Sentences with phrase «first film art»

The DVD version of our first film Art From The Arctic documents early Cape Farewell expeditions with renowned artists and climate scientists»

Our first film Art From The Arctic, directed by David Hinton and co-produced by the BBC, seen by a worldwide audience of over 12 million in TV broadcasts and film festivals across the world»

Not exact matches

I spent the first 13 years of my professional life doing what was more akin to art than to business: commissioning, writing, directing, producing radio, television, films, and music.

After the success of our first two - day conference in 2016, we're excited to be hosting another two - day event this year at the Barbican Centre in central London - an iconic London venue and Europe's largest multi-arts and conference venue presenting a diverse range of art, music, theatre, dance, film and creative learning events.

Because the Church is often slow to address realities that the culture is first to voice — whether through arts, film, music and, unfortunately, through stories of pain and tragedy in the news.

Going Gaga is a baby friendly showing of first run films with a heavy bent toward indie and art house films.

Eric's first journalistic forays were as an arts critic, covering film and music for the Stanford Daily; his first feature was about artists - in - residence at the San Francisco dump.

With the help of the Walters Art Museum in Baltimore, the researchers will soon test the process on their first work of art by applying the ALD film to strips of silver (inset) from the late 15th century Spanish cross pictured aboArt Museum in Baltimore, the researchers will soon test the process on their first work of art by applying the ALD film to strips of silver (inset) from the late 15th century Spanish cross pictured aboart by applying the ALD film to strips of silver (inset) from the late 15th century Spanish cross pictured above.

Mr Kam says that he hopes one day to be a martial arts actor in the cinema, comparing himself to Jean - Claude Van Damme (who appeared in his first film when he was 19).

I envisioned This Land Is Mine as the last scene of my potential - possible - maybe - feature film, Seder - Masochism, but it's the first (and so far only Saraswati (Sanskrit: सरस्वती, Sarasvatī) is the Hindu goddess of knowledge, music, arts, wisdom, and learning worshipped throughout Nepal

The unanimously - praised film with a modest budget of $ 23 million deservedly won seven Academy Awards, including Best Picture, Best Director (the first for Spielberg), Best Cinematography (Janusz Kaminski), Best Adapted Screenplay, Best Original Score (John Williams), Best Editing (Michael Kahn), and Best Art Direction.

From one angle, «First Reformed» is an unreformed film critic's tour through a strain or tradition of art - filmmaking that molded him, as well as a tribute to masters including Ingmar Bergman, Andrei Tarkovsky, Carl Dreyer and, of course, Bresson.

Probably more than any other filmmaker, his name evokes instant expectations on the part of audiences: at least two or three great chills (and a few more good ones), some striking black comedy, and an eccentric characterization or two in every one of the director's movies.Originally trained at a technical school, Hitchcock gravitated to movies through art courses and advertising, and by the mid -»20s he was making his first films.

The documentary - first distributor improved the quality of its output in 2014 compared to the prior year, and cracked the top 10 in our rankings despite having just one «great» film: the art doc (or is it a «rockumentary»?)

When it's finally ready to resemble a horror film, it borrows liberally from the art direction and creature designs of the Silent Hill games, including several monsters specific to Silent Hill 2 and a slew of sets from Silent Hill 3 (already the first game in the series to drift away from what made it special).

The film is hilarious, if viewed in context, but of course having watched it dozens and dozens of times since my first viewing in the early 1960's in an «art cinema» in Greenwich village, I no longer laugh out loud, but enjoy my silent amusement, because I love satire.

This film is the first to successfully document graffiti in Beijing; an art form that is developing just as fast as everything else in the country

Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.

In the first 20 minutes, it seems that the film is going to be a fairly straightforward talk-fest about art and philosophy.

«Schrader works in a stately, dark - toned style that's far more compelling than the frenetic genre hash of his last two films, «Dying of the Light» (2014) and «Dog Eat Dog (2016),» Variety opined in a review, coming into «First Reformed» as a summation of Schrader's work: «Paul Schrader pours all his obsessions, from Robert Bresson to pulp violence, into a grindhouse art film you can't stop watching.»

Although she had appeared in several films earlier, Cheng's first starring role in a martial arts film came, like Hsu Feng's, courtesy of director King Hu during his short - lived stint with the studio.

Unlike the small museum from the first film, the Smithsonian would surely be overrun with people, even in the middle of the night, so there's really no explanation as to why Larry seems to be the only one trying to keep the peace for such a major institution full of priceless art and historical artifacts.

Celebrating its first anniversary, Fandango FanShop offers a wide variety of exclusive and limited edition movie gear, collectibles, jewelry, fashion accessories, home goods, fine art and posters, based on popular films and franchises.

Bruce Lee's (Return of the Dragon, The Chinese Connection) final completed film before his untimely death at the age of 33, Enter the Dragon, the first Hollywood martial arts film, is definitely is one of the most influential, establishing Bruce Lee as an iconic figure for future martial artists, starting a kung fu film craze that ran throughout the 1970s.

There is a brief stop at an art fair in France, where the beautiful Monique (Cecile De France) insists on joining their expedition and can not be dissuaded; we think at first she has a nefarious motive, but no, she's probably taken a class in screenplay construction and knows that the film requires a sexy female lead.

Down the line from London, English stage, television, and film actress Vanessa Kirby is recalling one of the first times she felt completely transported by the art of storytelling.

However, like his first film, 1973's Badlands, it is a great failure, as well a glorious one, and if all works of art that failed were as great and glorious as this one our culture would be far better off.

Though immigration is an issue front and center not only in Europe, but also on these shores, the company sees the feature first and foremost as an art film as opposed to a political one.

To Ron Magliozzi, associate curator, and Peter Williamson, film conservation manager, of the Museum of Modern Art, for identifying and assembling the earliest surviving footage of what would have been the first feature film to star a black cast, the 1913 «Lime Kiln Field Day» starring Bert Williams.

This is an impressive first film, and it will be interesting to see if Legrand's path takes him towards more cut - and - dried horror, or the chin - strokey, cynical social realist art movie at which directors like Michael Haneke excel.

Reed Morano): The ossified, calcified post-apocalyptic sub-genre gets a semi-successful art - indie treatment in I Think We're Alone Now, cinematographer - turned - director Reed Morano's first feature film since Meadowland debuted at the Sundance Film Festival three years ago...

It was the first theatrical distribution company dedicated to bringing international art - house films to U.S. audiences, including the work of Michelangelo Antonioni, Sergei Eisenstein, Ingmar Bergman, Federico Fellini, Akira Kurosawa, François Truffaut, and Yasujiro Ozu.

As much as audiences wanted to be Ethan Hawke's character from the first film — rich enough to afford a state - of - the - art defense system — the reality of Anarchy is that not everyone is Ethan Hawke.

He doesn't so much have supporting players in the film as he does an extended family of cherished guests who he invites to stay for a while, relax and soak up the ambience: French it girl Léa Seydoux has a part as a maid which may as well be non-speaking; Owen Wilson plays one of M Gustave's concierge brethren and gets a line (if not a laugh); even Tilda Swinton makes a flying visit to Wesworld, caked in gristly prosthetics as an ageing dowager who drops dead after her first and only scene, her passing acting as deus ex machina for an elaborate art heist involving the whereabouts of the apocryphal, priceless chef d'oeuvre, «Boy With Apple».

Nyong» o (who made her feature film debut with this movie, never mind being a first - time nominee) snagged the Screen Actors Guild prize, but Lawrence did win the Golden Globe and British Academy of Film and Television Arts prize.

Still, The Boogeyman is high art compared to its second sequel (packaged, inexplicably, with the first film on opposite sides of a flipper), the excrescent The Return of the Boogeyman.

And while it's an art that has already yielded our first magnum opus of the year, the 100 Most Anticipated Movies Of 2014, (and we should probably be awarded the rest of January off as a result) there's still a category of film we've left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters until 2014.

Three reasons explain why Tokyo Story is generally regarded as Ozu's finest work are: it's by far the film of his that's been most widely seen in the West; its first distribution in the U.S. coincided with the landmark publication in 1972 of Paul Schrader's Transcendental Style in Film, which considered Ozu alongside other such luminaries as Carl Theodor Dreyer and Robert Bresson as an exemplar of spiritual filmmaking; and it's seen as the most complete summation of its director's art.

«Brendon Walsh Suffers for His Art» (1:31) preserves multiple takes of a bit part actor hitting his head into a parking meter for one of the film's first laughs.

1 An absolutely enthralling piece of cinematic merriment — a veritable orgy of directorial high - wire acts — Quentin Tarantino's first segment of his marital arts revenge film is easily the most entertaining film of the year.

Two weeks ago, as part of his summer - long institute, Redford held a weekend conference of most of the major exhibitors and distributors of «specialized» films - a category that includes independent U.S. features, foreign films, «art films,» cult films, revivals and almost anything else that isn't a big - budget, first - run standard Hollywood production.

Where the first film followed an older couple's attempts to match coolness with a much younger pair, while also somewhat clunkily exploring the interplay between authenticity in life and authenticity in art, this one focuses on a college freshman's infatuation with her older future stepsister, a free spirit who makes New York seem as magical as it should be.

In the DVD commentary track for The Man Who Wasn't There, Billy Bob Thornton makes the brilliant observation that the logical casting for the dapper, taciturn barber would be Clooney while he, himself, would have been the obvious choice for Clooney's character in O Brother, Where Art Thou; that the brothers have «corrected» themselves for this picture goes a long way towards explaining both the pleasures to be gained from Clooney's deft comic timing (and a courtroom scene that is at once a throwback and a revelation), and the problems with a film that in apparently striving to be accessible and lightweight becomes something, for the first time in the Coens» joint - career since Crimewave, disposable and undistinguished.

The film stars Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren, Terry Crews, Randy Couture, with Bruce Willis and Arnold Schwarzenegger, with newest cast members Liam Hemsworth, martial arts legends Chuck Norris and Jean Claude Van Damme, and Chinese actress Yu Nan as the first female EXPENDABLE.

In its laid - back, gently probing first half, the usual celebrated art film director (Jeong Jae - yeong) meets an aspiring artist (Kim Min - hee — again, see # 6; she stars in that, too) and utterly fails to seduce her, in part because he's trying so damn hard.

With a cast demonstrating martial arts skills with a speed and dexterity that has rarely before been seen, The Raid is an awe - inspiring film that grabs you from the first minute and doesn't let go until the end credits, leaving you battered and bruised mentally and emotionally.

Though the Hellboy reboot is still nine months away from hitting theaters, it seems promotion for the film is already getting underway, as the movie has received its first banner showcasing Hellboy and his enemy in his latest adventure, the Blood Queen, in creator Mike Mignola's art style.

Meinerding, who has provided art for nearly every MCU film, got the first chance to design the character.

2 — Annie Award online voting opens 2 — Palm Springs International Film Festival Awards Gala 3 — Deadline for receipt of final Golden Globe ballots from HFPA members 3 — Voting ends for Art Directors Guild nominations 3 — Cinema Audio Society nomination ballot voting ends 3 — NYFCC awards dinner 4 — WGA theatrical and documentary screenplays announced 4 — Art Directors Guild nominations announced 4 — PGA nominations polls close for motion pictures and animated motion pictures 5 — AFI Awards luncheon 5 — PGA Awards nominations announced 5 — PGA nominations for TV, animated, motion pictures and digital announced 5 — Academy Award nominations voting opens at 8AM PST 7 — Golden Globe Awards 8 — Final ballots go out to BFCA members 8 — Final ballots go out to BTJA members 9 — Deadline for BFCA returning final ballots 9 — Deadline for BTJA returning final ballots 9 — National Board of Review gala 9 — BAFTA nominations announced 10 — Cinema Audio Society nominees announced 10 — DGA TV, Commercial and Documentary nominees announced 11 — Critics» Choice Awards 11 — DGA feature film and first - time feature nominations announced 12 — Academy Award nominations voting closes at 5PM PST 15 — NAACP Image Awards 19 — PGA final voting closes 20 — PGA Awards 19 — SAG final voting closes 21 — SAG Awards 23 - Annie Award final voting closes 23 — Academy Award nominations announced 26 — ACE Eddie Awards Gala 27 — Art Directors Guild Awards

Of the six features on this set, all but Playtime make their respective American Blu - ray debuts and two appear on disc for the first time in the U.S.. From his debut feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati directorial approach in his brilliant and loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script feature Parade (1974), this set presents the development of an artist who took comedy seriously and sculpted his films like works of kinetic art driven by eccentric engines of personality.