Sentences with phrase «first conceptual practices»

Not exact matches

The first set is this: It is re central to a complex set of other practices, such as practices of collecting and maintaining excellent to the extent that the conceptual growth is guided by an interest in God for God's own sake.

P.S. 1 Contemporary Art Center is pleased to present MY SECRET LIFE, Lutz Bacher's first museum survey exhibition, which spans several decades of the artist's wide - ranging conceptual practice.

Flavin has been credited with being «one of the first artists to make use of a basically progressional procedure,» and the systematic arrangement of color and light fixtures was an aspect of his work that not only led to it being characterized as Minimal art but which moreover influenced Conceptual artistic practices.

Among the earliest examples of Conceptual Art, it was with these seminal paintings that Baldessari reconsidered the practice of artmaking, questioned the concepts of authorship, originality, and aesthetic judgement, and first explored the narrative potential of imagery and the associative power of language that continues to inform his work today.

Laure Genillard first opened in Foley Street in 1988, bringing a keen eye on developments in abstract and conceptual art, elaborating on 70's minimal art practices and discourses.

The text, though at first slightly offputting, ends up being a valuable entry point for the often difficult - to - access conceptual practices of many of Dee's artists — like wall texts but better.

It was during this first period in New York, when she visited the first exhibitions of Minimal and Conceptual Art, that her rigorous and prudish artistic practice was noticed and recognized for the first time.

The result of research conducted on two fronts — conservation and curatorial — the catalogue offers a reconsideration of the cut - outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing.

Among the first critical art historical examinations of Haendel's conceptual drawing practice, «Karl Haendel: Knight's Heritage» narrates four illuminating moments in the artist's career that show how the operations, effects, and reception of appropriation art have changed in recent decades.

It is the first time that there will be an intergenerational and international dialogue between two important black female conceptual artists with performance - based practices.

The exhibition, which focuses on experimental practices in the period 1960 - 1985 and features photography, performance, visual and conceptual art, is the first of its kind.

Melting Point: Movements in Contemporary Clay, is the CAFAM «s first clay biennial and focuses on artistic practices that are currently expanding the conceptual, aesthetic, and sociopolitical potential of the ceramic object.

Gaines's keynote concerned art as an aesthetic practice versus art as a cultural practice, and as he dug into the work of Adrian Piper and a group he termed «first - generation Conceptual artists,» he related the stakes of reading, teaching, and understanding artwork in the twenty - first century.

FOR HIS FIRST NEW YORK EXHIBITION with Hauser and Wirth Gallery, Mark Bradford has mounted a show that reinforces the depth of his painting practice and at the same time demonstrates his mastery of conceptual and performance art.

That specificity — indeed, many specificities — play out in the Blanton's first dedicated Latin American galleries, which feature focused presentations of Mexican modernism between the 1920s and 1940s, geometric abstraction and kinetic art, 1960s «Other Figuration» in Argentina, conceptual practice, and politically engaged art.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

The first exhibition at Art + Practice, which recently opened in the historic Leimert Park district, is a site - specific installation by veteran conceptual artist, Charles Gaines.

Opening in New York, «Adrian Piper: A Synthesis of Intuitions, 1965 — 2016» is the first major retrospective to explore the practice of Adrian Piper, a conceptual pioneer.

Famed for creating sculptural objects and installations from fluorescent light fixtures, Flavin was one of the first artists to employ a systematic arrangement of color and light, and had a major influence on Conceptual artistic practices.

Friday, July 18, Kunstsaele Berlin opens «Actions (1969 — 2014),» the first German overview exhibition of work by San Francisco - based artist Tom Marioni, a true force in the history and development of conceptual practice.

Nonetheless, Art - Language did not purport to definitively represent or determine the terms of conceptual art practice; its original subtitle, «The Journal of Conceptual Art,» was removed after the ficonceptual art practice; its original subtitle, «The Journal of Conceptual Art,» was removed after the fiConceptual Art,» was removed after the first issue.

The Pixel Boxes have become her most familiar component: initially fabricated in beech wood with a glass front screen, their softly changing and pulsing colours at first distilled and abstracted complex visual patterns into simple shifting monochromes, and became a signature of a conceptual practice that avoided the shock strategies of many of her contemporaries.

His first hyper realist paintings, of which SS Amsterdam in Front of Rotterdam constitutes a masterful example, belie the uncertainty of this statement, demonstrating a conceptual and technical self - confidence that resounds throughout the full spectrum of his practice.

The first section lays out the rationale, conceptual underpinnings, and clinical practices for working with children and their families from a narrative approach.