Sentences with phrase «first exhibition addressing»

ACAC commissioned the artists to develop their first exhibition addressing a Southern context and during the past several months they have visited Atlanta three times; Burns and Young engaged the Antioch Baptist Church North, New Horizon Baptist Church, Atlanta History Center, Hammonds House Museum, Margaret Mitchell House and Museum, Souls Grown Deep Foundation, The Wren's Nest, WonderRoot, and numerous antique stores, farmer's markets, and private homes.

Not exact matches

The upcoming exhibition addresses the recurring themes throughout Fouts» work, such as time, nature, and religious iconography, and includes key pieces from the past decade, alongside new works on view for the first time.

The first group exhibition, Women and their Work I: Affect + Action will open on Friday, September 8 from 5:30 to 7 pm where artists will address social issues ranging from institutionalized racism, water pollution, the atrocities of war, and the subjugation of female bodies (human and nonhuman).

First Floor Gallery Engages New York Artist NewsDay, November 3, 2012 As part of its educational programme designed to address the challenges facing young visual artists in Zimbabwe, First Floor Gallery has invited a senior New York - based artist and mentor, Janet Goldner, to conduct workshops and a collaborative exhibition with the local artists.

The 1993 Whitney Biennial was one of the most criticized exhibitions in history; incidentally, it was also one of the first times a prominent New York institution unapologetically addressed identity politics.

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

Looking specifically at Raymond Pettibon's explicit repurposing of found language and references to modern literary texts, Valinsky's gallery talk, «The Fictions of Raymond Pettibon,» will address the artist's repertoire of sources and strategies for writing images and drawing language within a relatively small selection of works on the first floor of the exhibition.

First and foremost, we must thus express deep gratitude to Neal Benezra, Helen and Charles Schwab Director at SFMOMA, and to Ruth Berson, deputy museum director of curatorial affairs, for embracing the idea behind Soundtracks and suggesting the exhibition's timing and scale as a way to address our new building.

This site was the first address for The New Museum, where curator Marcia Tucker, at the invitation of Vera List, a lifetime trustee of The New School, was given space to mount her first exhibitions.

McShine taught widely and held senior curatorial roles at the Jewish Museum and MoMA, where he organised several landmark exhibitions including «Information» (1970), one of the first exhibitions in a major American museum to address Conceptual art.

Featuring nearly seventy - five works by leading American innovators from Gertrude Stein, Marsden Hartley, and Alfred Stieglitz, to Robert Rauschenberg, Yoko Ono, and Eleanor Antin, to Felix Gonzalez - Torres, Glenn Ligon, and L.J. Roberts, This Is a Portrait If I Say So: Identity in American Art, 1912 to Today represents the first exhibition to address the breadth and significance of the phenomenon of non-mimetic portraits in American art.

The project addresses for the first time V - A-C's new approach to exhibition making, introducing a more fluid, transparent method of working collectively and engaging all disciplines equally.

Sheri Rush's first solo exhibition at Hyde Park Art Center, Portals of Discovery, features large - scale paintings which address the diminishing experience of nature, and specifically, the layers through which landscape is now viewed.

A comprehensive survey of the last part of his career, from when he turned 60 in 1835 to his final exhibited works in 1850, it is the first major exhibition to address Turner's late period.

BRACHA: Pietà — Eurydice — Medusa is the first comprehensive solo museum exhibition of Bracha's work in the United States, featuring a range of works spanning the last four decades — oil paintings, often created over several years, earlier and more recent drawings, notebooks, and three video works — that address the themes of loss, love and trauma within the context of the atrocities of war and traces of memory of the tragedy of the Holocaust.

White: Whiteness and Race in Contemporary Art, the first exhibition and book devoted to the subject, gives voice to 11 artists who explicitly address the issue of whiteness: Max Becher and Andrea Robbin, Nayland Blake, Nancy Burson, Wendy Ewald and Mike Kelley, William Kentridge, Barbara Kruger, Nikki S. Lee, Cindy Sherman and Gary Simmons.

Installation view June 5 — 26, 2010 Opening: Saturday, June 5, 2010, 5 — 7 pm Open by appointment only: [email protected] Location: 1019 Alexander Street, Houston, TX 77008 (in the Heights)(v) = variable presents a collaboration with Jim Nolan as the first in a series of works addressing the re-use and reconfiguration of pre-existing architectural structures as temporary «exhibition» spaces.

This exhibition marks the artist's first gallery show outside of Asia and will feature his complex mixed media pieces that transcend the static limitations of sculpture and address the relationship between the spiritual and physical.

This is the first major museum exhibition to address the contribution of women to Abstract Expressionism.

If you skipped New York's grittier art fairs this season and now regret it, compensation awaits in a scruffy food fight of an exhibition at a relatively swank address: Lever House, the first glass - curtain - wall skyscraper on Park Avenue.

This is the second solo exhibition in a series of three intending to address issues of marginalization and history - making, first articulated in Podedworny's earlier curatorial project, Rethinking History which was mounted -LSB-...]

The first dual museum exhibition to feature these two visionary artists, Guise & Dolls included the artists» portraits of each other, self - portraits and a selection of iconic portraits of sitters that address role - playing and gender roles — masculinity, femininity and androgyny.

For the gallery's first exhibition with Melvin Edwards, the artist's first solo exhibition in Germany, we show «Lynch Fragments» made between 1986 and 2012, which are dedicated to specific people and places that are important to Edwards, such as his friend the painter Emilio Cruz, the political activist Samora Machel, the artist's brother Dan, places in Africa that are of personal significance to the artist, and the street number of his former New York address.

19 May 2010 08 Aug 2010 Collecting the New: Recent Acquisitions to the IMMA Collection Collecting the New presents artworks recently acquired for IMMA's Collection and marks the first occasion that these works have been shown at the Museum as part of that Collection 26 Jan 2010 18 Apr 2010 What happens next is a secret This is an experimental exhibition which attempts to addresses the question of what happens when artworks become part of a collection and are subsequently shown in many different contexts.

The first gallery survey of five decades of pioneering work produced by this husband - and - wife artist partnership known as «The Harrisons», this exhibition focuses on works that address ecological issues within the artists» home state of California.

In his first solo exhibition in New York City since 2000 Arthur Jafa expansively extends his exploration of ontological Blacknuss * as a generative and pluripontantial phenomenon — one capable of addressing the social stresses weight, fissures and breaks of being Black — and concomitantly, Black Being and Thingification — in the world.

Preview Lecture Gerda Frömel - Her life and works 1955 - 1975 Thursday 9 April 2015 Exhibition Curator Seán Kissane (IMMA) presents a lecture on his research for the first contemporary retrospective exhibition of works of Gerda Frömel presented at IMMA, and addresses how this presentation attempts to reinstate Frömel as a modern IriExhibition Curator Seán Kissane (IMMA) presents a lecture on his research for the first contemporary retrospective exhibition of works of Gerda Frömel presented at IMMA, and addresses how this presentation attempts to reinstate Frömel as a modern Iriexhibition of works of Gerda Frömel presented at IMMA, and addresses how this presentation attempts to reinstate Frömel as a modern Irish master.

-- W. Burroughs Antes de que nuestra inocencia fuera perdida, Eric Muñoz's first solo exhibition with Anonymous Gallery, is an installation that addresses themes such as sex, decay, memory and loneliness.

Paola Pivi's first museum solo exhibition in the United States addresses the viewer as «ma'am.»

This is the second solo exhibition in a series of three intending to address issues of marginalization and history - making, first articulated in Podedworny's earlier curatorial project, Rethinking History which was mounted at Mercer Union in the Spring of 1992.

This is the first fall exhibition The Costume Institute has organized since blog.mode: addressing fashion in 2007.

This volume, and the exhibition it accompanies at The Armory Center for the Arts in Pasadena, address this oversight, providing the first thorough overview of her ouevre to date.

Radical Presence: Black Performance in Contemporary Art at Grey Art Gallery is the first of a two - part exhibition originating at the Contemporary Arts Museum Houston [the second is at the Studio Museum of Harlem] that addresses the history of black performance art since the 1970s.

With an arsenal of glass guns, sculptures of icy bears, and luminous grid - like constructions, Claire Lieberman addresses issues of violence, impermanence, and transformation in her first Atlanta solo exhibition at Marcia Wood Gallery.

His first exhibition in Turin» Dopo» unfolds inside the Fondazione Merz gallery spaces, is conceived as a total installation, a choral narrative addressing individual and collective memory, entwining the past with the present, urging unattended promises, recombining History with each individual's life.

This installation was the first in what has become a series Performance in the Present, 1996, completed at Synagogue Na Palmovce, Prague, Republic of Czech and her most recent solo exhibition breath, 1997, at Niagara Artists» Company, St. Catharines, Ontario of site works which address not only a response to the physicality of the site but also notions of space / time / art / architecture / the body and sexuality.

RE / FORMATIONS: Disability, Women, and Sculpture is the first exhibition to address the intersection between disability identity and female identity...

Opening: Jon Rafman, «You are standing in an open field» at Zach Feuer For his first solo exhibition in New York City, multimedia artist Jon Rafman will show an array of sculptures, installations and videos that address memory, including «sham» ruins and relics.

HONOLULU, HAWAI`I — The Honolulu Museum of Art's anticipated Abstract Expressionism: Looking East from the Far West, opening Sept. 7, is the first museum exhibition to address a gap in the history of Abstract Expressionism, bringing artists of the New York School together with Asian American artists who studied and worked in New York in the 1940s and 1950s, examining their presence within this circle, as well as the influence of Asian intellectual and artistic traditions on artists long revered as uniquely American.

Exhibition Dates Friday October 2nd — Saturday October 31st 2009 Address 336 Old St, London, EC1V 9DR (above The Reliance) CHARLIE SMITH london is delighted to present John Stark with his first one person show in London, «Meliora Silentio».

Spanning the First World War to the present day, this exhibition of objects, drawings, films, photographs, paintings and archives from medical museum collections, focuses on analogue augmentation to the body, tracing how artists have addressed radical changes to the very thing humans know best: our bodies.

In 2005, Richards curated Addressing the Shadow and Making Friends with Wild Dogs: Remodernism, the first Remodernism exhibition in the US to include work from all of the Remodernist groups, including the Stuckists, the Defastenists, Remodernist Film and Photography, and Stuckism Photography.

This major solo exhibition at the Berlinische Galerie, bringing together loans from museums and private collections elsewhere in Germany and Europe, will be the first to address all aspects of an opus rich in splendour, humour and the erotic, shifting the focus again to one of the most unusual female artists of the 20th / 21st century.

In several ways, the exhibition is utterly contemporary: not only does it address our Internet - driven age (Wikipedia is, after all, the twenty - first century version of Auriti's utopian construct), but it also reflects a timely interest in idiosyncratic «collections.»

The Van Every / Smith Galleries at Davidson College will present the first exhibition to address the intersection between disability identity and female identity in RE / FORMATIONS: Disability, Women, and Sculpture.

While a more recent touring exhibition of his work was entitled Kerry James Marshall: Mastry, this catalogue of works — created for his first exhibition at David Zwirner Gallery in London in 2014 — reveals Marshall's mastery of draftsmanship and painting and his exciting experimentation as he addresses these canonical limitations.

The exhibition is an exciting and MAXXI awaited opportunity to learn about the innovative and artistic research is the first Indian study addressed by an Italian museum on the art of this fascinating country.

Female gaze 16 May Maisie Cousins» first solo exhibition «grass, peonie, bum» at TJ Boulting London explores the themes of femininity and sexuality within her work, which addresses the misogynistic ideals of beauty with humour and erotic imagery.

With the first displayed serially on a digital photo frame and the latter on slim wooden mantels, their domestic presentation confirms the sense that this exhibition addresses human creative relationships as much as it does rigorous, rehearsed formal experimentation.

The exhibition, which opened on Oct. 30, addresses issues of sexual and gender identity and bills itself as «the first major museum exhibition to focus on sexual difference in the making of modern American portraiture,» according to the museum's Web site.