Sentences with phrase «first feature film script»

His first feature film script The Unknown Saint, which will be his debut feature, was awarded at the Locarno Film Festival and was selected at La fabrique du cinema du monde at Cannes.

The director rarely disappoints, and his co-screenwriter Mardik Martin comes with a fun fact that should be enough to hold us over until Venice likely offers us a synopsis: This his first feature film script in over 34 years.

Not exact matches

Last year, a small movie studio even released what it claimed to be the first scripted feature film ever shot and released entirely on the messaging app.

In April, an upstart movie studio released what it claims to be the first ever scripted feature film shot and released entirely on the Snapchat social media app.

In 1972 — before the internet, before the porn explosion — Deep Throat was a phenomenon: the first scripted pornographic theatrical feature film, featuring a story, some jokes, and an unknown and unlikely star, Linda Lovelace.

From Humpday and Touchy Feely director Lynn Shelton, her first feature based on a script she didn't pen (that credit goes to first - time scribe Andrea Seigel), Laggies debuted at this year's Sundance film festival to mostly positive reviews.

As the first big - budget feature from director Julius Onah, he acquits himself well, and almost every single problem the film has comes down to a script that, by Uziel's own admission, was re-written on - the - fly during production.

In 1978, Douglas Adams penned the script for British radio an eccentric SF comedy entitled «The Hitchhiker's Guide to the Galaxy» (or H2G2), and its success led to a run of five best - selling books (the first appearing in 1979), a BBC television series (1981), a computer game (1998), and now, over a quarter of a century after its first radio outing, a big - screen feature film.

For all of his obvious skills and uncommon talent as a visual storyteller, Kosinski's first two films were short on character depth and emotional engagement, but whether a function of Kosinski's innate preferences for spectacle over substance or simply script - related issues, Kosinski's feature - film output made him an odd, left - of - field choice to direct a film about American firefighters and the Yarnell Hill Fire of 2013 that resulted in the greatest loss of firefighters since 9 - 11 more than a decade earlier.

The movie is notable for featuring Stephen King's first film script.

The script for the musical drama, whose music and lyrics were written by Stephen Sondheim, as he composed the Broadway play, was penned by first - time feature film writer, James Lapine.

Spike Jonze's return to the feature director's chair (and first time bringing a script he wrote entirely by himself with him) after a four year break is a thoroughly layered and personal film that is at times about the awkward nature of new relationships after a break up (and how we cope with that crushing in - between time), and at times about how technology shapes our modern world, and at times about how we demonstrate and understand love and relationships changes with both time and technology.

I had the opportunity to talk to Alan Ball about Towelhead, his first feature - film script after American Beauty and his feature directing debut, when he presented the film at the Seattle International Film Festival in June, 2008.

As with Bourne, car chases and hand - to - hand fights are heavily edited, and quite exciting visually, though there is a curious lack of white - knuckle tension that should have resulted from the scenes had the script by first - time feature film scribe David Guggenheim spent more time with the characters to get us to care about their situations before throwing them on the run.

Yes, having watched both films on the same day, my opinion may be slightly blighted by the original's far superiority, but the first film features such fine performances from the likes of Douglas, Charlie Sheen, Martin Sheen, Daryl Hannah, and even John C. McGinley from a wonderful script by Stone and Stanely Weiser, this just didn't compare.

Its other presumed best shot was in the Screenplay category, but the recent dustup over its (absurd) designation as an Adapted Screenplay that was, in fact, adapted from... itself (essentially, the feature script was written, then Chazelle adapted it into a short to sell the film, but since the short came out first, it's considered adapted from the short, even though the short was technically adapted from the unshot script.

is one of those hired gun Gilliam films, with a script by first time feature writer Pat Rushin.

This is their first major exhibition in the States, and will feature film still sequences, and videos and annotated scripts.

Funded in part by the Irish Film Board this is also the first of Campbell's films to feature actors and scripted scenes and marks the first time that IMMA and Bord Scannán na hÉireann / the Irish Film Board have collaborated on a film work.