Sentences with phrase «first gallery project»

There can be no denying that Gardner's first gallery project, loved and loathed in roughly equal measure (there are many here who do not understand its very British mix of irony and irreverence), has helped to shift the artistic focus in Rome.

Not exact matches

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To start celebrating this year, first of all, I want to wish everyone a happy new year and wish you the best of the best for this year, secondly, I updated the gallery with screen captures and stills of Blake as Darian on the film The Edge of Seventeen, which is one of my favorite Blake projects!

He first introduced the project into the world as a gallery installation where different screens pertained to an artistic movement or school of thought, whose texts Blanchett then brings to life as a character befitting a dramatic exploration.

My first memories of Project CARS were of those screenshot galleries featuring what had to be the greatest looking environments and car models I've ever seen.

First of all what is Project MQ simply Project MQ is Hulu plus and Netflix for gaming it helps gamers to connect each other and to share their experience in a more clean and sophisticated way there are many features such as Private chatting, Blog posts, buying game, get games latest information, forums, photo gallery, trailer for the games, podcast.

iPhone 3GS, iPad and iPhone 4 owners can get their first taste of Project Sword and Unreal Engine 3 running on their systems by visiting iTunes now, or alternatively you can check out our screenshot gallery plus the video below.

Opening: Rachel Lee Hovnanian at Leila Heller Gallery The first of a three - part exhibition by Rachel Lee Hovnanian titled «The Women's Trilogy Project, NDD Immersion Room» is a large - scale immersive environment in which gallery - goers must trade in their phones for a lantern toGallery The first of a three - part exhibition by Rachel Lee Hovnanian titled «The Women's Trilogy Project, NDD Immersion Room» is a large - scale immersive environment in which gallery - goers must trade in their phones for a lantern togallery - goers must trade in their phones for a lantern to enter.

The first iteration of this project took place at Julius Caesar Gallery in Chicago, Nov. - Dec.

For Alicja Kwade's (b. 1979) first project for a major UK gallery, unveiled on Wednesday 28 September, the Berlin - based artist creates a captivating installation of astronomical data and our position in the universe.

Chicago artist THEASTER GATES joined Regen Projects last year and this is his first exhibition with the gallery featuring all new works.

For the first time, Ai Weiwei is showing works at four galleries simultaneously: at the Lisson Gallery, the Mary Boone Gallery (both at the Chelsea and Midtown spaces) and at Deitch Projects, all in New York City.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

REPRESENTATION Chicago artist Theaster Gates joins Regen Projects in Los Angeles, his first U.S. gallery representation since 2012.

Most were shown earlier this year in a large show at Regen Projects, Khedoori's first exhibition at the gallery in a decade.

2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave / Modern Art, London, UK Fractured Figure, Curated by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands

Projected light creates dynamic shadow play that turns the Marciano's huge first - floor gallery into an abstract 3 - D film.

Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol

As a curator of performance, Tancons organized the first New York solo exhibitions of artists Robin Rhode at Artists Space (2004) and Ralph Lemon at the Kitchen (2007) as well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Gallery.

She recently had her first international solo exhibition at the Raster Gallery in Warsaw, Poland, following an exhibition at Hello Project in Houston.

Within a loft - like trussed gallery adjacent to the space containing the first American exhibition of Ross's new large - scale Hurricane prints, computer - generated renderings of complex fluid dynamics are projected onto large screens, which combine to form what the artist calls a Wave Cathedral.

Occupying new galleries in the fresh extension of the Tate St Ives complex — a # 20 million, four - year project that has seen the space for showing art at the gallery double — this is the first major show of British artist Patrick Heron (1920 - 99) for two decades.

The first oil paintings from this project will be presented this November at Tif Sigfrids Gallery, Los Angeles, supported by the board of LACMA in Los Angeles.

, The Watkins Gallery, American University, Washington, DC New Talent, Signal 66, Washington, DC Art Romp 11, Studio 7 Gallery, Washington, DC Eye Street Gallery, Washington, DC Colleen Kelsey, Brenda Moore in Dialogue, Watkins Gallery, DC Passages, Studio 7 Gallery, Washington, DC Meaning in the Mundane, Levy Gallery, Moore College of Art and Design, Philadelphia, PA Curve, the Art of Female Desire, Signal 66, Washington, DC 2000 Art Romp 10, Studio 7 Gallery, Washington, DC Project Space, Washington, DC First Sight, Watkins Gallery, American University, Washington, DC Drawing Exhibition, Watkins Gallery, American University, Washington, DC 1999 4th Annual Invitational Exhibition, Zone One Gallery, Philadelphia, PA Drawing Exhibition, Watkins Gallery, American University, Washington, DC 1996 Alumni Exhibition, Levy Gallery, MCAD, Philadelphia, PA 1991 Eight in the Atrium, Levy Gallery, MCAD, Philadelphia, PA Student Impetus: an Exhibition of Works from the Women of MCAD, The Provident Building, Philadelphia, PA

In his first project with Alan Cristea Gallery in London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchings.

«The Merging» app project was first introduced in 2016, and this time it will enable visitors to discover sculptural work from four plinths installed at the gallery, as well as «bring to life» all the other works in the show.

Tai Shani presents her first major solo exhibition in a public gallery, presenting the culmination of her ongoing project Dark Continent, which includes an immersive installation in The Tetley's atrium, film works, posters and a selection of artworks drawn together by Shani.

The design of it though is a bit more complex — it draws on the traditional idea of the art fair for the ground floor and first floor of the Saatchi Gallery but then the second floor is a series of curator - lead projects including solo exhibitions, a group exhibition and solo artist presentations.

«Proof» was the gallery's first project to include the work of eminent artists such as Chuck Close, Joel Shapiro and Vija Celmins.

The first Eggleston presentation at Zwirner since the gallery gained exclusive representation of the artist's estate in June, this show features over 40 works from «The Democratic Forest,» a project the artist undertook in the mid-1980s.

Here is the first note (of an as yet undetermined number) chronicling the progress of my upcoming installation project for Halsey McKay Gallery, from its messy (and potentially embarrassing) beginnings to its final (and hopefully impressive) end.

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.

22, No. 1, pp. 54 - 56 Passariello, Micol, Gangsta E Gentiluomo, L'espresso, 17 July, p. 158 Fels, Sophie, Paint it Black, Time Out New York, 10 - 16 July Jackson, Brian Keith, Native Son, Giant Magazine, June / July What's Up, The Studio Museum in Harlem Magazine, Summer, pp. 2 - 5 + cover Evans, Ali, A Portrait of an Artist by an Artist, Studio: The Studio Museum in Harlem Magazine, Spring Fortune, Brandon, Brame, Frank H. Goodyear III and Jobyl A. Boone, Recognize: Hip Hop and Contemporary Portraiture, Washington D.C., Smithsonian Institute Claiborne, Barron, Black is Beautiful, Paper Magazine, March Fortune, Brandon, Hip Hop Baroque, Art World, February / March, p. 20 Bentley, Kyle, Previews: Kehinde Wiley, Studio Museum in Harlem, Artforum, May, p. 161 The Associated Press, Portrait Gallery Opens First Hip - Hop exhibit with LL Cool J, Ice - T, International Herald Tribune, 8 February Stoilas, Helen, Toppling the Ivory Tower, The Art Newspaper, 7 February Jankauskas, Jennifer, Greg Tate and Paul Miller (DJ Spooky), Kehinde Wiley: The World Stage - China, Sheboygan: The John Michael Kohler Arts Center, Los Angeles: Roberts & Tilton, Chicago: Rhona Hoffman Gallery, New York, Deitch Project

This week's re-installation of «Amazing Grace» won't be the first: In 1995, it was remounted at the firehouse by curator and dealer Jeffrey Deitch, who had signed Mr. Ward to his gallery, Deitch Projects.

Anchored by two sculptural installations in the first floor Atrium and gallery spaces, artworks within Down Time will relocate around The Tetley, be replaced and be added to over the course of the project.

Kobolt is showing its first exhibition in the Project space at Wetterling Gallery.

She exhibited in London at Chisenhale Gallery, Irish Centre Gallery, Brixton Art Gallery, Featherstone Street Gallery, Small Mansions Gallery, Sisterwrite Bookshop / Gallery; in Belfast at Art and Research Exchange Gallery, Crescent Arts Centre Gallery; and Grapevine Gallery Dublin; in Australia at the Institute of Modern Art Brisbane, Level 17 Victoria University Melbourne, and in Sydney at First Draft West, Art Unit, James Harvey Gallery, The Performance Space, Pendulum Gallery, Selenium Gallery, Crissie Cotter Gallery, Sir Hermann Black Gallery, The Tin Sheds Gallery, Factory 49, and Articulate Project Space.

The three - gallery project came about organically after the NPG began discussions with Dean for what will be its first - ever exhibition devoted to the medium of film.

Schema Projects is the first Bushwick gallery dedicated exclusively to works of art on paper.

Also showing at Friedman Benda, the Chilean design studio unveils the fruits of its four - year research project, developed in collaboration with the gallery as its first solo exhibition.

Just this past year, we welcomed the addition of Ayn Foundation with a captivating series of crosses from the iconic Austrian painter Arnulf Rainer; The International Center of Photography (ICP) at Mana opened its gallery on our 6th floor; we launched the Mana Urban Arts Project with Shepard Fairey's largest mural to date; Mana Wine began offering interactive wine tastings and events; our Chicago location participated in the first Chicago Architecture Biennial with a presentation of Richard Meier's process and vision; during Miami Art Week, our Wynwood location hosted a blockbuster program of exhibitions; and Mana Contemporary was named one of the Top 10 Private Museums in the U.S. by Artnet News.

The first UK survey of Elmgreen & Dragset announced for this Autumn, in addition to new exhibitions and commissions across our archive, collection and project galleries.

Marciano Art Foundation is excited to announce its second artist project, a site - specific installation created for the foundation's expansive first floor Theater Gallery.

Presented mainly at the Goodman Gallery's new project space at Arts on Main, they include new large - scale photographs which extend the artist's formal vocabulary, as well as older photographs which are exhibited here for the first time.

Striking works from his «Pax Kaffraria» project were exhibited by Honor Fraser Gallery at the Armory Show earlier this year, and at his first solo show at the gallery in Los Angeles, which concluded over the wGallery at the Armory Show earlier this year, and at his first solo show at the gallery in Los Angeles, which concluded over the wgallery in Los Angeles, which concluded over the weekend.

On view from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video installation in the first floor gallery, a series of six photography works in the second floor main gallery and a felt - carpeted room installation in the project space.

For their first presentations at the fair, A arte Invernizzi will mount a specially curated project devoted to the alternative and innovative forms of painting that emerged in Milan during the 1950s and 1960s, with works by Rodolfo Aricò (b. 1930, d. 2002), Dadamaino (b. 1930, d. 2004) and Mario Nigro (b. 1917, d. 1992), while Hales Gallery will examine the career of painter Frank Bowling (b. 1936) with a focused display of works produced during the artist's formative years (1968 — 1973).

Allan Stone Projects is pleased to announce an intimate Project Room exhibition of six early Wayne Thiebaud figure drawings, on view May 2014, during the first half of the exhibition Robert Mallary Sculptor (main gallery, April 24 - June 27, 2014), as a reflection on the long friendship these two artists maintained.

Selected past exhibitions include The First Antechamber, Projects Arts Center, Dublin, Ireland; The Singer Sucks, but the Band... Finding Good in an Otherwise Dismal World, Sunday, New York, NY; East International 17, Norwich Gallery, Norwich, UK (2007); Alexandre Singh and Goody B Wiseman, Second Gallery, Boston, MA; Slow Burn, Galerie Edward Mitterand, Geneva, Switzerland (2006); Open Walls, White Columns, New York, NY; If You're Felling Sinister, Alona Kagan, NY (2005); Romantic Detachment, PS1 MoMA, Quens, NY and New American Talent 19, Arthouse at the Jones Center, Austin, TX.