Sentences with phrase «first cultural movement»

For example, Scott Goodson is the founder of the world's first cultural movement agency and his blog gives great insight into the world of modern marketing.

Not exact matches

Of these we will consider three: first, Altizer's view of the normative relation of faith and theology to the dominant cultural movement of the time; second, Altizer's approach to Christology; and third, the style of Altizer's thought and argument.
(a) Philosophical preoccupation with the various types of cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older scholars — stand out.
In Daniel (1913) we find Buber's concern for unity, realization, and creativity expressed for the first time entirely in its own terms and not as the interpretation of some particular thought or religious or cultural movement.
Viktor von Strauss, the first to notice the ancient cultural change that was later named the Axial Period, described what he observed as «a strange movement of the spirit [which] passed through all civilized peoples».3 Such «movements of the spirit» may be the key to our understanding of the next phase.
We might look first at the actual situation of our civil polities on the ground, at diagnoses of our global political situation coming from different cultural standpoints, and at the new social and political movements springing up to meet our social ills.
Memphis Living is an homage to the designs of the short - lived Memphis Group founded in Milan by architect and designer Ettore Sottsass, designs Bas first encountered predominantly through their pop cultural references and simulations, and which he only later came to know as an aesthetic movement.
Curated by Okwui Enwezor for the Museum Villa Stuck, Munich, The Short Century is the first major survey to examine this dynamic and politically - charged era in African art and history, and how liberation movements and art have been bound together in the forging of new cultural identities.
Women Art Revolution elaborates the relationship of the Feminist Art Movement of the 1960s anti-war and civil rights movement and explains how historical events, such as the all - male protest exhibition against the invasion of Cambodia, sparked the first of many feminist actions against major cultural institutions.
· Occupy Museums — While the initiative was incubated within the first month of the Occupy Wallstreet movement, the organization dedicated to dismantling the narrative and power of the 1 % within cultural institutions has been hosting protests — most notably their demand that MoMa kick Trump advisor Larry Fink of its board back in February.
OCMA presents Alien She, the first exhibition highlighting the lasting impact of the pioneering punk feminist movement Riot Grrrl on today's artists and cultural producers.
During the first half of the 20th century, European artists viewed Paris as a cultural capital where a spirit of experimentation and innovation produced a succession of artistic movements including Fauvism, Cubism and Surrealism.
His participation in arts organizations included his role as a founding member of Spiral, an association of African American artists that came together in 1963 to support the civil rights movement; his 1964 appointment as the first art director of the newly established Harlem Cultural Council, a prominent African American advocacy group with several hundred members; and his role in concert with artists Ernest Crichlow and Norman Lewis (with seed money from the Ford Foundation), as a founding member of Cinque Gallery which supported young minority artists.
Arguably the first of the many Chicano artists whose artistic, cultural, and political motivations catalyzed the Chicano Art movement in the 1970s, Almaraz began his career with political works for the farm workers» Causa and co-founded the important artist collective Los Four.
Once that scale of measure has been established, the elite classes of society can no longer deny the populist cultural impact, refined intellectual value, and large economic rewards created by the influence of Graffiti and Street Art, which finally can be classified as the two most prevalent styles and art movements of the late twentieth and early twenty - first centuries.
The abstract art that he called «perceptual painting» — sharply delineated lines and sections of color that seemed to change or move based on the light and the viewer's movements — made a major cultural impact when Stanczak's first show, Optical Paintings, opened in New York in 1964.
Respected curator Laura Hoptman has gathered together seventeen artists for The Forever Now exhibition that she feels characterises our cultural movement in the first fifteen years of this new millennium.
The AR movement at first may seem like a novelty, but a closer look reveals interdisciplinary perspectives that involve aesthetic explorations of blended realities as a new kind of artistic practice and cultural space.
Arguably the first of the many Chicano artists whose artistic, cultural, and political motivations catalyzed the Chicano art movement in the 1970s, Almaraz began his career with political works for the farm workers» causa and co-founded the important artist collective Los Four.
His art reflects the political and cultural movements which engaged British artists in the first half of the 20th century, from the Arts and Crafts movement and Fabian socialism to a the revival of Roman Catholicism.
Now, as this historical thread comes of age and recognizes itself in the mirror of history and on the faces of its youth, as the pioneers of the culture are canonized and the younger artists are united, there are many more opportunities afforded them within the design market, auction houses and fine art world, as these communities continue grow in their recognition of the cultural value and influence of Graffiti and Street Art, as the most prevalent styles and art movements in the late twentieth and early twenty - first centuries.
As the director and curator of Carnegie Mellon's Miller Gallery she curated Keep It Slick: Infiltrating Capitalism with The Yes Men, the first solo exhibition of the internationally renowned culture - jamming group; Whatever It Takes: Steelers Fan Collections, Rituals, and Obsessions, which explored sports fanaticism as a significant form of cultural production; and Alien She, a traveling exhibition on the lasting impact of the global punk feminist movement Riot Grrrl, among other exhibitions.
[1] Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s where the hip hop, punk, and street art movements had coalesced.
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