Sentences with phrase «first biennial exhibition»

As we previously posted, Made in L.A. 2012, L.A.'s first biennial exhibition featuring the work of 60 local artists, runs through Sept. 2 at the Hammer Museum in Westwood, LAXART in Culver...

As we previously posted, Made in L.A. 2012, L.A.'s first biennial exhibition featuring the work of 60 local artists, runs through Sept. 2 at the Hammer Museum in Westwood, LAXART in Culver City and the Los Angeles Municipal Art Gallery at Barnsdall Park in Los Feliz.

Acquired sixteen years after the artist served as a juror for the museum's first biennial exhibition, the painting was recommended by no less an authority on contemporary painting than Alfred Barr, then the director of New York's Museum of Modern Art.

Not exact matches

In 1968, after nearly four decades of hosting both the Whitney Annuals and Biennials, the museum presented an exhibition of only sculpture: the first Whitney Sculpture Annual.

When the Whitney's curators planned the museum's first exhibitions in its new home, they postponed the biennial a year to concentrate on the permanent collection.

He also installed his first - ever public art work on the High Line in New York, not too far from where the biennial exhibition is on view.

SAMSON KAMBALU: NYAU CINEMA This is the first United States solo museum exhibition for the Malawi - born, London - based filmmaker Samson Kambalu, a steady presence on the international scene who has shown at the Venice, Liverpool and Dakar Biennials; he uses humor to challenge official histories, art and religions.

Free Play is presented as part of PERFORMA 05, the first biennial of visual art performance in New York City, which will take place November 3 - 21, 2005, and include a multidisciplinary program of live visual art performances, film screenings, lectures, and exhibitions.

United Nations Secretary General Ban Ki - Moon visits the first exhibition of designs submitted to the biennial LAGI design competition.

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans, and critical texts from the time, as well as an expansive account of recent exhibition history.

The International is the first biennial - style exhibition to become W.A.G.E. Certified.

Made in L.A. 2012, the Hammer's first large - scale biennial, officially closed September 2, but if you missed the exhibition you are not entirely out of luck.

In 1892, Venice, Italy, mounted the first biennial artwork survey in modern times, a pluriform exhibition surveying types of art made around the world and shown in pavilions divided by country.

Irish curator Annie Fletcher, who is based in the Netherlands, was the first biennial curator, and she created an essential bridge from the previous annual exhibitions with After the Future in 2012.

The model of contemporary art biennials, upon which Prospect is based, emerged with the Venice Biennale, which was founded in 1895 to be the first international art exhibition.

He has written about the work of Andrea Bowers, Mark Bradford, Glenn Ligon, Sharon Hayes, and Wangechi Mutu, among others, and has organized exhibitions including: «Quadruple - Consciousness» at Vox Populi, Philadelphia, «Fade: African American Artists in Los Angeles,» for the city of Los Angeles, numerous exhibitions and programs for LAXART, Los Angeles, where he served as Curator, and «Made in L.A., 2012,» the first Los Angeles biennial, co-organized by a curatorial team from the Hammer Museum and LAXART.

«This exhibition will mark the first presentation of a curatorial team for the United States included as a participant in the main program of the biennial,» said biennial Director Jorge Fernández.

The context has only expanded since the biennial's founders — Austin - based artists Shea Little, Jana Swec, Jon Lawrence, and Joseph Philips — first sought to provide an exhibition opportunity for all artists in the state.

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans and critical texts from the time, as well as an expansive account of recent exhibition history by Bruce Altshuler.

Today, however, Net - savvy artists are responding to renewed encouragement generated by new - media and digital - art festivals, such as ZERO1, which will mount its second biennial in San Jose in June; contemporary museums actively building collections, including the Walker Art Center in Minneapolis and New York's New Museum of Contemporary Art; and even long - established institutions like the Museum of Modern Art, which brought together work by a half - dozen first - generation Web artists in last year's «Automatic Update» exhibition.

It also departs from the biennial's value system as rooted in the empire building world's fairs of the 19th and 20th centuries — many call London's Great Exhibition of 1951 held in a dramatic crystal palace the «first» biennial — designed to give viewers a deeply overwhelming «great mass and jumble of things» (commodities, mostly) as «a challenge to make sense of... unimaginable diversity; to find or invert a «perspective» on the whole so that objects could be made to «stay and lie orderly.»

The Council organized the first Fine Arts & Flowers exhibition in 1987, which has since become a biennial event.

Kentridge first gained recognition in 1997, when his work was included in Documenta X in Kassel, Germany, and in the Johannesburg and Havana Biennials, which were followed by prominent international solo exhibitions.

Our members enable us to support artists and engage Portlanders with free visual arts exhibitions, our biennial of Oregon artists, and a first - of - its - kind Curator in Residence program for emerging talent.

These exhibitions mark Torrance Art Museum's (TAM) third time participating in SUR: biennial and the first exhibitions affiliated with the Getty - led Pacific Standard Time initiatives.

There will be more to say about FotoFocus overall — it features over 60 exhibitions and 100 events during its monthlong run — but at this point I'm prepared to deem the work of Roe Ethridge — who as part of the biennial is having his first major solo museum exhibition at the Contemporary Arts Center (CAC)-- Lynchian in nature.

His first one - person exhibition was at Pat Hearn Gallery in New York in 1989, and since then his work has been shown in museum exhibitions across Europe and the United States, including the 1993 and 1995 Whitney Biennials.

THE OPENING THIS MONTH OF THE 2000 BIENNIAL EXHIBITION — the latest installment of the Whitney's flagship show and the most - talked - about event on the museum's calendar — also marks a closing of sorts: that of the moderately embattled first chapter of Maxwell Anderson's tenure as director.

It was also agreed that the national biennial exhibitions would have a common theme, the first of which was to be «The Environment» in 1976.

The biennial will be his first major museum exhibition, and he described wanting to ensure his inclusion «isn't just trying to tokenize my work in any way,» he said.

It was the sixth edition of the festival and the first under the artistic direction of Sarah McCrory; as one has come to expect from such biennial undertakings, exhibitions and installations were spread throughout the city, occupying spaces ranging from major public institutions to such quirky, out - of - the - way venues as an underground parking garage, a vendor's stall in a dilapidated shopping center, and a crumbling Edwardian community bathhouse.

The journey and event culminated in «A Journey That Wasn't» (2006), a video installation first shown in the 2006 biennial exhibition at the Whitney Museum of American Art.

To celebrate the impact of this influential institution, Whitechapel Gallery, London, has opened its doors to the first exhibition tracing the company's history, which involves screening footage of over 20 selected commissions that debuted as part of the biennial.

Be among the first to view Constant as the Sun, our third regional biennial exhibition which brings together works from artists interested in portraying, building and connecting communities.

This morning (June 28), the Hammer Museum announced the five finalists up for the $ 100,000 Mohn Prize, selected from the roster of 60 emerging or under - recognized Southern California artists featured in the Made in L.A. 2012 exhibition — the first Los Angeles biennial organized by the Hammer and LAXART.

Earlier this month, the Hammer Museum and the LAXART contemporary art space announced the 60 artists selected for Made in L.A. 2012, the first in an ongoing series of biennial exhibitions that focus on works created by LA - based artists.

His first solo exhibition was in 1982, and his work has been included in numerous museum exhibitions, including the Carnegie International, two Sydney Biennials and three Whitney Biennials.

The Hammer Museum and LAXART have announced the participants in this year's «Made in LA 2012,» which is the first in a series of biennial exhibitions featuring new work by Los Angeles artists.

Although this is Vogt's first major museum show, her works have been included in a number of prestigious group exhibitions, including the 75th Whitney Biennial in 2010 and Made in L.A. 2012 — the first Los Angeles biennial organized by the Hammer Museum and LAXART.

His first one - person exhibition was at Pat Hearn Gallery in New York in 1989, and since then his work has been shown in museum and gallery exhibitions across Europe and the United States, including the 1993 and 1995 Whitney Biennials.

United Nations Secretary General Ban Ki - Moon visits the first exhibition of designs submitted to the biennial LAGI design competition.