Sentences with phrase «first curator of photography»

Not exact matches

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

At the MCA, she curated solo exhibitions of work by Gaylen Gerber and José Lerma, and worked with chief curator Michael Darling on landmark projects like the exhibitions «Destroy the Picture: Painting the Void, 1949 - 1962 ″ and «Think First, Shoot Later: Photography from the MCA Collection.»

The final exhibit curated by Cincinnati Art Museum's Curator of Photography Brian Sholis before his move to Toronto is the first major museum survey of the Lexington Camera Club's artistic achievements.

Beaumont Newhall, the first curator of MoMA's photography department, exhibited Gare St. Lazare in Cartier Bresson's 1947 solo show The photographs of Henri Cartier - Bresson at the museum in New York.

His work has been exhibited in a number of notable exhibitions, including at the Museum of Modern Art (Tbilisi, Georgia), National Portrait Gallery (London, UK) and the Yixian International Photography Festival (Anhui, China) among others.Awards and accolades include PDN's 30 2018, CENTER 2017 Choice Award Winner, Curator's Choice (First Place), the 2017 TAYLOR WESSING Photographic Portrait Prize (Finalist), and is the recipient of two Artist Initiative Grants from the Minnesota State Arts Board (2016, 2018).

In just five years — from the point in 1949 that the exhibit's curator, Walter Hopps, identifies as Rauschenberg's first artistic maturity until 1954, just before the first «combine» paintings that were to make him famous — the artist worked in paint, sculpture made of found objects, collage, and photography.

An established photography curator, Sussman is also a proven curator of other mediums, winning the AICA's First Prize award for best monographic show for her Eva Hesse retrospective, also for SFMOMA (2001, 2002).

Michelle came to Skinner from the Fogg Museum / Harvard Art Museums, where she first joined the Department of Photographs in 2004 and, beginning in 2008, served as the John R. and Barbara Robinson Family Assistant Curator of Photography.

Known for his pioneering work in color photography, Stephen Shore sold his first photographs to Edward Steichen, then a curator at MoMA, at the age of 12.

Previously he served as the Richard Benson Associate Curator of Photography and Digital Media at the Yale University Art Gallery, where he organized the exhibitions «Robert Adams: The Place We Live,» «First Doubt: Optical Confusion in Modern Photography,» and «Art for Yale: Collecting for a New Century.»

2017, CentralTrak Artist Residency, University of Texas at Dallas 2016, First Place, Portraiture, Lensculture Magazine, Photo London, England 2015, reGeneration 3: New Perspectives in Photography, participating artist, Musee de l'Elysee, Lausanne, Switzerland 2015, Detroit Center for Contemporary Photography, New Directions Portfolio Showcase 2014, Foam Paul Huf Award Nomination, Foam Fotografiemuseum, Amsterdam, The Netherlands 2014, Silver Eye Fellowship Commendation, awarded by Allison Grant (Curator, Museum of Contemporary Photography, Chicago) 2013, Photo Lucida Critical Mass Finalist

As the Nancy Inman and Marlene Nathan Meyerson Curator of Photography, McDonald will oversee a collection that spans from the world's earliest - known photograph to prints from some of the great masters of the twenty - first century.

To celebrate the release of his new monograph, Metamorphosis, photographer James Welling is joined by Quentin Bajac, The Joel and Anne Ehrenkranz Chief Curator of Photography at The Museum of Modern Art, and Robert Slifkin, Professor of Fine Arts at New York University, to examine highlights from four decades of work and discuss his first survey show.

First Attempts, the galleries of the exhibition will play host to a conversation between the artist and Jorge Ribalta, the show's curator, on photography as an instrument for capturing life at its most vulnerable and precarious, and as a public service and a form of institutional critique.

Expert in the photography collecting market, in the years 2002 - 2003 curator of the first photographic auctions at Sotheby's in Milan.

In the first round of evaluations, Jenny Gheith, Assistant Curator of Sculpture and Painting, San Francisco Museum of Modern Art, Lauren Haynes, Associate Curator, Permanent Collection, The Studio Museum in Harlem, and Brian Sholis, Curator of Photography, Cincinnati Art Museum selected five finalists from 490 submissions.

Organized by Museum Curator Janie Welker, it offers an opportunity to see this diverse group of work in the context of some of the major themes in twentieth - and twenty - first - century photography in this country.

In 1966, the artist had her first two solo shows at New York's Museum of Modern Art and the Museum of Fine Arts in Boston, and in 1978, John Szarkowski, MoMA's photography curator, featured Cosindas in the landmark exhibition «Mirrors and Windows» — making her the fifth woman to have a solo show of photography at the museum.

This encounter is intended as a collaboration of sorts, as curators write «for the first time ever, they will team up with works produced by non-European artists in modern media such as photography, film, and installations.»

An illustrated catalogue of the same title accompanies Chaotic Harmony, co-published by The Museum of Fine Arts, Houston, and the Santa Barbara Museum of Art and distributed by Yale University Press, The catalogue presents one of the first overviews of the artists, subjects, and themes in contemporary Korean photography, with scholarly essays by Tucker and Sinsheimer; a chronology of post-World War II developments by noted photographer and curator Bohnchang Koo; an exhibition checklist; and brief biographies of the artists, compiled by MFAH photography curatorial assistant Natalie Zelt.

Organized by Anne Wilkes Tucker, The Gus and Lyndall Wortham Curator of Photography at the MFAH, and Karen Sinsheimer, Curator of Photography at the Santa Barbara Museum of Art, Chaotic Harmony features large scale photographs by 40 Korean artists, many of who have never before exhibited in international museum exhibitions and whose work will be on view in the United States for the first time in this show.

The lecture and panel discussion series will include a full program of daily presentations; Michael Kimmelman, Chief Architecture Critic and Former Chief Art Critic for The New York Times, «The View from Over There, Over Here»; Jun Kaneko, «In Between»; William Warmus, Former Curator of Modern Glass at Corning Museum of Glass will moderate roundtable discussion, «The Studio Glass Experiment — The First 50 Years 1962 - 2012»; a thought provoking panel moderated by Bruce Helander, Editor - in - Chief of The Art Economist; Willis «Buzz» Hartshorn of International Center of Photography, «The ICP Legacy and New Directions in Photography»; Ullysees Dietz, Curator of Decorative Arts at the Newark Museum, «Ceramics as Art, Not a New Idea»; and Mark Leach, Executive Director of the SECCA, Southeastern Center of Contemporary Art will present «The New SECCA: Directions in Contemporary Art».