Sentences with phrase «first drawing materials»

Not exact matches

To make the pieces, Hannah first draws the subject — often an animal like a tiger or sloth — with a clear, water - resistant material.
The first essential is that the human units involved in the process shall draw closer together, not merely under the pressure of external forces, or solely by the performance of material acts, but directly, center to center, through internal attraction.
My first draw to them would be the fact that the materials are milled in the USA and then made in the USA - near impossible to find in the cloth diaper market these days.
What first drew me to this unique brand was its great use of materials and lovely color combinations, but what made me...
From the moment the first trailer for director Ryan Coogler's film hit, audiences have been captivated by the bursts of breakneck action, the tangible world of Wakanda, and a sci - fi vision that unabashedly draws from non-Western source material.
Neeson, now a big enough draw for the material, makes a poor first impression, unconvincingly aged down with a different hairstyle and goatee while saddled with a terrible New York accent that's all over the place.
And with this unlimited freedom and wealth of material to draw from, I opted to make my very first Collins» Crypt (formerly Terror Tuesday) a love letter to Halloween 4: The Return of Michael Myers.
Burstyn's solid (yet often histrionic) turn as the title character is ultimately rendered moot by the pervasively uninteresting atmosphere, and it is, in the end, impossible to discern just what drew Scorsese to the hackneyed material in the first place.
VanderMeer has already praised Garland's Annihilation for being even «more surreal» than his source material and having what he has referred to as a «mind - blowing» ending - an ending that is likewise drawing praise in the first wave of social media reactions to the film.
I'd love for Florida to be the first state in the country to truly embrace competency - based education, where students advanced when they master the material, and where schools draw down funding when they are successful with students.
I was drawn by the prospect of using the vast fund of archival materials available on the subject to produce a real - life maritime thriller — things like code books, intercepted telegrams, even some extremely passionate love letters between Woodrow Wilson and the woman he fell in love with after his first wife had died.
Designed for independent readers in first and second grades, this title, which draws some visual material from Nic Bishop Spiders (2007), offers a completely new text that is shorter, simpler, and printed in larger type.
The activities are appropriate for ages 8 through adult.Through research in creative problem solving and drawing from my 40 years of experience in art, design and invention, I've concluded there is a great need for experienced based material that would help children and adults grasp the creative problem solving process first hand.Problem solving in the classroom is generally based on knowledg...
The layering and accumulation of natural materials is part of my motivation and I still feel strongly drawn to creating spaces that can be entered; I feel there's something that hits a primitive nerve about a space that has been clearly built by hand with natural materials (see the main image for an example in The Shape of First Thoughts).
The display of archival materials includes installation photographs, correspondence, and artist - drawn floor plans exhibited for the first time.
The exhibition also draws attention to behind - the - scenes figures who worked on the project through archival materials shown publicly for the first time.
Later that year, she went on to make some of her first sculptures using these materials and tools and it's easy to see why her drawings are regarded as preliminary works to her sculptures.
In the first, visitors can pull out drawers to discover the drawings in which she mapped out her ideas, read what she had to say about her creative process, and see her tools and materials neatly laid out beside her bench and in vitrines.
Galleries on the fourth floor present Abstract Expressionist paintings, sculptures, prints, drawings, photographs, films, and archival materials in a display subtitled The Big Picture, marking the first time in the history of the new Museum building that a full floor has been devoted to a single theme.
Prerequisite: Figure drawing experience is helpful, but not necessary First class materials: Materials list provided at the first meFirst class materials: Materials list provided at the firsmaterials: Materials list provided at the firsMaterials list provided at the first mefirst meeting
The long, narrow first gallery is garnished with altered furniture frames with weavings by Dodd, strange constructions, wooden blocks fashioned into antennae configurations, gathered materials hanging from above like rotting Spanish moss, scratchy drawings, and other tilting paintings.
These works — on view in New Orleans for the first time — span a range of media including collage, drawing, architectural models, animation and short film, and collaborations with other artists on such materials as album covers and children's books.
Claes Oldenburg helped manage the gallery, and in the winter of 1960 he and Dine created what would become a legendary work, an immersive environment comprising the first iteration of Oldenburg's The Street (1960) and a new work by Dine called The House (1960), a phone - booth - sized house made from leftover theatrical backdrops that Dine found in the church and covered with an exuberance of found materials, drawings, and words.
Now, for her new show, she's tackled the field of painting for the first time, creating elegant wall - mounted abstractions — she calls them «drawings» — by embedding tens of thousands of nickel - headed steel pins in Gatorboard, a polystyrene material often used for mounting prints.
It's the first comprehensive survey of the acclaimed Art Nouveau architect and, as well as his most famous works like the school, his fine domestic buildings can be appraised in detail in the show through drawings, models, archive material and new film works.
The first, which opens on May 2nd and runs to September 14, is Transcendent Deities of India: The Everyday Occurrence of the Divine which draws attention to the ongoing impact of classical Hindu material on both modern and contemporary artists.
At first sight, his tottering towers of spun discs, or unbalanced stacks of plates, seem totally abstract; but in this exhibition, his drawings reveal their figurative origins and send you back to look again and notice the distorted faces, like people trapped in the warped material, that spookily populate his restless universe.
1998 Drawing, Cabrillo College Gallery, Cabrillo College, Aptos, CA First Decade: Highlights from The Contemporary Museum's Collection, The Contemporary Museum, Honolulu, HI Material / Immaterial, Berkeley Art Museum, University of California, Berkeley, CA
Drawing largely on material that has never been exhibited before, Your Pal, Cliff brought to light for the first time the full scope of the H. C. Westermann Study Collection.
It's difficult to make a distinction between the different materials at first but upon closer inspection, it becomes noticeable that certain lines are drawn in pencil and ink while other are sewn into the paper.
For Um - basax - bilua «Where They Make The Noise,» Red Star's first solo exhibition in New York, the artist eschews much of the satire of her earlier work, showing a large - scale installation drawn from a mix of autobiographical and archived material.
The experience was a bit bewildering at first, since the studio is a laboratory where the artist has more than a dozen «experiments» going simultaneously: a giant firefly contraption takes up a swing - set zone; materials for an upcoming performance are laid out on every surface of the seating and sofa zone; fish tanks surround a computer zone and provide the staging ground for an oceanic corral project; dozens of human arm forms, cast in a Black Power salute and cast in gold, are lined up along a wall, in preparation for a huge installation in Washington, D.C. this fall; a 3 - D printer is on pause as it creates Lilliputian figures for who - knows - what; and everywhere are various staging grounds of plastic models which will eventually be sprayed in gold and mounted on pins, to create Kaino's now - signature six - foot - tall, glittering gold pin drawings that suggest atomized worlds.
Serving as Apichaptong Weerasethakul's first solo exhibition in Hong Kong, the exhibition includes a selected survey of rarely seen experimental short films and videos installations by the artist, together with his sculpture, photography, drawings, sketches, and archival material.
Drawn from the MCA's extensive holdings of artist's correspondence, photographic documentation, catalogues, models, and exhibition materials, the work in Record Times ranges from the artists» multiple created for the MCA's first exhibition, Pictures to be Read / Poetry to be Seen (1967); to the Art by Telephone (1969) phonograph, which served as both the exhibition and catalogue for the exhibition; to diagrams, maquettes, and out - of - print exhibition catalogues.
Ito has created drawings as materials for «photo - drawing», or as sketches for sculptural works before, but she will present them in the exhibition for the first time.
For her first solo exhibition in the United States, Kiwanga presents a site - specific installation, video, and prints that draw on the artist's research into the design of institutional spaces, including materials found in the University of Chicago's Special Collections Library.
Drawn primarily from the holdings of Jerry Bywaters Special Collections in the Hamon Arts Library, this exhibition of lithographs, drawings, archival materials, and a few paintings documents the career of one of Dallas's most prominent artists from the first half of the 20th century.
Book of Ruth (Siglio, 2011) is the first publication of a selection of these materials and a rare view into a multi-layered approach to collage, drawing, photography, narrative and lyric writing.
Called «Triple Point (Planetarium),» a constellation of materials — photographs, drawings, tripods and other objects — will be in an installation similar to the one that occupied the first room of the pavilion.
He drew from an early age, improvising art materials until the fourth grade, when a teacher gave him a sketchbook and he saw unlined paper for the first time.
This rural site of subterranean raw graphite is the source from which pencils were historically first made, which crystallized the concept for Fernández of a drawing that is both dimensional material, actual place, and drawn image.
«The Mind's Eye presents works drawn from the artist's personal archive of vintage materials and, in addition to photographic prints, includes a selection of three - dimensional photographic sculptures, films, artist's books, albums and work prints to give viewers first - hand insight into Uelsmann's creative process and expressive range.
Featuring materials drawn from their personal archives, and curated by Hull - born Cosey Fanni Tutti herself, this first retrospective will also feature musical performances, programmed by respected music website The Quietus.
«Seeking a working method that would bring him «a feeling of freedom», Cai Guo - Qiang experimented with various materials, and in 1989 he unveiled a series of drawings rendered in gunpowder, a substance first discovered by Chinese alchemists in search of the elixir of life for the Emperor and yet used subsequently to kill.
Drawing inspiration from the materials she found in an abandoned textile factory in Kettwig, she made her first three - dimensional artworks, and when she returned to New York she devoted herself exclusively to sculpture, creating fragile works in unconventional materials such as polyester, fiberglass and latex.
Eventually, in his forties, after a hunting injury, he moved to the settlement of Cape Dorset where he began making drawings with materials provided by the newly established West Baffin Eskimo Co-op, the first Inuit printmaking studio.
LOCATION: EDUCATION STUDIO — FIRST FLOOR TATE TEACHERS: Tate Teachers: Exploring Drawing 21 & 22 November 2009 10.00 — 16.00 # 150 Delivered in partnership with Liverpool John Moores University This weekend course focuses on the art works in Joyous Machines, and explores the figure and movement as material to support, expand and invigorate contemporary dDrawing 21 & 22 November 2009 10.00 — 16.00 # 150 Delivered in partnership with Liverpool John Moores University This weekend course focuses on the art works in Joyous Machines, and explores the figure and movement as material to support, expand and invigorate contemporary drawingdrawing.
Exploring the first - person politics of being in New Orleans with a camera and microphone in the months following the storm, it recounts Hunt's engagement with community activists while researching the city's refusal to evacuate the Orleans Parish Prison... Between meditations on his own experience he cues testimonies — videos of a citizen, a neighbor, an organizer and others — each one drawn from the archive of material compiled during his visits.
Through nearly fifty manuscripts, first editions, letters, and related materials drawn almost entirely from the Morgan's collections, the exhibition Liszt in Paris: Enduring Encounters celebrates the art and the diverse and fertile artistic world of the virtuoso pianist - composer.
It was about this time last year when I discovered Berman's reconstructed garments — made with donated materials, and second - hand clothing from vintage and thrift shops — and she hasn't lost her signature use layering of vibrant colors and patterns, which is what first drew me to her designs.
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