Sentences with phrase «first date painting»

Not exact matches

Mr. Zuckerberg painted the new dating service as a natural extension of Facebook, saying that he is frequently approached by couples on the street who say they first met on the social network.

It's not easy, says MPI's Dirk Hoffmann, who was among the first to apply uranium - thorium dating to cave paintings and is the first author of both papers.

The paper presents the first results of the dating of the art, as well as insights into the artistic choices made about location, technique, and paint recipes of the time.

A lot of lipsticks promise that they're long - wearing, but in reality they smear or fade before you finish your first glass of wine or turn the lower half of your date's face into an abstract painting after one kiss.

Art lovers in West Yorkshire are being asked to choose their favourite painting as the county's finest art works go online for the first time... 100 paintings held in collections across Yorkshire, dating from the 17th to the 21st century and...

MARIE CLAIRE - Dec 18 - Two thirds of potential dates check out Facebook and Twitter before a first date, with three quarters of these cancelling if they find something that paints their prospective love interest in a bad light, according to a survey by Parship.

But like all other dating sites if you are a male its little bit complicated to find a mate, i waited for near 2 months to get my first match however if you can paint a good profile it may be easier.

But after establishing online contact with someone for a period of time, many online singles neglect to paint the true and complete picture of themselves which can set the scene for a disappointing first date.

It's good to understand the importance of your dating profile because it paints the picture of who you are and remember — there's only one chance to make a good first impression.

It's a brilliant first date spot (if you stay together, you can use the painting as keepsake) or even an anytime date spot.

At first glance, that opening raid points to a toned - down Predator reference, but it's really just a paint - by - numbers scenario meant to demonstrate how pretty much everything from that decade is stilted, corny, and hopelessly dated.

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The first known paintings of Bearded Collies date back to a 1771 Gainsborough portrait of the Duke of Buccleuch and to a 1772 Reynolds portrait of the peer's wife and daughter accompanied by two Beardies.

The first recording of Minpins in history is believingly from a painting in Paris, France that is dated back to the year of 1640.

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Jack Whitten's first exhibition with Hauser & Wirth presents works from several series — «Quantum Walls», «Portals», lenticular works from the «Third Entity», one piece from the continuing Black Monolith Project, and a sculpture (all dated 2015 — 17)-- continuing a five - decade - long investigation of passions vis - à - vis a testing exploration of painting itself.

The Manchester Art Gallery presents Raqib Shaw's largest solo exhibition to date, featuring 28 recent recent paintings, sculptures, and works on paper, many on public view for the first time.In addition, Shaw has created a floral installation that fills the galleries, lending an otherworldly, paradisical atmosphere to the space.

MOVIE In new first date movie «Southside With You,» paintings by artist Ernie Barnes fuel connection between Barack and Michelle Obama.

In 2014, a retrospective of Koons's work comprising over one hundred sculptures and paintings that date from 1978 to the present was hosted by the Whitney Museum of American Art in New York, marking the artist's first major museum presentation in the city.

«[Portrait of Z. Sharkey] dates from the year of the first postwar Venice Biennale which offered almost the first glimpse in Europe of the new American painting,» writes Philip Ryland, Director of the Collection, «largely thanks to the collection of Peggy Guggenheim which was exhibited in the Greek Pavilion that year: William Baziotes, Arshile Gorky, Robert Motherwell, Richard Pousette - Dart, Jackson Pollock, Mark Rothko, and Clyfford Still.

The earliest painting in «Power Stations» dated from 1964, the year of Hoyland's first formative trip to New York.

Renowned art curator, historian, and Artistic Director of the Serpentine Galleries, Hans Ulrich Obrist, will be in conversation with American artist Dan Colen on «Sweet Liberty», Colen's first major solo show in London, which surveys the entirety of the artist's career to date and also features new paintings and large - scale installations.

At this point, af Klint's appeal must be assumed; the catalogue for Hilma af Klint: A Pioneer of Abstraction sold out its first print run prior to the on - sale date, and a display of her paintings in the Central Pavilion at the Venice Biennale through November is consistently highly trafficked.5

His first paintings on display date from around 1950, already in his forties.

For his first exhibition in American in ten years, he has completed fourteen big paintings of unrelenting blackness since late 2012 alone, with a single date assigned to every one.

Thus when the viewer sees the red date and signature of one of Mr. Kim's recent paintings the first association may be with the chop signature of a traditional Korean ink drawing, but it may just as easily be considered as a formal addition to the painting much in the way that Robert Ryman has continued in his work of 1996 to incorporate the date into his own seemingly minimalist, abstract paintings.

The exhibition, «Kenneth Noland: Paintings, 1958 - 1968,» will feature major paintings dating from the artist's first decade of matPaintings, 1958 - 1968,» will feature major paintings dating from the artist's first decade of matpaintings dating from the artist's first decade of mature work.

These paintings followed some loose hand - painted spots on board such as this one, dating from 1986, and the first spot work on canvas «Untitled (with Black Dot)» (1988)-- the only «Pharmaceutical» painting ever to have incorporated a black dot.

Between War and Peace is the first large - scale show outside Norway and features 65 paintings and 200 drawings, of which Astrup Feranley Museet has contributed with the loan of 4 paintings dating from 1988 — 2014.

This exhibition, which debuted at the Berkeley Art Museum and Pacific Film Archive in October 2014, includes paintings dating from 2006 to 2011 and marks the first public display of the artist's work.

For «It is too difficult a Grace,» his first New York solo show since 1997, Philip Hanson exhibited a dozen paintings made between 2014 and the present, along one with one dated 2010.

Opening Reception: May 3rd 2011, 6 - 9 pm Exhibition Dates: 3/05/2011 - 3/06/2011 In his first solo exhibition in Dubai, Lebanese artist Shawki Youssef will present a series of new works reflecting his ongoing exploration of body representations within painting.

In addition to a group of important paintings from the university's collection, loans of artwork from several private collections and public institutions, many shown publicly for the first time in years, provide a unique opportunity to observe the development of the artist's life and work through drawings, paintings, and prints dating from the 1940s to the 1980s.

By juxtaposing new and recent paintings by the four artists with historic works ranging in date from the 1930s to early 1960s by artists such as Franz Kline, Irene Rice Pereira, John Graham, and Reginald Marsh, to name a few, Open Windows reveals sometimes surprising affinities, influences, and contrasts among and between the twenty - first - century works and mid-twentieth-century paintings, opening windows on new possibilities and fresh ways of seeing.

His first paintings, all oils, date from the 1950s and were mostly portraits and landscapes of his native Sheffield.

While the dates of this series and their related paintings overlap (the first paintings are dated 1958, while works on paper don't begin until 1960), it is widely acknowledged by Newman scholars that these ink on paper drawings play an important role in the development of the Stations canvases.

This is the first major solo show in London, surveying the entirety of the artist's career to date and also featuring new paintings and large - scale installations.

Painted in 1969, this work dates from a breakthrough moment in Richter's career coinciding with his first New York exhibition at Solomon R. Guggenheim Museum.

This will be Carlos» first solo exhibition outside his collaborative involvement in the artistic duo, The Date Farmers and will feature a series of new mixed media paintings and found object sculpture.

Quack Quack featured paintings and works on paper dating from the late 1990s to the present day, including new works that were being exhibited for the first time.

(His first aluminum work, which dates from around 1964 is here: a 14 - inch square that he burnished, creating a brushy turbulence before applying thick patches of white over dark blue paint.)

The Mudd Club partier, hip - hop producer and charismatic celebrity who sold his first painting to Debbie Harry, and for a few months dated the singer who would become Madonna.

1910 is the official date of the first abstract paintings, but Af Klint made her forays into abstraction four years earlier

1910 is the official date given by Alfred Barr, founding director of New York's Museum of Modern Art, for the creation of the first abstract paintings, but Af Klint made her forays into abstraction four years earlier — in 1906.

Malevich's Black Square is a perfect example, not least because Malevich himself dated the work, which is thought to have been painted in 1915, to 1913, confirming the importance of being first.

Writings identified by the first line of the «typescripts,» as they are called include revelatory pieces such as «When I start to paint...,» dated April 1, 1950 and «In this moment...,» dated Nov. 25, 1950.

This is the first solo presentation of Takamatsu's work to be held in London, featuring a group of rarely before seen works on paper alongside his celebrated Shadow Paintings, sculptures and installations dating from 1967 to 1997.

For her first major solo project made specifically for a UK regional visual arts institution and her largest exhibition of new work to date, Dawn Mellor has made a series of paintings based on the complex identity of the Southend - raised actress Dame Helen Mirren.