Sentences with phrase «first gallery experience»

Her first gallery experiences spanned two decades on Martha's Vineyard.

Not exact matches

His business experience includes running one of the first web - based applications that allowed high - end art galleries to manage their online presence.

The «Matilda lifestyle» guest experience combines an award - winning holistic spa; Bar Müi known for its creative mixology; designer rooms and suites; a vibrant art - gallery - like interior — the first

The Gallery - Episode 2: Heart of the Emberstone is a longer, stonger and more immersive experience than the first in the series, and shows that Cloudhead has put in the hours producing a visually and emotionally adept story that feels like it hasn't outworn its welcome.

It's possible that newer PlayStation VR owners will experience Killing Floor: Incursion as their first shooting gallery.

Situated in the pedestrian - friendly DIFC — home to global corporations as well as art galleries, shops, restaurants and night clubs — Four Seasons is the perfect pied - à - terre for those with frequent business in the UAE, an ideal base from which to experience Dubai's myriad amusements and diversions, and with its expert concierge team, a great starting point for a first - time visitor to the city.

Experience and share your knowledge of First Nations culture by visiting art galleries and museums, take part in cultural tours and activities, festivals, and special ceremonies.

First of all what is Project MQ simply Project MQ is Hulu plus and Netflix for gaming it helps gamers to connect each other and to share their experience in a more clean and sophisticated way there are many features such as Private chatting, Blog posts, buying game, get games latest information, forums, photo gallery, trailer for the games, podcast.

He has also spoken of his experiences with San Francisco's hot - rod culture of the 1960s and the connection he feels to the art of Ken Price and Billy Al Bengston, both of whose work he first encountered at the Ferus Gallery in Los Angeles.

Unlike the typical art gallery experience, at first Peter Bahouth's Vent (at the Swan Coach House Gallery through November 2) seems as sterile and scientific as a high - tech labogallery experience, at first Peter Bahouth's Vent (at the Swan Coach House Gallery through November 2) seems as sterile and scientific as a high - tech laboGallery through November 2) seems as sterile and scientific as a high - tech laboratory.

What was the response of the local audience, many of who were probably experiencing your work in a gallery environment for the first time?

For William Cobbing and Markus Karstieb, I remember them saying it was the first time they experience their work outside a museum or a gallery space and they were excited to rise to this challenge and explore their work in nature.

On Saturday, 6 March, 2010 at 1:30 PM Lehmann Maupin Gallery will present a discussion and Q+A session with Nari Ward, providing the audience a special opportunity to experience the show first - hand with the artist as he explains his creative process and the themes of LIVESupport.

Built from the foundation of five early paper negatives by Baron Adolphe Humbert de Molard (b. 1800), first exhibited as part of a three - person show originally presented ten years ago at Andrew Kreps Gallery, New York and Galerie Nelson, Paris, this expanded exhibition further investigates a premise that expounds the ways in which our perception of such work, historically bound to context and experience, has shifted over time, and continues to generate a discursivity and evaluation of content.

Rachel Uffner of Rachel Uffner Gallery (New York) shared: «This was our first year participating in Frieze New York and it was an extremely positive experience, with strong sales to quality collectors, great conversations with curators, and an encouraging show of support and interest from our colleagues in the international gallery comGallery (New York) shared: «This was our first year participating in Frieze New York and it was an extremely positive experience, with strong sales to quality collectors, great conversations with curators, and an encouraging show of support and interest from our colleagues in the international gallery comgallery community.

Sales and interest in the Spotlight section of the fair, dedicated to solo presen - tations of artists working throughout the 20th century, were similarly strong Michael Rosenfeld, New York, commented: «This is my gallery's first time exhibiting at Frieze Masters and it's been a terrific experience.

She continues: «What we do in the gallery has a farther reaching affect on what culture everyone experiences because very often what you see in a museum has been shown in galleries first.

Campbell, whose solo exhibition at Kate Werble Gallery coincides with her first museum survey at the Aldrich, will talk to Smith - Stewart about her multidisciplinary practice, which ranges from drawing to sculpture and installation focusing on subject matter that delves into everyday experience.

The sensation is akin to what a novelist feels on the eve of her book's publication, what an artist experiences before his gallery opening — whether for the first, or the fiftieth, time.

In 1982 Peter determined to pursue his interests in music and painting, however after a bad experience with a gallery which reinforced his desire to have as complete control over the sales of his work as possible, he held his first one - man exhibition at the Guildhall in Derby in February 1983.

My experience working for and with galleries is they employ students, interns, artists and other folks that don't know the first thing about sales.

For his first gallery exhibition in New York since 2012, Neto will present a new body of finger - crocheted immersive sculptures, installations and wall works that fill both floors of the gallery's space, inviting the viewer into an all - encompassing sensorial experience.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

«A Stranger in Your Home» — Exhibit that explores the immigrant experience in America, personal and collective narratives, and legacy in Amir's first solo show with Shulamit Nazarian gallery in Los Angeles, on view from September through November 2017

Comprised of various video installations, handcrafted objects, and architectural interventions, Hilary Lloyd's first U.S. solo museum exhibition presents new work created specifically to be experienced in Blaffer Art Museum's upstairs galleries.

Whether looking over her shoulder to the more intimate Tefaf Spring, or forward to the much smaller first edition of Frieze Los Angeles 2019, her idea was to create interacting isles of visual stimulus informed by a cluster of new material (Frame), younger galleries (Focus) and underappreciated artists (Spotlight), so as to energize and broaden the experience of art.

In a first for The Square Gallery, virtual reality will play an exciting part in this exhibition and will involve experiencing work through interactive installation.

This is how I once heard a painter describe the experience of seeing the first British Rothko show at the Whitechapel Gallery in 1961.

Inside and out: Kader Attia and the French Algerian experience CD 202 London: Iniva, 2005 Coinciding with the first UK showing of his work at Sketch Gallery, London in 2005 this conversation explores the work of Algerian - born artist Kader Attia.

«Her work very much deals with first - person lived experience in Clearfield (County),» said Lindsey Landfried, curatorial assistant for the Woskob Family Gallery.

It was something no gallery would tolerate...» Above all, they claimed that Pier 34 forged a community: «People who lived in this city for years said it was the first time they experienced fulfillment in terms of contact with the art scene and strangers.»

2012Dallas Paul, A Rogue's Gallery of Gorgeousness: Charles Atlas and Anthony's Turning, FilmMaker Magazine, 16th November 2012 Atlas, Charles «Filming Cunningham Dance: In Conversation with Nancy F. Becker, 1983» Dance, Documents of Contemporary Art, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlas.

Life Experiences in art from MUSAC Collection, Mücsarnok Kunsthalle, Budapest, Hungary The Subjecters: Thomas Hirschhorn, La Casa Encendida, Madrid, Spain Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, USA Images Recalled, Fotofestival, Mannheim, Germany Paradise & Parades: Here Comes Everybody, Parasol Unit Foundation for Contemporary Art, London, England Monument to transformation, Tranzit and City Gallery, Prague, Czech Republic A House is not a Home, La Calmeleterie, Nazelles Négron, France Listen Darling... The World is Yours, Ellipse Foundation, Alcoitã, Cascais, Portugal Bijoux de famille, Galerie Chantal Crousel, Paris, France Sphères, Le Moulin - Galleria Continua, Coulommiers, France

Wesselmann speaks of his family, childhood and education; his U.S. Army service; his early interest in art and drawing; the influence of humor; going to the Cooper Union School on the GI bill; artists who influenced him in his early career; experiences which changed him; early experiments with collage; his first awareness of pop art; collage technique; his affiliation with the Tanager Gallery; his early nudes; eroticism in his paintings; politics and art.

The installation approximates the dramatic viewing experience enjoyed by visitors to the art gallery in Charles and Emma Frye's Seattle home in the first decades of the twentieth century.

The first experience was of a new phenomenon: the gallery as mass visitor attraction.

For their first collaboration, McNamara, who is known primarily for performances like last year's MEEM: A Story Ballet About the Internet, wanted to challenge the conventions of his venue by bringing the difficult - to - capture experience of live performance to a gallery show.

On entering the Martin Gallery, we feel impelled first to experience the paintings as a group, then individually, then as a group again.

His series of self - portraits, like the photo of Williams with a gun in his mouth that first caught the eye of the New York gallery Higher Pictures, exhibit an unabashed, confrontational intimacy while raising issues of desire, particularly when it comes to black figures, as well as the stigmas Williams has personally experienced as a black, gay man.

Irwin's first floor installation (the gallery has a second floor exhibiting other Irwin pieces) is an immersive experience.

In a statement to the Brooklyn Museum, Smith describes her experience as a female artist: «My first year at a community college, the professor told me even though I could draw better than the men students, that a woman could not be an artist... In the mid-1970s in Santa Fe, I found that only Native men were able to exhibit in the galleries.

We'd been anticipating Best Ever's debut «official» solo show since first coming across some early examples of their work a couple of years back, and our recent interview with the duo of Neil «Best» Edward and Hadley «Ever» Newman only served to build our desire further to experience their paintings as a body of work within a gallery setting.

Entitled «The Room» (not to be confused with the Tommy Wiseau flick that's always playing at Sunshine) the exhibit is the artist's first solo show in New York in over a decade, and it could not have found a more appropriate home than Oko, the nondescript East Village gallery known for its immersive art experiences.

Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan) Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA

Now, David Zwirner Books reintroduces her writing through the first - ever English publication of The Psychology of an Art Writer (1903) along with selections from her groundbreaking Gallery Diaries (1901 — 4), breathtaking accounts of Lee's own experiences with the great paintings and sculptures she traveled to see.

I remember the experience of seeing my first Caro — on returning from graduate studies in the United States in 1963 — at his solo show in London's Whitechapel Gallery (above).

In addition to receiving first - hand experience in a prominent international gallery, Lehmann Maupin is offering a travel stipend and paid internship to the successful candidate.

A particularly strong piece, The Lifted X (1965), sits in the center of the main gallery and meets visitors as the first sculpture they experience in the space.

Young Bangladeshi women said that this was the first time they had been in an art gallery and had seen work that talked to their experience.

There's everything from special late - night experiences (held on the third Friday of each month) to thematic art - making activities, story times and gallery activities for kids (held the first Tuesday of the month) and free bimonthly art tours for teens.