Actress Lynn Collins
first caught audience's attention in 2002 when she was cast as Assistant D.A. Jessica Manning on the series Haunted.
Not exact matches
My point here is I don't think the usual listener who
first encounters the Duke via one his «suites,» or through numbers like «Koko,» is going to quite
catch the magic, the magic which the popular
audience caught all through the 20s - 50s.
At one point in a overlong 49 - minute address, Hein, Ulster's
first and only county executive, declared himself tongue - in - check «the best county executive in history,» adding, with a pause and a smile, «and...» It took the usual sell - out breakfast
audience a couple of beats to
catch his badda - boom.
British actor Tim McInnerny
first caught the attention of
audiences in the early»80s, playing Lord Percy Percy on the comedy series The Black Adder.
The sole exception was the TV show Columbo, in which the
audience KNEW the
first and last, and had to figure out how the cop was going to weave a trap that would
catch the murderer, based on finding the one clue that may have been missed.
With cool - eyed charisma and looks suggesting he had borrowed DNA from Paul Newman and Dennis Hopper, Barry Pepper
first caught the attention of
audiences and critics as the Bible - quoting Private Jackson in Saving Private Ryan.
We quickly flashback to see what caused the drama,
catching the
audience up with most of the principal characters from the
first film, and then the story is allowed to go forward from there.
Festival
audiences in Palm Springs were the
first to
catch the title just as phase two of awards season was underway.
Jeff Grace An assistant to Howard Shore from 2001 - 2004, helping out with projects like Peter Jackson's «The Lord of the Rings» trilogy and Martin Scorsese's «Gangs of New York,» American composer Jeff Grace
first caught our ear in 2010 with the moody and scorching score for «Meek's Cutoff» and it turns out we had heard him before, quietly helping to unnerve the
audience on Ti West's «House Of The Devil.»
They weren't
catching the wave of excitement Selma's mere presence brought to
audiences — not because history was about to be made with the
first black female director in the Oscar race, but because Selma was such a very good film, such a moving film, such a sensual, breathtaking, wholly original work that no one really knew what to do with it.
Last up is the
first full trailer for The Bourne Legacy, which, naturally runs through far more of the plot than that
first teaser, opening up the film to a wider
audience, perhaps even those who have yet to
catch all of the other films in the franchise.
There's nothing like that
first hand experience at a premiere and going along with an
audience that is truly
caught up in the excitement of seeing these films for the
first time.
Alias is part of a new generation of shows that lay out an incredible amount of plot and numerous characters in the
first episode and ask the
audience to play
catch up.
First he got to make out with Dame Helen Mirren, Sally Field, and Jeff Daniels, and now he's just
caught Bill Murray napping in his studio
audience.
There are plenty of laughs throughout (some you won't
catch the
first time around, and others you'll never
catch as a Yank), but as the story transitions from a comedy into a murder mystery, the
audience is forced to sit patiently through some dreadfully bare moments.
Still, these scenes drag the movie down, and they're the only thing that stops
Catching Fire (and the
first film for that matter) from becoming a film that
audiences can watch and say they enjoyed without guilt.
First, if you are an expert, bear with me for a minute while I help the less experienced in the
audience catch up.