Sentences with phrase «first brush strokes»

I will say, I was nervous when the first brush strokes went on, but I fell quickly in love too.

Braun Satin Hair Active Ion Hair Brush with Active Ion Technology is a revolutionary innovation in the world of hair care, designed to deliver instant shine and smoothness from the first brush stroke.

To darken the colour, add more paint to the mixture and go over the first brush stroke with a second coat.

Her goal is to put them at ease before making the first brush stroke on their coats.

From the first brush stroke, he experienced a creative energy he had previously not been able to channel, an endless source of inspiration that noticeably changed the works he created, and would even drastically change his life.

The first brush stroke is always a bit scary, but it's worth it!

Not exact matches

And that's not all, there are lots of ways you could vary this project to make scarves with a completely different look using the same paint — for example, you could try dragging the brush strokes all the way across the width of the scarf to create uneven stripes (like this beauty by Kate Spade) or you could wet your scarf first to make the paint bleed for more of a watercolour look.

One could not begin to understand the artist without first studying the brush strokes... the use of color, line, symmetry, light, dark.»

These paintings at first appear dense and out of focus but are full of rich color and lush brush strokes.

In 1978, they bought his first color crosshatch painting, made in 1975 — a pattern of competing diagonal stripes, reminiscent of magnified and clarified brush strokes, which he would revisit for years.

As soon as the stroke is made, the painter dips the brush into the black paint and paints another stroke, slightly below the first one, trying to make it as similar as possible to the preceding stroke.

My first impulse was to be completely dismissive, yet in retrospect I was taken by the formal qualities: the size of the canvases, color choice, the way the shapes relate to each other, the brush strokes.

His first stroke of color is very important since it may be visible in the final version of the picture, and so, for Fruit Bowl, No. 1, Hofmann spent considerable time studying the still - life before picking up his brush... «A work of art is finished from the point of view of the artist,» says Hofmann, «when feeling and perception have resulted in a spiritual synthesis.»»

Calandra writes: «I was first taken by blasts of color, animated brush strokes, and confectionery connotations.

In his studio, the panels measuring 20 feet long were entirely black upon first glance with a brush like stroke of some ghostly horizon but upon closer inspection you can make out scrawled letters.

With her curiosity of techniques, unique sense of colour and versatile brush - strokes, she creates dynamic paintings while exploring the vitality of human beings and other living things.Some of her achievements include a solo exhibition in 2001 organized by sculptor, Katsura Funakoshi, a placement in the VOCA 2006 at the Ueno Royal Museum, and first prize in the13th Maebashi Art Competition Live 2009 (the prized work now a part of Arts Maebashi Collection).

At first glance, the work may appear to be too precise to have been hand - painted, but a closer look reveals brush strokes and subtle tactile shifts left by the artist's hand.

They lead to the first works of his maturity, like the dazzlingly simple «Luna Park» from 1960, and then forward, to the single brush strokes forming windows in the city night.

- New York: first seeing the work of the Abstract Expressionists... They were wrestling with canvases, using violent colors and huge brush strokes.

The first is darkly tonal and composed of soft - edged, loosely interlocking or overlapping patches of colour executed with swift strokes of a lightly loaded brush, the paint seeping and staining into the unprimed canvas.

Some rarely seen works include the first «Color Chart» from 1966 and, for the first time outside Germany, his 20 - meter - long «Stroke (on Red)» (1980) based on a photograph of a brush sStroke (on Red)» (1980) based on a photograph of a brush strokestroke.

The human figure and the very particular figure of her husband created a challenge to one of the core aspects of her approach in the studio — that of doubt that haunts every brush stroke, and something new to her work happens in these portraits that is different than the encounter with landscape: in the first portrait of Bill, in the hospital, the overworking or overthinking becomes a powerful expression of the drama of the human body pushed to the limit of survival, where «overworking» is an embodiment of flesh itself in flux.

I taped off the legs of the table and the cubby with painters tape, and then I applied my first coat of paint with nice and smooth brush strokes.

After the first coat dried, I rubbed the entire thing lightly with some steel wool to smooth the grooves made from the brush strokes.

Simply dipping the very tip of my paint brush into water first and then into my mixture before painting a few strokes.

When I first began, I realized I was painting too dry, and the brush would drag midway through a stroke, creating a very streaky first coat.

I'm painting wood furniture for the first time and was waiting for the layer of paint that would magically make my brush strokes disappear (you know, so it looks like coloured Ikea furniture).