Natalie Portman's directorial debut A Tale of Love and Darkness screened as a Special Screening during the Cannes Film Festival, giving her the opportunity to promote
this first film at the festival outside the competition unlike her actor - turned - director fellow Ryan Gosling, whose debut feature Lost River screened in last year's Un Certain Regard and received mixed and harsh reviews...
Not exact matches
Below, we recap the reactions from critics to the major
films screening
at this year's Telluride, Venice, and Toronto International Film
Festivals, considered the most prestigious events of the season and the locales where many future Oscar nominees
first debut.
Also excluded are
films that
first debuted
at other major
festivals earlier this year; you can find reviews for those
films in our Cannes Recap and our Sundance Recap.
From Humpday and Touchy Feely director Lynn Shelton, her
first feature based on a script she didn't pen (that credit goes to
first - time scribe Andrea Seigel), Laggies debuted
at this year's Sundance
film festival to mostly positive reviews.
His narrative feature debut, Tornando a casa (Sailing Home) won the director several awards
at international
film festivals in 2001 and was nominated for Best
First Feature
at the Italian Golden Globes.
He comments: «It was probably my favorite
film at this year's
festival and the
first film I gave an A + to all year... what makes it so great is the way Russell creates an honest reality around those cliches with characters you can connect with and feel close to.»
EDA Awards presented
at Festivals are often a
film's
first award, and boosts industry and public awareness of the winner, often leading to sales, other
festival appearances and funding for the filmmaker's future projects.
When I see
films at festivals, sometimes I have to see them again to refresh my memory or calibrate my opinion, while trying to remain true to
first impressions, which are valuable.
Glastonbury (15) Running time: 135 min *** Julian Temple's loving documentary may
at first appear to be aimed
at the sort of music fan who prefers Glasto streamed live to their TV.But this collection of archive and commissioned footage from 36 years of England's greatest music
festival is likely to appeal more to diehard fans than non-
festival-goers, since it revels in precisely the eccentricities that makes the armchair people dive for cover.Most of this
film is a structureless, rambling celebration of Glastonbury's boozy, hedonistic, liberated, political and frequently bonkers character rather than of the actual music: great if you were
at the party, presumably less great if you weren't.
This is from the same filmmaker who made the cult horror hit The Loved Ones, and the
film first premiered
at festivals a few years ago.
Paul Schrader's «
First Reformed,» which premiered
at Venice and played the Telluride and Toronto
film festivals, took home MFF's Fiction Feature prize.
And while it's an art that has already yielded our
first magnum opus of the year, the 100 Most Anticipated Movies Of 2014, (and we should probably be awarded the rest of January off as a result) there's still a category of
film we've left unmined: those movies that we saw and reviewed in 2013
at festivals or sneak screenings or parts foreign tha t won't be in theaters until 2014.
She came of age in New York indie
film, interning
first at Killer Films with Christine Vachon, and going on to screen her work
at festivals such as New Directors / New Films MoMA / Lincoln Center.
First time writer / director Eli Craig's Tucker & Dale Vs Evil is one such example, with the
film making an appearance
at the 2010 Sundance
Film Festival and also featuring on the SXSW bill the same year, yet remaining unreleased outside of the
festival circuit everywhere except Kazakhstan, Russia, Estonia and Lithuania eighteen months later.
Following the Michael Peña Q&A, we'll segue into a
film that
first earned buzz
at last year's Toronto International
Film Festival (if you're keeping track, that's a day of
films that premiered
at SXSW, Sundance, Berlin, and TIFF — capturing the spirit of CCFF in the way it's designed to bring the international
film festival experience to Chicago).
«The Handmaiden (Agassi)» (Park Chan - wook) Chan - Wool's
first feature
film since the polarizing «Stoker» was a crowd favorite
at Cannes and has been crisscrossing the world from
festival to
festival since.
Cannes 2018: The
first Kenyan
film to ever screen
at the
festival is perhaps more notable for what it represents than what it is
After winning several awards
at festivals, Butler teamed up with Francis Ford Coppola to shoot his
first narrative
film, The Rain People.
Unfortunately Bening presiding over the Venice jury not only rules the
film out of that
festival, but also out of Telluride which takes place
at the same time, and the
first and more important week of buzz building
at TIFF.
As I fly to Canada to meet Sarah Polley, I think about the glimpses of her in Stories We Tell — her
first full - length documentary feature, which bowled over critics
at Sundance and the Venice
film festival and has won Canada's
Film of the Year award.
However he does admit that things were
at the worst a couple of years ago, when Toronto decided to drop any
films from the popular
first half of its schedule that had premiered anywhere else — but now, he says, the ban is over and it is more relaxed, and there is now less competition between the three
festivals.
Since it marks Shults»
first film and his
first time
at Cannes, Indiewire asked him to keep a video diary of his experiences
at the
festival, the
first of which can be seen
at the top of this page.
Writer / director Justin Simien's
first film «Dear White People» debuted
at the Sundance
Film Festival in 2014, where it received the
festival's Special Jury Award for Breakthrough Talent.
«We are thrilled to return to a country, place and
festival that has always been so close to our hearts, not only because my
first film, «Strictly Ballroom,» was screened there 21 years ago, but also because F. Scott Fitzgerald wrote some of the most poignant and beautiful passages of his extraordinary novel just a short distance away
at a villa outside St. Raphael.»
Before the movie began,
Film Society of Lincoln Center program director Richard Peña took the stage to introduce Spielberg and noted that the director showed his
first film at the less prominent New Directors / New Films
festival.
GC: It started when the editors of Film Comment asked me to go see the
first festival of post-revolutionary Iranian
films at the Lincoln Center in the fall of 1992.
Letts and Friedkin
first collaborated on a screen adaptation of Bug that won the FIPRESCI Award
at the 2006 Cannes
film festival and was praised for its claustrophobic staging and hallucinatory mise - en - scene.
Undoubtedly an undersung highlight of the
festival this year, and
at the very least one has to love a
film that can transform a song (a Spanish - language version of «Gloria,» sung by Umberto Tozzi) into a glorious ode so magnificent it's like you're hearing it for the very
first time.
The lesson I've learned covering
film festivals is that sometimes the best
films aren't always the one you loved
at first sight, sometimes they're the ones that you remember.
The second of the «Carte Blanche» double bills began with The Last 15, Antonio Campos» sophomore short
film which followed in the footsteps of Buy It Now (winner of Cinefondation «s
First Prize
at the 2005 Cannes
Film Festival) and competed for the
festival's 2007's Palme d'Or.
Two - time Oscar winner Barbara Kopple made Sundance history last month when her documentary «This Is Everything: Gigi Gorgeous» became the
first YouTube Red original
film to premiere as an official selection
at the
festival.
This
film first premiered
at the Tribeca and Philadelphia
Film Festivals last year.
In the
first three quarters of 2014 I saw many of the year's best
films at UK
film festivals, all of which punched well above their weight by offering smart selections and presentations.
[more] It's been widely reported that the three - hour lesbian romance Blue is the Warmest Color is the
first «queer»
film to ever win the top award
at the Cannes
film festival (though one could make a case for Farewell My Concubine back in 1993).
Britain fared better, with my favourite sci - fi horror
film in a long time, Glazer's Under the Skin, and my favourite entertainment
film of the year, the conventional, but charming Pride, while the flawed Mr. Turner impressively reflects the great painter's sun worship through Dick Pope's widescreen cinematography.Highlights of my year included being on the FIPRESCI jury
at the Hong Kong IFF, where I admired Yang Hen's third feature, Na pian hu shui (Lake August), and a couple of
first features among others, as well as attending the amazing HK
film market for the
first time, where I saw one of my three 2014 «
films for the ages», Tsai's Journey to the West; and seeing a nitrate print of Hitchcock's Rebecca
at the George Eastman House in Rochester (where they are doing a three - day all - nitrate
festival in May, 2015!).
This
film first premiered
at Tribeca
Film Festival, and will likely show up
at other
film festivals but nothing is schedule yet.
The Toronto International Film
Festival announced this morning the
first forty or so
films set to have their world premieres or special screenings
at this year's
festival.
The
film won its
first rave review when it debuted
at US
festival South By Southwest, in March 2018.
These are all
films that either
first played in cinemas in the US in 2015 or that I saw
at film festivals in 2015.
Hero Complex
first photos from the star - studded X-Men: First Class Movie Line, prepping for Sundance, reminds us of 13 films that broke out in a big way at the snowy fest
first photos from the star - studded X-Men:
First Class Movie Line, prepping for Sundance, reminds us of 13 films that broke out in a big way at the snowy fest
First Class Movie Line, prepping for Sundance, reminds us of 13
films that broke out in a big way
at the snowy
festival.
First Sony pulled the
film from the
festival, now actor Christopher Plummer is stepping in to replace Spacey, as the production scrambles
at considerable expense, and inconvenience to co-stars Michelle Williams and Mark Wahlberg, to reshoot Spacey's scenes in the hopes that the
film can still make its release date.
In fact, the
film was so well received that it even won its
first time director an award
at the
festival.
In what is in all likelihood a Sundance
first, two
films about the same subject matter played
at the
festival — both examining what led Chubbuck to kill herself for the world to see.
Piano is an animated short
film that
first played
at film festivals throughout 2016 before arriving online recently.
Of the
films we have already seen, Chadwick Boseman buffed his stardom in the lead role in Marvel blockbuster «Black Panther,» while Joaquin Phoenix took home Best Actor
at Cannes as a brutal killer trying to save a young girl from the sex trade in «You Were Never Really Here,» and Ethan Hawke earned raves as a melancholy priest out of the fall
festivals for Paul Schrader's recently released «
First Reformed.»
And we spent five days that we were going to see
films at the
festival writing this movie, and we wrote the
first draft of «Lemon» there.
Matt's
first two days
at the Alamo Drafthouse's annual
film festival included absurdity of all kinds, the latest movie from Guillermo Del Toro, and more.
True Detective's Cary Fukunaga directs British star in the
first competition
film to screen
at this year's Venice
film festival — and the
first awards contender from Netflix's new cinema division
Prof. Mackey took it to Monterrey (Mexico); it was my
first film to be shown
at festivals.
This
first premiered
at the Neuchâtel Fantastic
Film Festival in Switzerland, and has played
at a few other
film festivals this year including
at the Sitges
Film Festival and FilmQuest Festival.