Sentences with phrase «first flag paintings»

Johns made his first flag painting in 1954; in 1958, gallerist Leo Castelli offered him his first solo exhibition.

In Leftover Glitter Abstraction (Rainbow American Flag for Jasper in the Style of the Artist's Boyfriend), Horowitz remakes his first rainbow glitter flag painting from 2003, which is itself based on Jasper Johns» first flag painting.

Not exact matches

The first thing I noticed was the bursting colour covering the main streets, rainbows of flags were draped across the roads from balcony to rooftop, and every shopfront, alleyway and house was boldly painted with the owners sitting and grinning out front.

NOTE: When I made the first flag I used mainly chalk paint.

Thus, at first, no matter what I proposed — a new bus route, a paint job for the flag pole, or a curriculum — I was ignored.

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Johns made over 40 paintings of the American flag beginning in the mid -»50s, none of which was shown publicly until his first solo exhibition, also at Castelli, in 1958.

Few people saw that coming in New York in 1965, when she had her first solo exhibition, featuring her versions of a Frank Stella concentric painting, a Jasper Johns flag, and dozens of Andy Warhol silk - screened flowers.

The first of these, Flag (1954 — 55), was prompted by a dream: «One night I dreamed that I painted a large American flag» he recalled, «and the next morning I got up and I went out and bought the materials to begin it&raqFlag (1954 — 55), was prompted by a dream: «One night I dreamed that I painted a large American flag» he recalled, «and the next morning I got up and I went out and bought the materials to begin it&raqflag» he recalled, «and the next morning I got up and I went out and bought the materials to begin it».

He painted his first flag in 1955, only a year after Senator McCarthy's censure, with memories still fresh of cultural figures grilled on Congress — and he would not consent to a public display for three full years.

They are both invested in art's revolutionary possibilities for social change as evinced in Rainer's anti-war protest dances in the 1970s and the feminist dimensions of her radical choreographic style and films, as well as in Pendleton's Black Lives Matter flag for the Belgian Pavilion in the 2015 Venice Biennial and his latest series of paintings entitled Untitled (A Victim of American Democracy), which debuted this past summer as part of Edwards» Blackness in Abstraction exhibition at Pace Gallery and are now on display in Pendleton's first show with Galerie Eva Presenhuber, Zurich named Midnight in America.

Japanese artist Tetsuo Mizù, in his first solo exhibition in Hong Kong at Whitestone Gallery, presents a welcomed deviation from more traditional depictions of the subject with paintings that focus on the storied practice of international maritime flags.

At first glance, the works take the form of conventional geometric paintings; however, upon closer inspection, the symbolism imbued within each of Mizù paintings is revealed — they are abstractions and combinations of maritime flags.

Ofili's flag first flew above Tate Britain in 2010 when the gallery mounted a major show of the artist whose paintings now cost hundreds of thousands of pounds and who is still best known for his controversial use of elephant dung.

WOMEN Words, Phrases, and Stories debuted at FLAG Art Foundation in New York City earlier this year, but in her first Los Angeles solo, they are uniquely exhibited together with several of Tompkins» famous Fuck Paintings, the hyperrealistic pornographic works she began in 1969 and still makes today.

First, a nod to something we mentioned yesterday: Sean «Diddy» Combs» purchase of two Andrew Schoultz gold flag paintings at Marx & Zavatero Gallery.

Disputed Banksy Back at Auction — The alleged Banksy street artwork, Slave Labor (Bunting Boy), which depicts a young boy stitching Union Jack flags on a sewing machine, and was first painted during the Diamond Jubilee of Queen Elizabeth II, is back at auction alongside works by Andy Warhol and Damien Hirst, despite protestations from the council that represents the district in which the painting was made.

And in the New York Review of Books, Jason Farago writes about Jasper Johns, and what it means to look at the flag paintings more than 70 years after Johns first conceived of them.

Important Neo-Dada works include Washington Crossing the Delaware (1953, Museum of Modern Art NYC) by Larry Rivers; Combines such as Bed (1955, nail - polish, toothpaste, paint, pillow, quilt, sheet, Museum of Modern Art NYC) and First Landing Jump (1961, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYC) by Robert Rauschenberg; Target with Plaster Casts (1955, David Geffen Collection), Three Flags (1958, Whitney Museum of American Art), and Ale Cans (1964, Private Collection) by Jasper Johns.

At his first solo show at the Leo Castelli Gallery in 1958 and subsequent exhibitions, he exhibited his flag paintings as well as other «things the mind already knows»: targets, cans, numbers, and letters.

(São Paulo, Brazil) In his first huge solo presentation since his representing Britain in the 23rd Bienal de São Paulo, Gary Hume introduces his new «Unicorn» paintings, which use architectonic motifs that derive from bunting — celebratory strings of colourful, triangular flags that are used for decoration.

The first part is the series of large - scale painting «New Flags for a New Country» whose main intention is to map a maximalist system of recording and shaping the notion of absent - mindedness.

The artist painted his first American flag in 1954 — 55, a work now at the MoMA.

VIERIA»S FIRST SOLO exhibition, in 2006 at Small A Projects in Portland, Ore., featured ink drawings that reference passages from 18th - century historical paintings by artists such as Hubert Robert, Platonic installation of geometric forms, paper tube sculptures resembling columns and striped works on paper evoking early versions of the American flag as allusions to the American revolution.

After a summer in Provincetown spent constructing «flags» from driftwood and other flotsam, Oldenburg returned to New York City, where he made U.S.A. Flag, his first painted plaster - soaked - canvas relief.

There is a widely accepted view of Jasper Johns's first exhibition that goes like this: with his «flags,» «targets,» «numerals» and «alphabets,» he integrated representation and abstraction, as well as made art about art (the flag, like a painting, is flat and two - dimensional), showing his peers a way to bypass Abstract Expressionism.

Moving from South Carolina to New York in 1949, he first became known for his paintings featuring the American flag (eg.

Abe Lincoln's First Book is part of the first section of the show, «A More Perfect Union,» which is mounted near Jasper Johns» Flag 1 — a screen print of two American flags — and Lyle Ashton Harris» Miss America photo — a nude woman in white face pFirst Book is part of the first section of the show, «A More Perfect Union,» which is mounted near Jasper Johns» Flag 1 — a screen print of two American flags — and Lyle Ashton Harris» Miss America photo — a nude woman in white face pfirst section of the show, «A More Perfect Union,» which is mounted near Jasper Johns» Flag 1 — a screen print of two American flags — and Lyle Ashton Harris» Miss America photo — a nude woman in white face paint.

This richly illustrated survey spans the artist's prolific career from the early Flag and Target paintings — which were central to establishing his reputation as a major young artist in the mid 1950s, and have since become icons of twentieth century art — to the compelling compositions of the recent «Catenary» series - works that testify to Johns's continuing artistic ambition at the start of the twenty first century.

For his exhibition EPW — Paintings for an Abstract Commune, Nixon presents for the first time his investigation into the relationship between simplified, geometric compositions and the reductive design of flags, which are symbolic emblems of countries, cultures, and organizations.

In 1979 he did a year's residency in Berlin, then was commissioned to make a painting for Brunel University, as well as a giant flag for the city of Rottweil, and he was invited to Warsaw, where he had his first solo exhibition, «Flight of Birds, Flock of Thoughts».

In 1954 he painted his first flag picture.

These include «Column Piece» (1971), last shown in a group exhibition at LoGiudice Gallery in 1972 - 73; the outdoor work «Something in the Wind,» first shown in 1975 when Ms. Morton rigged a series of flags on the Lettie G. Howard ship, docked at the South Street Seaport; and an element from «Regarding Landscape» (1976), a painting of a boulder that was installed atop a boulder.

NOTE: When I made the first flag I used mainly chalk paint.