Sentences with phrase «first craft exhibition»

Not exact matches

Four grant - supported exhibitions focus on individual artists, including the established artist Andrea Fraser, whose new performance and publication will premiere at the Hammer Museum, and emerging artist Indira Allegra, whose first solo museum exhibition, «No Space Without Tension,» will open at the Craft and Folk Art Museum in September 2019.

Mr. Leon organized his first exhibition of quilts from his collection in 1987 at the San Francisco Craft and Folk Art Museum under the title «Who'd a Thought It: Improvisation in African - American Quiltmaking.»

Kate has exhibited extensively in solo and group exhibitions across Australia including at Daine Singer, Craft Victoria, Gertrude Contemporary, West Space, Conical, Centre for Contemporary Photography, Melbourne Art Fair, Silvershot, Contemporary Art Space of Tasmania, Chalk Horse Gallery, Nellie Castan Gallery, First Draft, MOP, Perth Institute of Contemporary Art, and Canberra Contemporary Art Space.

Mike Kelley Foundation Grants Ten Los Angeles nonprofits received grants from the Mike Kelley Foundation for the Arts, including the Underground Museum (to support videos and performances by Rodney McMillian, $ 45,000), Craft & Folk Art Museum (to present the first institutional solo show of Oakland - based artist Indira Allegra, $ 25,000), and the Museum of Latin American Art (to fund an exhibition documenting the history of printmaking in the Americas, $ 40,000).

About to present his first solo exhibition at CHG, Tsai is famed for designing compelling art pieces using carved lacquer ware, a rapidly disappearing traditional craft.

First Sculpture «Handaxe to Figure Stone» Nasher Sculpture Center, Downtown January 27 — April 28 This groundbreaking exhibition looks at prehistoric tools and objects as early examples of craft and artistic intention.

The paintings were original designs for William Morris's tapestry The Forest, which was first exhibited at the 1887 Arts & Crafts Exhibition in Wolverhampton.

This summer, Norte Maar will present the first annual Jay Invitational of Clay: an exhibition featuring an international selection of works in clay curated by Jackie Sabourin in collaboration with The Jay Craft Center (which celebrates its 40th year!).

In her first solo West Coast exhibition at the Hammer Museum, Leigh draws on Africa's colonial past while remaining rooted in the present, incorporating political resistance and performance to craft a decidedly modern aesthetic.

This exhibition, the first mid-career survey of Pepe's work, examines how the artist often plays with feminist and craft traditions to counter patriarchal notions of recognized or accepted forms of art making.

In 1937, the Delphic Gallery, New York held her first solo exhibition and subsequent group exhibitions followed including «Contemporary Decorative Art», The Toledo Museum of Art, (1939), «Miscellaneous Textiles», Addison Gallery of American Art, Andover, MA (1948) and «Wall Hangings and Rugs», The Museum of Contemporary Crafts, New York (1957).

The first large - scale project undertaken by the Michener in response to its expanded focus on collecting and presenting regional studio crafts, this exhibition explores the sculpted - bronze art furniture of the Bucks County, Pennsylvania artist (1931 — 87).

Pace London's first group exhibition exploring the legacy of Mingei, a Japanese folk craft movement led by philosopher and critic

Last friday was the opening of Liz Craft first solo exhibition at Jenny's.

Pace London's first group exhibition exploring the legacy of Mingei, a Japanese folk craft movement led by philosopher and criticSōetsuYanagi, and featuring paintings, sculptures, ceramics, and textile works.

The first publication to document the Museum's collection and its connections to dramatic changes in artistic practice over the past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs, decade - by - decade accounts of the institution's links to modern craft history and an abbreviated exhibition chronology.

Further, in an age when cameras are incessantly used, this exhibition — which has been organized by Roxana Marcoci of the Modern; Matthew S. Witkovsky of the Art Institute of Chicago, where it was first seen; and Mark Godfrey of the Tate Modern, in London — can also read as a swan song for old - time photography in all its fastidious gorgeousness and endless minutiae, as art, craft, science and commerce.

«Wendell Castle Remastered is the first museum exhibition to examine the digitally crafted works of Wendell Castle, acclaimed figure of the American art furniture movement.

Also being unveiled during the Rites of Spring opening is the first exhibition of the season «Master Works», featuring a mix of furnishings and «art - in - craft media».

His recent inventive, refreshing exhibition — Brandt's first solo show in Europe — presented three series of woodblock prints, all made on the artist's handmade paper with his handmade ink, in frames crafted by him from his own matrices.

In 1887 the Arts and Crafts Exhibition Society, which gave its name to the movement, was formed with Walter Crane as president, holding its first exhibition in the New Gallery, London, in NoveExhibition Society, which gave its name to the movement, was formed with Walter Crane as president, holding its first exhibition in the New Gallery, London, in Noveexhibition in the New Gallery, London, in November 1888.

Her work has been in solo exhibitions at Smith College Museum of Art and Weatherspoon Art Museum; and in group exhibitions at the first Greater New York at PS1 / MoMA; «Hand + Made: The Performative Impulse in Art & Craft» at the Contemporary Art Museum Houston, Texas; and Queer Threads at the Leslie Lohman Museum of Lesbian and Gay Art in New York City.

We are all very exciting about the debut of this work in our upcoming exhibition and being the first to show Craft's work on the West Coast.

Ai Weiwei: Dropping the Urn at the Museum of Contemporary Craft in Portland, Oregon is his first museum exhibition on the west coast, and a fitting venue for an international contemporary artist engaged in a deep dialog with Chinese culture, art history, ceramics and cCraft in Portland, Oregon is his first museum exhibition on the west coast, and a fitting venue for an international contemporary artist engaged in a deep dialog with Chinese culture, art history, ceramics and craftcraft.

Knowing that her tapestries risked being dismissed as craft, Zorach made a point of referring to these works as «modernistic pictures done in wool» In 1923, the Montross Gallery mounted her first solo exhibition of her modernist pictures in wool, Embroidered Tapestries by Marguerite Zorach.

(4) Knowing that her tapestries risked being dismissed as craft, Zorach made a point of referring to these works as «modernistic pictures done in wool» In 1923, the Montross Gallery mounted her first solo exhibition of her modernist pictures in wool, Embroidered Tapestries by Marguerite Zorach.

New Beginning marks the artist's first exhibition with the gallery, and Harada has crafted nine new works, including a large - scale installation of cherry blossom branches created from hand - cut pieces of thin, foam sheet and found materials.

In her first solo exhibition at the gallery, the Los Angeles - based artist is presenting sculpture and photography that channel an interest in female identity and the fetishization of objects — objects crafted out of eggs, corn and dried flowers that toy with notions of birth, death and life.

An exhibition celebrating the work of Barry Parker, architect of the world's first Garden City and a key figure in the Arts & Crafts movement

In the first exhibition to include crafts at NAG (December 1924) she presented a group of Illuminations.

This exhibition is certainly not the first to display artistic practice rooted in craft alongside high - modernist paintings — the anachronistic mash - ups of Renoir, Pennsylvania Dutch metalwork, and Native American ceramics at the Barnes Foundation spring to mind.

Wahl's recent exhibitions include: Twenty First Century Heirlooms (Racine Museum of Art, WI), RE: Position (Harbourfront Center, Toronto Canada), Defining Craft (Museum of Arts and Design, NY), His work has also been featured at The Drawing Center (NY), Museum of Fine Arts Houston (TX), and was recently in the exhibition of new acquisitions at the Metropolitan Museum of Art.

Wahl's recent exhibitions include: Twenty First Century Heirlooms (Racine Museum of Art, WI), RE: Position (Harbourfront Center, Toronto Canada), Defining Craft (Museum of Arts and Design, NY), His work has also been featured at The Drawing Center (NY), Museum of Fine Arts Houston (TX), and was recently in the exhibition of new acquisitions at the Metropolitan Museum of Art.Wahl is a recipient of the Louis Comfort Tiffany Emerging Artist Fellowship as well as multiple New York Foundation for the Arts Fellowships.

Gustav Stickley and the American Arts & Crafts Movement accompanies the first nationally touring exhibition of Stickley's work and explores his dual roles as a visionary business leader and enthusiastic proselytizer of design reform.

The exhibition, his first in the UK since 2008, will see the Serpentine Sackler Gallery populated by a diverse mix of sculptural forms that demonstrate Tayou's unique visual language based on archetypes, made and found objects and traditional craft.

In her first UK solo exhibition, Kameli has crafted a journey through recent works that

This exhibition, the first of it's kind in the UK, focuses on the rich symbolism of textiles and its political, social and aesthetic significance through both art and craft practice.

(Toronto) The Setsuné Indigenous Fashion Incubator is pleased to partner with Craft Ontario and Culture Storm for the exhibition of its first - ever Collective Creation Project, Indian Giver.

We are very excited to announce our first art exhibition, featuring work by previously featured artists who have inspired us in their craft.

Sullivan Goss, Ltd. is proud to present the first of three exhibitions of work by Nell Brooker Mayhew — a remarkable Arts and Crafts artist known for her unique color - etching process.

Fiber, as the ICA's website attests, may be «the first exhibition in 40 years to examine the development of abstraction and dimensionality in fiber art from the mid-twentieth century through to the present,» but it also speaks to a broader interest in this type of work evidenced by recent curatorial and scholarly projects, including Elissa Auther's String, Felt, Thread: The Hierarchy of Art and Craft in America (Minneapolis: University of Minnesota Press, 2009)(click here for review); Thread Lines, a group exhibition curated by Joanna Kleinberg Romanow at the Drawing Center in New York (2014); and Richard Tuttles's installation I Don't Know.

CRAFTHOUSTON: The Houston Center for Contemporary Craft celebrates its first anniversary with a juried exhibition, 10 a.m. - 5 p.m. Saturday, and featuring a gallery talk 5 - 6 p.m by juror Kenneth Trapp from the Renwick Gallery in Washington, D.C.; 4848 Main; 713-529-4848.

The first solo museum show for Brooklyn - based artist Pam Lins, the exhibition blurred seeming opposites, such as craft and fine art, slapdash and refined, colorful and unadorned, and hollow and full.

Art and Black Los Angeles 1960 - 1980 UCLA Hammer Museum, Los Angeles State of Mind: New California Art Circa 1970 Orange County Museum of Art, Newport Beach (traveled to UC Berkeley Art Museum and Pacific Film Archive, Berkeley; Morris and Helen Belkin Art Gallery, Vancouver; SITE Santa Fe; The Bronx Museum, New York) 2010 Summer Group Show Susanne Vielmetter Los Angeles Projects, Los Angeles The Artist's Museum: Los Angeles Artists 1980 - 2010 The Museum of Contemporary Art, Los Angeles The Seventh House Project Row Houses, Houston Noir Complex Magazin 4, Bregenzer Kunstverein (traveled to Brandenburgischer Kunstverein, Potsdam) Project Row Houses, Houston Man Son, Vom Schrecken der Situation Galerien der Stadt Esslingen, Esslingen Am Necker 2009 Collection: MOCA's First Thirty Years, 1980 — Now The Geffen Contemporary at MOCA, Los Angeles Oz: New Offerings from Angel City Regional Museum of Guadalajara, Guadalajara Attempt to Raise Hell San Diego Museum of Contemporary Art Downtown, San Diego Invitational Exhibition of Visual Arts American Academy of Arts and Letters, New York 2008 Index: Conceptualism in California from the Permanent Collection The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles Weighing and Wanting Museum of Contemporary Art San Diego, La Jolla Entre Chien et Loup Kent Gallery, New York Wild Signals — Artistic Postions between Symptom and Analysis Württembergischer Kunstverein Stuttgart, Stuttgart Idea, Text and Image, Schneider Museum of Art, Southern Oregon University, Ashland 2007 Im Wort Kunsthalle Göppingen, Göppingen Read Me: Text in Art Armory Center for the Arts, Pasadena From Close to Home: Recent Acquisitions of Los Angeles Art Museum of Contemporary Art, Los Angeles 2005 Double Consciousness: Black Conceptual Art Since 1970 Contemporary Arts Museum, Houston Hommage to Friedrich Schiller Brigitte March Gallery, Stuttgart Kamm Gallery Anniversary Exhibition Galerie Kamm, Berlin 2004 Fade (1990 - Present): African American Artists in Los Angeles, a Survey Exhibition Luckman Gallery and the University Fine Arts Gallery, Los Angeles Craft and Folk Art Museum, Los Angeles Recherche - entdeckt!

Then, in June 1998, after a spell as Technician in the Craft School, she held her first solo exhibition.

In 2008 he has exhibited at the Space Craft Gallery, Belfast, The Alpha House Gallery, Sherborne, Dorset, UK, and was selected for the first competitive Ceramics Sculpture Exhibition, at the Hallward Gallery, Dublin.

Beyond Craft, the first major exhibition from the collection, surveys the significant artists and aesthetic movements of studio craft from the mid-1960s to the early 1990s and beCraft, the first major exhibition from the collection, surveys the significant artists and aesthetic movements of studio craft from the mid-1960s to the early 1990s and becraft from the mid-1960s to the early 1990s and beyond.

This is the German artist's first solo exhibition in California — featuring a new body of work (teetering assemblages crafted from bits of architectural and other detritus).

This is the first exhibition to contrast Hiroshi Sugimoto's photographs of 19th - century mathematical plaster models inspired by Man Ray with his own mathematical models crafted with computer - controlled, precision milling machines.