad is directly due to the work of commercial galleries such as Andrée Sfeir - Semler, who, in 2005, opened Beirut's first blue - chip gallery for international contemporary art with a strong minimalist and conceptual bent, and Saleh Barakat, who established the Agial Art Gallery in 1990, and whose affinities lie more firmly with modernism, or the one hundred years before the contemporary began in Beirut.

Light Years: Conceptual Art and the Photograph, 1964 — 1977 is the first exhibition to explore how artists of this era used photography as a hybrid image field that navigated among painting and sculpture, film, and book arts as well as between fine art and the mass media.

Four Store Fronts Corner (Parts IV, III, II and I) 1964 — 65 stands apart as a masterpiece of social - conceptual sculpture and early exploration of the artists» lifelong theme of wrapping that was conceived for Christo's first solo exhibition in New York at the Leo Castelli Gallery.

Known first as a home to artists and artistic production, Berlin is in many respects the conceptual soul of contemporary art.

In 2012, the monograph, Larry Sultan and Mike Mandel was published to examine in depth the thirty plus year collaboration between these artists as they tackled numerous conceptual projects together that includes Billboards, How to Read Music In One Evening, Newsroom, and the seminal photography book Evidence, a collection of found institutional photographs, first published in 1977.

First co-founding Young Hoffman Gallery in 1976 and then splitting off as her eponymous Rhona Hoffman Gallery in 1983, Hoffman became known for her discerning and pioneering eye - introducing to Chicago conceptual and minimal artists like Sol Lewitt, Donald Judd, Vito Acconci, and Gordon Matta - Clark; giving women artists such as Cindy Sherman, Barbara Kruger, and Jenny Holzer solo shows early in their careers; and foregrounding work by African - American artists, including Kehinde Wiley, Mickalene Thomas, Carrie Mae Weems - and currently Derrick Adams, Deana Lawson, and Nathaniel Mary Quinn.

As one of the first coherent proponents of conceptual art with his writings, Sentences on Conceptual Art, 1969, LeWitt's work continues to be regarded and referred to by a younger generation of artists as one of the seminal investigations into «idea» and «concept» arAs one of the first coherent proponents of conceptual art with his writings, Sentences on Conceptual Art, 1969, LeWitt's work continues to be regarded and referred to by a younger generation of artists as one of the seminal investigations into «idea» and «concept&rconceptual art with his writings, Sentences on Conceptual Art, 1969, LeWitt's work continues to be regarded and referred to by a younger generation of artists as one of the seminal investigations into «idea» and «concept&rConceptual Art, 1969, LeWitt's work continues to be regarded and referred to by a younger generation of artists as one of the seminal investigations into «idea» and «concept» aras one of the seminal investigations into «idea» and «concept» art.

My first introduction to Toadhouse was in 2000 at As REAL as thinking, the large survey exhibition at SITE Santa Fe of conceptual artist Allan Graham, which was organized by Kathleen ShieldAs REAL as thinking, the large survey exhibition at SITE Santa Fe of conceptual artist Allan Graham, which was organized by Kathleen Shieldas thinking, the large survey exhibition at SITE Santa Fe of conceptual artist Allan Graham, which was organized by Kathleen Shields.

One of Canada's most humorous conceptual artists — as witty as he is smart — Rodney Graham gets his first North American museum retrospective and accompanying catalogue.

NEW YORK, NY — Mel Bochner, the renowned Conceptual artist, will be the first guest artist to speak at the inaugural Jordan Schnitzer Family Foundation Lecture Program on November 8 at the IFPDA Print Fair at the Park Avenue Armory, as announced by Michele Senecal, IFPDA's executive director.

Founded in 1966 in Paris by Daniel Templon, the gallery first gained recognition by exhibiting conceptual and minimal artists such as Martin Barré, Christian Boltanski, Donald Judd, Joseph Kosuth, Richard Serra.

Born in Dublin in 1941 and educated in the United States, Michael Craig - Martin returned to Europe in the mid-1960s when he confirmed his position as one of Britain's first conceptual artists.

Mel Bochner, the renowned Conceptual artist, will be the first guest artist to speak at the inaugural Jordan Schnitzer Family Foundation Lecture Program on November 8 at the IFPDA Print Fair at the Park Avenue Armory, as announced by Michele Senecal, IFPDA's executive director.

The French Dada artist Marcel Duchamp is often cited as the first Conceptual artist, who placed an emphasis on ideas over skill, rarity, style or beauty.

Burgin first came to attention as a conceptual artist in the late 1960s and at that time was most noted for being a political photographer of the left, who would fuse photographs and words in the same picture.

From the press release: «The scenery changes three times» takes its title from a collage that Max Ernst published in his first graphic - novel and is a presentation that proposes a formal and conceptual connection between four participating artists and the chapbook — a pocket - size booklet first popularized in the sixteenth century as an apparatus for the dissemination of current events, poetry, and folklore.