Sentences with phrase «first gallery appearances»

«It's a remarkable moment to present these installation - scaled works, as many of them are first gallery appearances of important new additions to the Walker's collection, alongside multidisciplinary artists who have anchored the Walker's collection for some time,» says Fionn Meade, curator of the exhibition and the Walker's Artistic Director.

Not exact matches

I have updated the gallery with our first event of the year with Eve making an appearance at «The Alienist» New York premiere on January 16, 2018.

Its appearance at Gagosian Gallery in 2010, two years after the artist's death, was the first time the work had been seen in public in over 40 years.

During a 2016 iteration at Art Basel in Miami Beach, she showed the emerging black photographer, John Edmonds, in a group show at David Castillo Gallery, one of Edmonds's first appearances in a major gallery context, which also led to a sale of his photograph for $Gallery, one of Edmonds's first appearances in a major gallery context, which also led to a sale of his photograph for $gallery context, which also led to a sale of his photograph for $ 3,000.

Nevertheless, Johns was included in the 1958 «XXIX Venice Biennale» — his first appearance in Europe — and during his early years exhibited at the Galerie Rive Droite in Paris and at the Paris gallery of Castelli's first wife and business partner, Ileana Sonnabend.

Marking its first appearance in the U.S. in nearly two decades, the final gallery presents an immersive six - channel video installation titled It's late It's late and the wind carries a faint sound as it moves through the trees.

Sundaram Tagore Gallery making it's first appearance at ART20, placed the emphasis on the exchange of ideas between Western and non-Western cultures.

Of course, this is for the most part misremembered bunk: Flavin was no mystic and his work — as this recent exhibition, the first appearance of the late artist at David Zwirner since the gallery began representing his estate, clearly demonstrated — is in practice more correctly aligned with the unadorned, system - based Minimalist programs of Sol LeWitt, Carl Andre, or Donald Judd than with any of the

Now, in her first European show since Venice, Sze has filled all the Miro galleries with a number of new pieces each of which — although unmistakably carrying her trademark traits — has a very distinct appearance and character.

Hutchins's show this past spring at Marianne Boesky in Chelsea, her first with the gallery and her first appearance in New York in a half - decade, wowed critics with room after room of boisterous and confident works.

Mr. Spiegler said that such conversations put him in a surprising position at times: «There are galleries we'd love to have, but once we speak we realize they have work to do before their first appearance.

The announcement follows the appearance of Wiley's paintings on a few seasons of the Fox television series Empire and his historic turn as the first African American artist to paint an official presidential portrait for the National Portrait Gallery.

He began making art in the 1950s, had his first one - person exhibition at the age of forty - two at the Leo Castelli Gallery in New York in 1965, and made his first appearance in a Whitney Annual in 1966.

William T. Williams joined the roster at Michael Rosenfeld Gallery where his paintings were exhibited, marking his first appearance at the fair.

By all appearances, the gallery prospered under Freedman — she was a natural salesperson, and her Rolodex included David Geffen and the Taubman family, as well as every imaginable museum director — but the year she took over was also the beginning of Knoedler's ultimate downfall; it was the same year a woman from Long Island no one in the art world had ever heard of, named Glafira Rosales, came to the gallery and met with Freedman for the first time.

A few galleries will be addressing urbanism and the built environment, among them OMR of Mexico City, making its first appearance in the fair.

On this, Yasuyuki Nakai has also remarked that «Yamamoto's horizontal thinking nullified the barriers between the absolute territories of painting and sculpture, enabling him to create sculptures with multiple vantage paints which at first have the appearance of kitsch» (Yasuyuki Nakai, «Prior to Fortunate Encounter with the Artistic World of Keisuke Yamamoto», Keisuke Yamamoto, Tomio Koyama Gallery, p. 5) In «Crossing», a solo exhibition held at Tomio Koyama Gallery Kyoto in 2012, Yamamoto presented only paintings, where his vital energies and rhythm of sculpture seemed to play out.

RED IN VIEW unfolds in four movements throughout the Museum; the first is Prelude: a periodic live appearance in the lobby gallery by two Martian moons, Phobos and Deimos, performed by Lydia Okrent and Mariana Valencia.

By the late 1980s, Tim Rollins and K.O.S. had an impressive number of exhibitions in both museums and galleries including, in 1985, their first of two appearances in the Whitney Biennial.

Male and Female made its public appearance in November 1943 in Pollock's stunning first exhibition at Art of This Century, the innovative gallery run by art patron Peggy Guggenheim.

Akomfrah's, Peripeteia, which was purchased from Lisson Gallery, is the first part of a proposed trilogy that addresses the traces, appearances and disappearances of early African life in Europe.

The paintings have returned to Los Angeles and are on display at Museum of Contemporary Art through Sept. 19, their first appearance in L.A. since they made their debut at the city's Ferus Gallery in July 1962.

This group exhibition will feature works by nine artists, all of whom are making their first appearance at Joshua Liner Gallery.

Equity Gallery's exhibition will be the works» first appearance in New York City.

Marking its first appearance in the U.S. in nearly two decades, a separate gallery presents an immersive six - channel video installation titled It's late... (1998), displaying slow - motion loops of people doing various isolated mundane tasks, resulting in a thought provoking and introspective space.

In 1968, shortly after the publication of Robert Smithson's essay «The Sedimentation of the Mind: Earth Projects», the «movement» made its first appearance at an exhibition entitled «Earthworks» which was held at the Candace Dwan Gallery, New York.

Harriet Onslow, managing director at Pearl Lam Galleries, one of Asia's most prominent art galleries, said the U.S. «has always been a big market» for them, but this was their first appearance at The Armory Show.

In this setting is Nairy Baghramian's first show with the gallery and her first appearance in London since her collaboration with Phyllida Barlow at the Serpentine in 2010.

The current Mercer show marks one of Bosslet's first appearances outside Europe (he was shown recently at New York's John Gibson Gallery), and deserves to be looked at carefully for what it is, and for what it tells us about the status of world - directed art today.

Making their first appearance since 2004, the English art duo is getting ready to take over a slew of New York galleries with their collection LONDON PICTURES.

2015 saw his first museum solo exhibition at the High Museum of Art, in Atlanta; his second appearance at the Havana Biennial in the spring; and a major show of paintings and sculptural works at Bryce Wolkowitz and Mary Boone galleries in the fall.

Location: Floor One, Lobby Gallery RED IN VIEW unfolds in four movements throughout the Museum; the first is Prelude: a periodic live appearance in the lobby gallery by two Martian moons, Phobos and Deimos, performed by Lydia Okrent and Mariana VaGallery RED IN VIEW unfolds in four movements throughout the Museum; the first is Prelude: a periodic live appearance in the lobby gallery by two Martian moons, Phobos and Deimos, performed by Lydia Okrent and Mariana Vagallery by two Martian moons, Phobos and Deimos, performed by Lydia Okrent and Mariana Valencia.

The second one was the appearance of a brand new network of NY museums and galleries that staged (for the first time in US) major exhibitions of European modern art (MOMA was found in 1929 and gained its popularity by exposing collections of Cubism, Abstract Art, Dada, Surrealism as well as retrospectives of Leger, Matisse and Picasso; Guggenheim Museum started its career in 1939 by a grand exhibition of Kandinsky).

Maman made its first appearance as part of Bourgeois» 2000 exhibition in the huge Turbine Hall of the Tate Gallery (which has proven to be one of the most popular exhibitions ever held at the museum).

After filling her home with them (her kitchen and living room were also her studio), she began to display these sculptures in a number of important gallery exhibitions in 1966 — 67, following their first public appearance at the socially radical Piper Pluri Club in Turin.