Sentences with phrase «first end boss»

Not exact matches

By the end of the first three working days of the year, the U.K.'s top bosses will each have earned on average as much as a typical worker will take home in all of 2018, according to a report.

Old Trafford owners the Glazers could opt to call time on Moyes's tenure as Man United boss at the end of the current campaign, especially if the club have failed to secure a Champions League berth for the first time in the competition's history.

Bale, who scored seven and assisted three in 19 La Liga games for Los Blancos last season, is reportedly unhappy at the club, as per the Sunday Express, after dropping down in boss Zidane's pecking order, with the player set to find himself even further away from the first - team should the Spanish giants end - up being successful in their pursuit of Monaco forward Kylian Mbappe.

Should Bale end up swapping the Bernabeu for Old Trafford this summer, it'll surely put the Red Devils as favourites for the Premier League, as the Manchester side look to win their first title since the departure of former boss Sir Alex Ferguson in 2013.

According to the Daily Express, the Chelsea man is Juventus» boss Massimo Allegri's first - choice summer transfer target following Marchisio's latest setback, which could see him ruled out until the end of the calender year.

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

It was Wenger who signed Joel Campbell for the Gunners in the first place, of course, so the boss knew there was quality there but it was looking ever more likely that his Arsenal career was coming to an end.

Now with the first manager axed it could be the beginning of the end for several other top - flight bosses.

The Seagulls have been without a boss since Spaniard Oscar Garcia resigned at the end of the season, despite leading the club into the play - offs in his first season at the AMEX Stadium.

Paul Lambert's side worked hard, were well organised and were good value for their win but, worryingly for Liverpool boss Brendan Rodgers, his first attempt at rotating his newly - strengthened squad ended in a frustrating defeat.

Caretaker boss Graeme Murty ended Miler's unexplained exile from the first - team squad, which Caixinha had maintained since reports of a heated team meeting after defeat by Celtic on Sept. 23.

Steve Bruce's first return to Hull ended with the former Tigers boss having to share the points from a 0 - 0 draw as his Aston Villa side struggled to break down a resolute home defence.

The departure of former Rovers boss Sam Allardyce was both a shock and shocking, with the club's clueless owners installing former club first - team coach Steve Kean as manager until the end of the season in a nasty piece of business which came across as a stab in the back for Allardyce, who produced miracles during his time and Lancashire and will no doubt be a wanted man in 2011, unlike tickets to Blackburn games despite Venky's best efforts to revamp the club and turn it into Real Madrid.

Steve Bruce's first return to Hull ended with the former Tigers boss having to share the points from a 0 - 0 draw with his Aston Villa side.

It was Fulham's second successive draw of the season, which can be viewed in many lights, although Mark Hughes is still seeking his first competitive victory as Fulham boss but will target Saturday's trip top Blackpool as the ideal opportunity to end his wait for a Fulham win.

Off the canvas and slugging again After ending up on the losing side in each of his first five Bundesliga matches this season, new Schalke boss, Markus Weinzierl has to be delighted with the way his side has rallied, picking up 14 points since the start of October, remaining unbeaten in six and finally producing on the road, winning 1 - 0 at toothless Wolfsburg on Saturday.

Lord Rennard has welcomed the end of disciplinary proceedings against him by party bosses, saying all allegations against him «fell at the first hurdle».

The shoot - em» up sections end with a boss fight followed by a first person fight that usually happens in a mech.

I ended up becoming so obsessed with organizing and maintaining my inventory of stickers that by the time I reached the first major boss, I had stopped having fun with Sticker Star.

This ends the movie's first act and sets Joe off on a new life in sunny Florida, where he's employed by the Italian crime boss Maso Pescatore (Remo Girone) to take over the local rum rackets and make life as difficult as possible for White's Florida operation.

That feeling you get when finally beating a tough boss in Dark Souls, or completing a difficult shrine in Breath of the Wild, or taking out your first griffin in Dragon's Dogma, are all the same as the feeling you get at the end of each and every hunt in Monster Hunter: World.

In the end, Horrible Bosses 2 is another fun time with the crazy trio we met in the first film - only it's a party that definitely feels exhausted by the end.

It might look cool the first time around, but the end result means that we have essentially had that boss fight climax taken away from us, so every end of a chapter in the game doesn't have as much of an impact as the gamers deserve.

And I tried my first chalice dungeon, which is very cool, but when I saw that fire doggy boss at the end, I realised my fire weapons and molotovs just make him laugh... I love this game..!

The Killer — The first really great John Woo film (that I've seen) stars the great Chow Yun - Fat as a hitman who accidentally blinds a woman in a shoot out and tries to make amends but gets double - crossed by his boss and ends up teamed up with the cop who's been pursuing him (Danny Lee).

I shouldn't be dying 20 + times on the boss fight at the end of only the first world!

- for Sonic's 25th anniversary last year, Iizuka received a task to deliver some sort of product - the target was «dormant fans» who used to play the SEGA Genesis, but haven't really played any games since - Iizuka met Christian Whitehead, which lead to the creation of Sonic Mania - there was talk of another port, but Iizuka thought fans would desire something new from the old games - this is the first time Iizuka partnered with a team of devs spread across various countries - Iizuka said this team had a greater passion to create - this was in comparison to companies that set decisions on a pre-determined schedule (in meetings, etc)- the team had so many features they still wanted to add after the beta version was complete - since there were only a few spots with text that needed to be localized, they could bring the game to more places quicker - the game has Japanese, English, French, Italian, German, and Spanish support - the Studiopolis stage is included due to receiving the most requests from the Sonic Mania development team - Iizuka actually considered reducing the amount of stages at one point in order to meet the development schedule - Sonic Mania doesn't really have much in the way of cut content like scrapped stages - since Sonic Mania was only distributed digitally, the team was able to continue working very close leading up to launch - this let them put in practically all ideas, and there are currently no plans for DLC - Iizuka recommended Flying Battery Zone for inclusion becaues he likes the music - he also likes when the player goes inside and outside the ship - Iizuka likes Mirage Saloon because the stage structure will be different depending on the player character chosen - Puyo Puyo gameplay was added because there was a Puyo Puyo game released in the west for the SEGA Genesis - this game was originally called «Dr. Robotnik's Mean Bean Machine», and the team thought it would make a fun boss battle - Iizuka didn't have plans to feature Blue Sphere in the special stages - the Blue Sphere special stages were brought over to Mania as a test, but ended up staying for the final game - the team felt the need to continuously connect stages from various eras, which is doe with the Phantom Ruby story - for Sonic Mania, it was decided that the technological limit would be set at SEGA CD, - this is higher than the Genesis but lower than Saturn - in creating a SEGA CD - grade special stage, they would intentionally make SEGA CD - grade polygons

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

For what it did have, the first two expansions did have one or two unique boss encounters and Friends to the End had a special environment exclusive to itself.

Lending ideas from the MMO genre, the end of the story is arguably the beginning of the main game - teaming up with allies to earn stronger loot across its Strike instances, PvP modes and, starting next week, its first Raid scenario that welcomes bigger teams of 6 to fight together against powerful bosses in a new location.

Even the first level on the tougher difficulty setting feels near impossible, but whilst I would usually relish the intense challenge, it's not thanks to the level design, or the enemy placement that makes BLEED such a challenging game — all of which are rather impressive even with their simplicity — and instead it's down to the boss at the end of each stage.

The very end of the game then decides to strip you of all your weapons yet again and throw you against the final boss, some random army dude, in a hand - to - hand combat section that really pissed me off since I hadn't figured out how to actually do hand - to - hand combat in the game because I had spent too much time with knives and swords and guns and crap since, I don't know, THAT WAS WHAT THE GAME WANTED ME TO DO IN THE FIRST PLACE.

At first this is o.k. when there are only a couple enemies on the screen but the real game begins later on at the near end - level areas and the boss battles.

«Starting with that iconic main theme written for our first announcement trailer, Gareth continued to deliver a huge and varied score that brought to life every part of the game, be it the beach, the mountains, the jungles, the desert, the caves, the EPIC boss battles and even the out - of - this - world science - fiction climax of ARK «s End Game.

During the first boss battle, something happens that causes Esteban to panic and you end up saving his life, causing Esteban to become you companion because he owes you that debt.

We did it, and just got all the adds first, but the end, with the boss turning into a Rakghoul with lazer circles all over was rediculous.

It's no lie that Ninja Gaiden Sigma is a hard game and for those who have played it before, you might remember Murai, the first boss battle that you'll get to fight at the end of first chapter.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

In the first two games, we only encountered a boss at the end...

Except for new environments and a different «boss» enemy at the end of each level, no new game - play elements are introduced after the first hour.

However, the first clan to claim victory over the new raid variant, Redeem, have had their victory soured by some Guardians claiming that they used the Wardcliff Coil glitch in order to get more Power Ammo and therefore make the end boss easier.

Other highlights are the two Kameks (who literally bicker right up the very end, even during their supposedly «heart - warming» death scene), Big Bob - omb (who goes from a forgettable first boss to a stern and serious leader on Mt Brr) and King Boo, who's just as nasty and selfish in this game as he was in Dark Moon (he actually holds Paper Mario in a hostage situation and threatens to beat him up if Mario and Luigi attack him).

At the end of each age (save for the first one) there is also a boss battle.

the first few levels are fairly simple ending with the first boss battle, in which you shoot down a flying saucer and take on the crab that took your future self.

There are eight levels in all with bosses at the end of each, and two endings to make the second time through more rewarding than the first.

Because she wants to see him fight «Green head,» the Shielder boss at the end of the first stage.

While we can tell big tales about how amazing it is to finally beat that big boss at the end of Contra, or playing Legend of Zelda for the first time — there's nothing quite like experiencing it firsthand.

There are a couple of throwbacks to older games that you could say are a little lazy, such as how the first end of level boss performs almost identically to the ones found in Super Stardust and Resogun.

The swordfight boss at the end of world 6 (the first appearance of MetaKnight?)

It would be easy to have come up with «roguelike plus rhythm» and end there, but tweaks to the model include compressing the game into four distinct worlds (so you can achieve some progression even if you don't beat the game first try), adding new characters who change the structure (one has no weapons; another can not pick up gold) and breaking out boss battles to a separate level entirely.