The franchise got off to a shaky start with
its first couple of films because they couldn't find the right mix of brains and brawn.
While most film series seem to lose their luster after
the first couple of films, the Star Wars series carries a great deal of energy, imagination, and interest throughout all six films, and still leaves me hungry for more.
She was a major character in
the first couple of films, but was left on the cutting room floor when Days of Future Past hit cinemas.
Not exact matches
But
first I want to make a success
of this
film, and hope people think it's worth giving me a shot at doing something else; we have a
couple of projects we're looking at.
Scott:
First, now they have four PR firms working on promoting this
film for the next
couple of weeks, but the initial marketer is Motive Entertainment, which is the same marketing company that promoted Passion
of the Christ and Chronicles
of Narnia; and the kind
of pioneering approach that they instituted with Passion
of the Christ was this viral marketing as they were doing with Expelled.
Now, a quarter
of a century and two children later, they are back with «Loving Pablo,» their
first film together as a real - life
couple.
The
first couple of times we saw My Darling Clementine on the late show we watched the beginning, fell asleep in the middle, woke up at the end, and thought we had sat through one
of the best
films we had ever seen.
The adversarial relationship between Nolte and Murphy, supposedly dissipated by the end
of the
first film, is revivified in the sequel via a
couple of plot devices.
There should be a little more horror than a
couple of shots in the
first hour and then a few poorly
filmed kill scenes at the end.
Most
of the
film's best moments come in this middle section, as we watch the
couple deal with the strain and anxiety
of deciding whose needs should be put
first, and for how long.
While the
first couple of Superman entries were something very entertaining and fun, this fourth
film is basically an awful mess from start to finish.
The real value
of the documentary from Douglas McGrath lies in charting Nichols» creative trajectory from the staging and improvisation lessons learned with comedy partner Elaine May, through collaborations with playwright Neil Simon on «Barefoot in the Park» and «The Odd
Couple,» and the director's
first two feature
films, both legendary — «Who's Afraid
of Virginia Woolf?»
To be fair, there are a
couple of scenes that might make one jump, and the atmospheric build - up for the
first half hour
of the
film is somewhat effective.
Local New York - based filmmaker Noah Baumbach has two new
films coming out this year, the
first being the wacky While We're Young about a
couple growing older (see the trailer), and the other being Mistress America, a sort -
of - sequel to his 2012
film Frances Ha.
I'm sure others are assuming the release date is for Deadpool 2, but Ryan Reynolds has a
couple of films lined - up
first which include the action flick Hitman's Bodyguard (currently about to shoot), voice work on Croods 2 and the Mars thriller Life.
A
couple of days ago we finally got our
first glimpse at the teaser for Alexandre Aja's new horror
film Horns, which stars Daniel Radcliffe.
The
film version
of On Chesil Beach, penned by McEwan and helmed by
first - timer Dominic Cooke, circumvents the problem by employing many, many flashbacks that further explore the
couple's origins.
In the anthology 30 Years
Of Terror, for example, we meet the Mackenzies, the old couple mentioned at the end of the first film when Laurie sends Lindsey and Tommy Doyle (the other kid she's babysitting) to their house for safet
Of Terror, for example, we meet the Mackenzies, the old
couple mentioned at the end
of the first film when Laurie sends Lindsey and Tommy Doyle (the other kid she's babysitting) to their house for safet
of the
first film when Laurie sends Lindsey and Tommy Doyle (the other kid she's babysitting) to their house for safety.
At
first, the studio dumped the $ 1.3 million
film starring Robert De Niro into a
couple of theaters and hoped to recoup at least some
of its cost.
Watching this
film a
couple of times reveals additional humor you may have missed the
first go around.
Thanks to Empire we got a
couple of new stills for Edgar Wright's upcoming doomsday
film, The World's End, which will finish out the unofficial «Blood and Ice Cream Trilogy» with Shaun
of the Dead and Hot Fuzz being the
first of the series.
First time director, Sam Esmail, may not have picked especially uncharted territory for his directorial debut Comet, which focuses on the rocky relationship
of an oddly paired
couple, but his storytelling technique reflects the perspective
of an enlightened and astute new addition to the
film scene.
Over the last
couple of days we've brought you some ourselves with clips coming via the
film's viral campaign, now we've received a trio
of new images; one specifically giving us the
first look at Sharlto Copley's mysterious, main antagonist.
The
film is based on the real - life relationship
of Emily V. Gordon and Kumail Nanjiani, focusing on how the
couple first met and how a life - threatening...
This little shocker will most likely have viewers going for a while, from the
first sight
of the snuff
film tapes to about the time that the
couple finds a secret passage out
of their room that may or may not be a legitimate means
of escape.
The 2013 Sundance Film Festival recently announced a
couple batches
of films that will screen at the Fest in January, and today we've got some
first images and synopses for a few
films that will be playing in competition as...
A
couple of hours after announcing that Terrence Malick's long - awaited Knight Of Cups will premiere at next month's Berlin Film Festival, FilmNation Entertainment has released the first trailer for the film, which showcases the reclusive director's unparalleled talent for getting actors to jump around, then stand really close to each other without making eye contac
of hours after announcing that Terrence Malick's long - awaited Knight
Of Cups will premiere at next month's Berlin Film Festival, FilmNation Entertainment has released the first trailer for the film, which showcases the reclusive director's unparalleled talent for getting actors to jump around, then stand really close to each other without making eye contac
Of Cups will premiere at next month's Berlin
Film Festival, FilmNation Entertainment has released the
first trailer for the
film, which showcases the reclusive director's unparalleled talent for getting actors to jump around, then stand really close to each other without making eye contact.
The
film focuses on the blissfully newlywed
couple John (Ward Horton) and Mia Gordon (Annabelle Wallis) who are eagerly awaiting the birth
of their
first child.
However he does admit that things were at the worst a
couple of years ago, when Toronto decided to drop any
films from the popular
first half
of its schedule that had premiered anywhere else — but now, he says, the ban is over and it is more relaxed, and there is now less competition between the three festivals.
Bruce Willis offered to pay for
first - class tickets for the casting crew just to get a
couple of lines for the
film.
With the centenary
of the
First World War now up and running we can expect a plethora
of films about that dreadful conflict to emerge over the next
couple of years but Testament
of Youth has set a very high bar indeed.
Now, these guys never disappoint... if memory serves... one movie that made me laugh EACH TIME as if it were the
first I watched it, is BIG LEBOWSKI... that is what you call a GEM
of a character... The scene where he incidentally looks at himself in a mirror designed to look like a TIME MAGAZINE cover made me have to pause the
film and laugh for a
couple of minutes at him in that thing.
A
couple of hours after announcing that Terrence Malick's long - awaited Knight Of Cups will premiere at next month's Berlin Film Festival, FilmNation Entertainment has released the first trailer for the film, which showcases the reclusive director's unparalleled talent for getting actors to jump around, then stand.
of hours after announcing that Terrence Malick's long - awaited Knight
Of Cups will premiere at next month's Berlin Film Festival, FilmNation Entertainment has released the first trailer for the film, which showcases the reclusive director's unparalleled talent for getting actors to jump around, then stand.
Of Cups will premiere at next month's Berlin
Film Festival, FilmNation Entertainment has released the
first trailer for the
film, which showcases the reclusive director's unparalleled talent for getting actors to jump around, then stand...
Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens»
COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mys
COUPLE IN A HOLE, about a
couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mys
couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate
first feature about longing, loneliness and nostalgia for a sense
of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere
of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of Biyi Bandele's FIFTY, a riveting exploration
of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere
of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of Maya Newell's documentary GAYBY BABY, following the lives
of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay
film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove
of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives
of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of four young women related through their late father in provincial Japan; the European Premiere
of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of Mabel Cheung's sweeping Chinese epic based on the true story
of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of Jackie Chan's parents A TALE
OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
OF THREE CITIES and Guillaume Nicloux's VALLEY
OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale
of love, loss, memory and the mystica
of love, loss, memory and the mystical.
Cap was starting from a place where he and the rest
of the Avengers who sided with him in Civil War, they've been living underground for the past
couple of years, so the start
of the
film, they aren't the
first to the table because they've had to live like fugitives.
So, just minutes into the
film, after revealing that she is pregnant, Deadpool / Wade Wilson's fiancée, Vanessa (Morena Baccarin), is shot and killed in the
couple's apartment — a tragedy that
first puts him into a suicidal tailspin and then sends him on a journey to find a different kind
of family.
His gets a telemarketing job but struggles to make sells over the phone — in the
first of many bizarre elements
of the
film, every time Cassius makes a call, his desk drops to the recipient's house; interrupting a
couple having sex and even a man on the toilet.
10:15 pm — TCM — Kramer vs. Kramer Meryl Streep won her
first Oscar for this
film, as the female Kramer in the title, opposite Dustin Hoffman in a realistic look at a
couple going through the pains
of divorce — and the affects
of that split on their young son.
There are a
couple of twists that add much fun for the fans
of the
first two
films, including a return appearance by a key member
of Batman Begins.
Britain fared better, with my favourite sci - fi horror
film in a long time, Glazer's Under the Skin, and my favourite entertainment
film of the year, the conventional, but charming Pride, while the flawed Mr. Turner impressively reflects the great painter's sun worship through Dick Pope's widescreen cinematography.Highlights
of my year included being on the FIPRESCI jury at the Hong Kong IFF, where I admired Yang Hen's third feature, Na pian hu shui (Lake August), and a
couple of first features among others, as well as attending the amazing HK
film market for the
first time, where I saw one
of my three 2014 «
films for the ages», Tsai's Journey to the West; and seeing a nitrate print
of Hitchcock's Rebecca at the George Eastman House in Rochester (where they are doing a three - day all - nitrate festival in May, 2015!).
After serving as a camera operator for a
couple of years, he got his
first American credit for cinematography on John Sayles» lovely coming -
of - age story «Baby, It's You» (1983), giving the
film a look that belied the
film's relatively small budget.
The
couple, who had gotten married in 2010 and had the
first of their two children in 2011, had made a few
films together, including 1992's «Jamón Jamón» — Bardem's
first starring role, in which a teenaged Cruz also appeared — and Woody Allen's 2008 comedy «Vicky Cristina Barcelona,» for which Cruz won the Best Supporting Actress Academy Award a year after Bardem had won his own Best Supporting Actor Oscar for «No Country for Old Men.»
While trying to set up a
couple of new original movies, including a WWII submarine thriller and a Blade Runner-esque sci - fi
film called Mute, he was offered an opportunity to take on his
first high - profile Hollywood flick: a sci - fi thriller called Source Code.
Hartley was encouraged by the success which he had a
couple of years ago with his
first Kickstarter campaign to finance the distribution for his
film «Meanwhile.»
Before he went a bit silly, John Milius did direct a
couple of fine
films - the taut crime drama Dillinger, and then the sweeping historical adventure The Wind and the Lion, which tells the story
of President Roosevelt (the
first) sending in troops to rescue an American family taken hostage by a Moroccan chieftain played by Sean Connery.
I really enjoyed segments
of the
film and got nostalgic as the
first couple of scenes unfolded, but when the duo started looking for Harry's long - lost daughter Penny (Rachael Melvin), I couldn't stop thinking about Mary Swanson, Sampson» ¦ Samsonite.
I could add a
couple more: Anomalisa (Charlie Kaufman and Duke Johnson, 2015)-- the most original
film I saw in 2015 La belle équipe (Julien Duvivier, 1936)-- a great
film from this interesting and underrated director Die grosse Liebe (Otto Ludwig Preminger, 1931)-- Preminger's
first film, a charming romance with a mother character that could have stepped out
of a John Ford
film; and does the revelation
of Preminger's full name explain why Billy Wilder had a character in One, Two, Three (1961) called Otto Ludwig Piffel?
At the
film's recent press day, McCarthy, Falcone, Sarandon, Gary Cole, Mark Duplass, Nat Faxon, Sarah Baker and Kathy Bates talked about how the project
first emerged, what sparked the idea for the story, how growing up in Illinois informed McCarthy and Falcone's comedy, what the stellar cast brought to the movie, their characters and how improv colored them, working with a
first - time director, Sarandon's new look, the convincing
couple dynamic between Bates and Sandra Oh's characters, Sarandon's selfie with Geena Davis that went viral, and the possibility
of a «Thelma & Louise» sequel.
Her TV movie This Little Life (2003) concerned a
couple's struggles after the premature birth
of their son; her
first feature
film was an adaptation
of Monica Ali's novel Brick...
Marvel's Guardians
Of The Galaxy are coming this way soon and to follow up on the very, very fun trailer released just a
couple days back Marvel have now released the
first poster for the
film along with a series...