Sentences with phrase «first color film»

12:15 pm — TCM — Dodes» ka - den For Akira Kurosawa's first color film, he chose the perhaps unlikely location of a city dump, following the day - to - day activities of a variety of characters who make their home there, notably a mentally challenged young boy who makes the title noise as he plays out his fantasy of being a tram conductor.

(Similarly, Alfred Hitchcock crafted the illusion of a continuous shot in his first color film, 1948's «Rope,» starring James Stewart, John Dall and Farley Granger.)

His first color film, 1948's Rope stands as arguably Alfred Hitchcock's most unusual work.

Rope, Alfred Hitchcock's first color film, was adapted from Patrick Hamilton's stage play Rope's End by no less than Hume Cronyn.

Not exact matches

Jazz Hayden, founder of AllThingsHarlem.com, a group that fights against police brutality and films police misconduct, said Mark - Viverito's request for 1,000 more police officers when she first became speaker was a poor decision given the problems communities of color face with the police.

A research group led by Junichi Isoya, professor emeritus, University of Tsukuba and Tokuyuki Teraji, principal researcher, Optical and Electronic Materials Unit, NIMS, has successfully fabricated for the first time in the world single - photon sources of SiV (silicon vacancy) centers — one of the color centers in diamond during the growth of thin film diamond, which have high purity and crystalline quality — by introducing them at extremely low concentrations.

Recently, in an industry first, Pantone, Illumination Entertainment and Universal Partnerships & Licensing created an official new PANTONE Color, Minion Yellow, based on the Minions from Universal Pictures and Illumination's Despicable Me global film franchise, including this summer's blockbuster hit, Minions.

Hadid stepped out in Cannes on the first day of the film festival in a satin cream - colored crop top, matching miniskirt, a beige button - up duster, and rose gold pumps (shop a similar look here).

This was the director's first film in color and both the French New Wave and the Swinging 60's show their influence.

Filmed on location in Italy and Spain and shot in brilliant Todd - AO and Color and directed by the great British director Carol Reed, Charlton Heston and Rex Harrison (in their first and only film together) give two of the screen's best performances.

Spielberg leaves too much on the table between the two characters, especially in a film that earns the right to breathe for a few seconds, but Streep shines in these scenes all the same — this is Spielberg's first female - driven film since «The Color Purple» in 1985, and the actress is eager to make up for lost time.

The new documentary returns to a safe haven for LGBTQ youths of color first examined in the landmark film Paris Is Burning.

And yet, however considerable the film's charms (it's first - rate children's entertainment, to be sure), there's something just the slightest bit disappointing in how pro-forma it all feels: Ghibli geniuses Isao Takahata and Hayao Miyazaki never clung to a house style, making films with wildly different looks and tones over the course of their careers, whereas Yonebayashi's first post-Ghibli effort colors well within the lines of stock Japanese animation.

Renoir's first film in color is one of his most painterly, as many of the compositions here could be framed and hung on a wall.

The film is much darker in color and tone compared to «An Unexpected Journey» but I think that the 1080p transfer really looks even better than the first film.

You may have heard lots of things about this film, but the most important thing to know is that «Blue Is the Warmest Color» is a masterpiece, the first of 2013, and the most emotionally moving film to come along in years.

This year, people are likely to do the same for Black Panther, the first superhero of color to carry a big budgeted film.

A Wrinkle In Time director Ava DuVernay is the first woman of color to direct a film with a $ 100 million - plus budget, and alongside her «little brother,» Black Panther's Ryan Coogler, she crossed another milestone this past weekend, which marked the «first time films by black directors with $ 100 million plus budgets have ever placed in the first two box office spots,» as CNN puts it.

Notable examples of people of color representation in the nominations pool come in the documentary category where the black male director of «Strong Island,» Yance Ford, is the first openly trans person to have a film nominated, and in foreign - language film where «A Fantastic Woman,» starring Chilean trans actress Daniela Vega, is a possible winner.

Beautifully shot by Berta with a rich but muted color palette, Kadosh was chosen for the official competition at Cannes, the first Israeli film selected since the Seventies.

Rolling Stone recently spoke with Black Panther star Chadwick Boseman, portraying T'Challa (Black Panther), as he covers the publication's March 2018 issue, as well as director Ryan Coogler — as both detail more about the highly - acclaimed film and its impact, with it being the first Marvel Studios movie to put a person of color in the lead role and to feature a mostly black cast.

Putting aside all of the buzz surrounding the film, what you need to know is that Blue Is the Warmest Color is first and foremost about self - discovery and the intimate passion of love.

«The Taking of Pelham One Two Three» (1974), 7:15 p.m.: In the first and best film version of Peter Godey's novel of urban paranoia, a gang of colored - coded thieves (led by a malevolent Robert Shaw) hijack a New York subway for a ransom of $ 1 million.

Blue is the first of director Krzystof Kieslowski's trilogy of films featuring the colors of the French flag (White and Red are the others), known as the Three Colors Trcolors of the French flag (White and Red are the others), known as the Three Colors TrColors Trilogy.

Ava DuVernay's adaptation of Madeleine L'Engle's kid - lit fantasy classic not only marks a step forward for diversity — with the film, DuVernay becomes the first woman of color to direct a $ 100 million blockbuster — but for DuVernay as an artist.

At first glance, this film poster reminds me of PT Anderson's Punch Drunk Love film poster in basic structure and color.

His first two films were «Impolex,» based off Thomas Pynchon's novel «Gravity's Rainbow,» and «The Color Wheel,» starring Perry and Carlen Altman as two siblings on a road trip.

This is Fleischer's first film for Fox and he meets the house CinemaScope style — handsome, roomy sets, strong color, open spaces and long, fluid takes (the better to drink in the widescreen images)-- with careful staging and frames filled with little dramas, but he also puts an edge to the stories that play out in the glossy spaces.

At this point, the black and white film bursts into beautiful color — Dorothy's first clue that she's not in Kansas any more.

The film is handsomely mounted and Lewin uses an interesting cinematic device to great effect: he cuts to full color when the new portrait is first unveiled and when the aged, diseased image of Dorian is revealed after his descent into depravity, which provides a visual shock to the black and white drama and enhances to horror of the grotesque mutation of the painting.

Blu - ray extras: Director's intro; «From Page to Screen: A Roundtable Discussion» delves into the film's making; «Crowning of a New King» explores the world of «Black Panther» in all its color and complexity; «The Warriors Within»: the Wakanda's women and the actors who portray them; «The Hidden Kingdom Revealed»; «Wakanda Revealed: Exploring the Technology»; deleted scenes; gag reel»; exclusive sneak peek at «Ant - Man and The Wasp»; «Marvel Studios the First Ten Years: Connecting the Universe»; director's commentary.

The goal is not only to provide a setting to watch the first African - American superhero lead a film in the Marvel cinematic universe, but also empower children of color to partipate in the arts and help change the fact that of the the 100 highest - grossing films of 2016, roughly a quarter lacked any black characters (stemming from a lack of representation amongst directors, actors and screenwriters).

In December 1998, cinematographer Toll did the first color correction and the film was ultimately given a limited release on Christmas, with the wide release scheduled for the middle of January 1999.

1 Day until... Today Blue Caprice competes for two Gotham Film Awards 1 Day until... NYFCC, the oldest film critics organization (not to be confused with NYFCO, a much newer upstart) kicks off critics prize season and we get our first clue as to whether Cate Blanchett's Blue Jasmine is a steamroller (Dec 3rd) 2 Days until... NBR announces kicking off the not - critics - but - we - also - give - prizes prize season (Dec 4th) 5 Days until... Blue is the Warmest Color wins -LRB-?)

[more] It's been widely reported that the three - hour lesbian romance Blue is the Warmest Color is the first «queer» film to ever win the top award at the Cannes film festival (though one could make a case for Farewell My Concubine back in 1993).

During Star Wars Celebration last month it was revealed Rogue One will focus on a crew who set out to steal the Death Star plans, so it seems likely Luna could be playing a central member of rebel soldier Felicity Jones» gang — regardless, I'm just excited to see the first Star Wars Anthology film is continuing Force Awakens «trend of diversifying the franchise and casting incredible actors of color (crossing all my appendages that Rogue One actually delivers on its rumored LGBTQ + representation as well).

Last year we saw the two - year drought of no acting nominations for people of color turn into nominations in all four categories, two winning (Mahershala Ali and Viola Davis) and Moonlight become the first black - led and LGBTQ film to win Best Picture in Oscar's 89 - year history.

Anyway, as it stands it is a prime example of how pretty 4K HDR can look in a transfer and it does a good job of showing the most color range of all the first four films.

Those new characters come in all colors and genders, and Johnson, Kennedy and J.J. Abrams — the first to put out a «Star Wars» film with a female protagonist — deserve a lot of credit for that.

But at this latest Sundance, he made a return with Upstream Color, and it brings back everything that people loved about his first film in full force.

Anderson's first film is an interesting look back at the development of filmmaker's now signature style: the methodical cinematography, with its bright coloring and compulsive need to center - frame the actors, along with humor so dry you'd better pack a canteen.

So, right from the first shot, a long, tracking movement across a cold, foggy bay revealing the highly symbolic flashing green light, the film is just what it should be: long, epically colored, and lavishly flamboyant, without ever getting too carried away.

Cinematographer Dick Pope (Naked, Mr. Turner) lenses with an intense yet subdued color palette, and combined with first - rate production design from Tom Conroy (Breakfast on Pluto) make London's East End in the Swinging Sixties crackle and spark, but nothing can call away attention from Hardy, who carries the film with his alternately unhinged and equitable representation of selfsame mafiosos.

At the film's recent press day, McCarthy, Falcone, Sarandon, Gary Cole, Mark Duplass, Nat Faxon, Sarah Baker and Kathy Bates talked about how the project first emerged, what sparked the idea for the story, how growing up in Illinois informed McCarthy and Falcone's comedy, what the stellar cast brought to the movie, their characters and how improv colored them, working with a first - time director, Sarandon's new look, the convincing couple dynamic between Bates and Sandra Oh's characters, Sarandon's selfie with Geena Davis that went viral, and the possibility of a «Thelma & Louise» sequel.

Bertolucci's production is sweeping and lavish — this was the first foreign production granted access to film within the walls of the Forbidden City — and cinematographer Vittorio Storaro uses color like a painter on an epic canvas.

BOBBY FARRELLY: We rely a lot too on our production designer and our wardrobe people and just the colors that they use that it would harken you back to the first film.

42 (2013) This film tells the courageous story of Jackie Robinson (Chadwick Boseman) who was signed by Branch Rickey (Harrison Ford) to the Brooklyn Dodgers to become the first African - American player to break the baseball «color line.»

Martin Scorsese surfaces in a 2014 Criterion interview, recalling his first memories of seeing the film, the detail of the film's colors, and Renoir's influence on him.

Howell has appeared in «The Color Purple» and «The Blind Side,» and her role sees her dealing with Katniss» (Jennifer Lawrence) and Peeta's (Josh Hutcherson) drastic actions from the first film, while becoming intertwined with the future of the Hunger Games as a result.

This is a point of view first - time film writer Nicholas Martin wants to completely shy away from because it would reveal the true colors of the story instead of the rose - colored revisionist vision he would like us to see.