Sentences with phrase «first contemporary art installation»

Not exact matches

The haunting installation, which features imitation artifacts, photographs, video and a reproduction of the bar's entrance, was first shown at the Contemporary Arts Center in 2008 during Prospect.1.

Installation view, First Light: A Decade of Collecting at the ICA, The Institute of Contemporary Art / Boston, 2016 - 17.

(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibition.)

Alice Neel: Family is a satellite exhibition in the first ever Dublin Contemporary, a large scale multi venue exhibition that has brought a slice of international contemporary art, most of it installation in nature, to Ireland's capital for six weeks during the autContemporary, a large scale multi venue exhibition that has brought a slice of international contemporary art, most of it installation in nature, to Ireland's capital for six weeks during the autcontemporary art, most of it installation in nature, to Ireland's capital for six weeks during the autumn of 2011.

The Laura Owens installation at the CCA Wattis Institute for Contemporary Arts is titled «Ten Paintings,» but visitors won't see any paintings at first glance.

The Lehmann Maupin gallery, which launched the installation this past Friday in collaboration with the Art Production Fund and White Cube, also opened a contemporaneous exhibition, «Tracey Emin: I Followed You to the Sun,» earlier this month, and her first solo museum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in December.

The strong gallery line up will be supplemented with a dynamic, four - day public program including contemporary video and innovative art installations, children's activities and a talks and tours program presented by industry leaders, which will offer insights into collecting and the creative industries, for everyone from the seasoned collector to the first time buyer.

Cecilia Vicuña's exhibition «About to Happen» at the Contemporary Arts Center New Orleans is billed as the first major solo exhibition for the artist in the United States and features an array of media: performance, sculpture, drawing, video, text, and site - specific installation.

The Institute of Contemporary Art, London is now hosting Woodman's first solo show in the UK, which features her recent forays into painting and mixed - media installations — evidence that even at 85, she is still searching for new ways to express herself.

This exhibition, organised by WIELS Contemporary Art Centre, Brussels, spanned the artist's entire career, from his first painted kinetic machines to his most recent engine installations.

The program takes a fresh approach to immersive installation and embraces innovative ideas, provocative content and interactive projects, engaging first time viewers and art critics alike, while fostering a greater awareness of the important messages found in contemporary art.

Co-commissioned by Yorkshire Sculpture Park and 14 - 18 NOW, and made possible with Art Fund support, this installation by contemporary artist Katrina Palmer commemorates the remarkable rescue work undertaken by the all - female First Aid Nursing Yeomanry (FANY) in the First World War and beyond.

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans, and critical texts from the time, as well as an expansive account of recent exhibition history.

Following recent installations at the 56th Venice Biennale, the Garage Museum of Contemporary Art in Moscow, and MoMA PS1, she is finally getting her first gallery show at Gagosian, and boy, did she knock it out of the park.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

The haunting installation was first seen at the Contemporary Arts Center in 2008 during the Prospect.1 international art exhibit.

In addition to landmark gifts to Tate, that included the first Picasso, Matisse, Anthony Caro and Damien Hirst to enter a UK public collection, the Contemporary Art Society has a track record of substantial support to regional museums, including the first work by Francis Bacon to Huddersfield in 1952, an installation by Olafur Eliasson to Eastbourne in 2003 a piece by Kader Attia for Middlesbrough Institute of Modern Art in 2016 and most recently an installation by Dineo Seshee Bopape to the Towner Gallery in Eastbourne in 2017.

The first exhibition in China to focus on the experimental, mechanically produced areas of Warhol's practice, Andy Warhol: Contact features photographs, installations, and films that broke the boundaries of contemporary art when they were first made, and still compel viewers today with their extraordinary immediacy.

The exhibition also introduces another important element: the Köler Prize, awarded by the Contemporary Art Museum of Estonia (CAME), the first of which was presented in 2011 to an installation by Jevgeni Zolotko.

Borg el Amal (Tower of Hope), Baladi's ephemeral construction and sound installation, won the first prize at the 2008 - 09 Cairo International Contemporary Art Biennale.

For his first major museum commission in the United States, Vienna - based artist Markus Schinwald (b. 1973) presents a site - responsive installation that fills the galleries of the Wattis Institute for Contemporary Arts.

So when Sheena Wagstaff, the chairwoman of the Metropolitan Museum's modern and contemporary art department, and Ian Alteveer, a Met associate curator, saw the beguiling environment Mr. Huyghe created at Documenta 13 in 2012 and the retrospective first at the Pompidou Center in Paris and now on view at the Los Angeles County Museum of Art, they asked him to create a site - specific installation for the roof of the Met next spriart department, and Ian Alteveer, a Met associate curator, saw the beguiling environment Mr. Huyghe created at Documenta 13 in 2012 and the retrospective first at the Pompidou Center in Paris and now on view at the Los Angeles County Museum of Art, they asked him to create a site - specific installation for the roof of the Met next spriArt, they asked him to create a site - specific installation for the roof of the Met next spring.

Select past exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collectiArt of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collectiart; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collection.

• The publication of the first - ever catalogue raisonné on Kjærholm's oeuvre, researched and written by the leading Kjærholm scholar, Michael Sheridan, designed by award winning graphic artist Takaaki Matsumoto and published by premier art publisher Gregory R. Miller & Co. • Simultaneous exhibitions at Sean Kelly Gallery and R Gallery of the most important collection of Kjærholm works ever assembled, alongside significant modern and contemporary art works that, together, showcase a compelling dialogue between furniture, art and installation.

Installation view of works by Don Voisine June 24 — September 24, 2007 P.S. 1 Contemporary Art Center presents the first of an ongoing series, Orpheus Selection, inspired by the museum's unique basement boiler room and the classical myth of Orpheus, the bard who attempted, unsuccessfully, to rescue his bride Eurydice from the underworld.

First exhibited in 1990, the installation marks a seminal moment for contemporary art in Scotland and inspired the work of many young artists who emerged in the following decade.

In keeping with the exhibition's assertion that Cobra has particular resonance with contemporary art practice, the design of Human Animals: The Art of Cobra reflects the innovative installations of the first Cobra exhibitions that were designed by Dutch avant - garde architect Aldo van Eyck, with a re-working of the «Poet's Cage» featured in the landmark 1949 Cobra exhibition in Amsterdart practice, the design of Human Animals: The Art of Cobra reflects the innovative installations of the first Cobra exhibitions that were designed by Dutch avant - garde architect Aldo van Eyck, with a re-working of the «Poet's Cage» featured in the landmark 1949 Cobra exhibition in AmsterdArt of Cobra reflects the innovative installations of the first Cobra exhibitions that were designed by Dutch avant - garde architect Aldo van Eyck, with a re-working of the «Poet's Cage» featured in the landmark 1949 Cobra exhibition in Amsterdam.

The first edition of the international survey of contemporary art features a large program of specially commissioned public sculpture projects and site - specific installations, alongside 8 curated group exhibitions.

2012Dallas Paul, A Rogue's Gallery of Gorgeousness: Charles Atlas and Anthony's Turning, FilmMaker Magazine, 16th November 2012 Atlas, Charles «Filming Cunningham Dance: In Conversation with Nancy F. Becker, 1983» Dance, Documents of Contemporary Art, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles AtlArt, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlart films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles AtlArt Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles AtlArt Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlas.

The first presentation of Badges at the OCT Contemporary Art Centre in Shanghai (2009) displayed Chinese characters and focused specifically on China's rapidly modernizing society, while this newest presentation of the work incorporates contemporary American language into the installatContemporary Art Centre in Shanghai (2009) displayed Chinese characters and focused specifically on China's rapidly modernizing society, while this newest presentation of the work incorporates contemporary American language into the installatcontemporary American language into the installation as well.

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans and critical texts from the time, as well as an expansive account of recent exhibition history by Bruce Altshuler.

His first steps into contemporary art have been successful, working on Camille Henrot's installations and videos (who won the Silver Lion at the 2013 Venice Biennale with the video Grosse Fatigue) or making sound installations (Gwangju Biennale in 2014 curated by Jessica Morgan).

Her first book Subject to Display: Reframing Race in Contemporary Installation Art (MIT Press, 2008) was a finalist for the Charles Rufus Morey Book Award.

Early on, Bartlett was profoundly influenced by Sol LeWitt's Paragraphs on Contemporary Art, and today she is perhaps best known for the gridded work Rhapsody, a monumental installation that was first exhibited in 1976.

Islamic Art Now marks the first major installation of LACMA's collection of contemporary art of the Middle EaArt Now marks the first major installation of LACMA's collection of contemporary art of the Middle Eaart of the Middle East.

Opening: Huang Yong Ping at Gladstone Gallery For his fifth solo show at Gladstone Gallery — and his first in New York since Theater of the World, an installation that was to feature live animals, generated controversy for its inclusion in the Guggenheim Museum's recent survey of contemporary Chinese art — Huang Yong Ping will exhibit his large - scale sculpture Bank of Sand, Sand of Bank (2000 — 06).

Manchester - based artist Liz West — featured previously — has created the first ever contemporary art installation at the National Trust's 16th century Little Moreton Hall in Cheshire.

Japanese artist Chiharu Shiota has been commissioned by contemporary art museum Towner in Eastbourne to create one of her monumental signature «thread» installations as part of her first solo show in the UK.

Hong Kong Contemporary Art (HOCA) Foundation is proud to present its first landmark exhibition of 2018, «Double Vision» — the inaugural exhibition of installation artist Jeongmoon Choi in Hong Kong.

The works include an installation featuring paint which is left to dry in plastic trays and a film about a remote village in Peru.In the next few days, the great and the good of the art world will flock to Venice for the 55th Biennale, the world's biggest contemporary arts festival.Curated by Glasgow - based gallery, the Common Guild, the Scottish show marks the tenth anniversary of the first Scotland + Venice exhibition, and continues to affirm Scotland's prominence in the world of contemporary art.

In 2008, his massive installation Supermax was first shown at the Museum of Contemporary Art, Los Angeles Design Center.

Claudia Schmuckli, the de Young's curator - in - charge of contemporary art and programming, invited Drew to create the first in a continuing series of site - specific installations designed to respond to the museum's landmark architecture.

Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5 — April 10, 1994; Santa Monica Museum of Art, July 7 — September 5, 1994; Forum for Contemporary Art, St. Louis, September 30 — November 12, 1994; America Center, Paris, December 1994 — January 1995 (Catalogue) Personal Imagery, Chicago / New York, Phyllis Kind Gallery, New York, September 18 — October 30, 1993 Art Works: The Education Project, International Center of Photography, New York, July 2 — September 26, 1993 (Catalogue) 46th International Art Exhibition, La Biennale di Venezia, Venice, June 13 — October 10, 1993 Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc., New York, May 6 — June 12, 1993 (Catalogue) First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, April — November 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut, April 30 — July 31, 1993 (Catalogue) Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 2 — June 3, 1993 Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, February 25 — April 10, 1993 Artists by Artists, Forum Gallery, New York, February 4 — March 14, 1993 The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4 — March 6, 1993 A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York, February 3, 1993 Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Miami, January 1993.

Ceramics Finds Its Place in the Art - World Mainstream Lilly Wei writes... From the first generation of modernists who worked in clay to contemporary practitioners, all have made breakthroughs: in scale, in single objects as well as expansive installations; in technical experimentation; in increasingly original formal resolutions from the abstract to the realistic; and in content, exploring issues about the body, identity, politics, history, feminism, domesticity, means of production, and beauty... more

The installation is part of an exhibition celebrating contemporary art made since the First Gulf War.

At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpArt Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpart) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpart for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpart as well as paintings, drawings and photography.

For her first exhibition with Tina Kim Gallery, Seoul - based artist Suki Seokyeong Kang has orchestrated a three - stage installation of sculpture, film and painting, offering a glimpse of her complex artistic practice prior to her US museum debut at the Institute of Contemporary Art in Philadelphia in late April.

, a two - part exhibition, marks the first major installations of LACMA's collection of contemporary art of the Middle East.

Lovell?s major installations and exhibitions include: Visitation: The Richmond Project, which traveled to the University of Wyoming in Laramie, the Columbus Museum in Georgia, and the Museum of Contemporary Art in Sydney, Australia; Deep River, which was first exhibited at Hunter Museum of American Art in Tennessee then travelled to the Jepson Center for the Arts in Georgia and the Cummer Museum in Florida; and Whispers From the Walls, which received much critical acclaim and toured nationally, appearing at venues including the Seattle Art Museum and New York?s Studio Museum in Harlem.

2009 FOR THE USE OF THOSE WHO SEE, KW Institute for Contemporary Art, Berlin, Germany GAGARIN the Artists in their Own Words - the first Decade, SMAK Gent; Belgium FOR YOU / PARA USTED, The Daros Latinamerica Tapes and Video Installations, Daros Foundation, Zürich, Switzerland Continental Rifts, Fowler Museum at UCLA, Los Angeles, USA New Acquisitions and Donations 2007 & 2008, Louisiana Museum of Modern Art, Humlebæk, Denmark Aletheia — Positions in Contemporary Photography, Helsinki City Art Museum / Art, Museum Meilahti, Helsinki, Finland The Fear Society / Pabellón de la Urgencia, Arsenale Novissimo, Tese di San Cristoforo, Tesa 92, Venice 10 Printemps en Automne, Galerie Kamel Mennour, Paris The Third Moscow Biennale, Garage Center of Contemporary Culture, Moscow Cream International Festival for Arts and Media, Yokohama, Japan