Sentences with phrase «first gallery sets»
The exhibition's first gallery sets him in this context with works by Reginald Marsh, Dorothea Lange, Stuart Davis, John Steuart Curry, and others.
https://www.apollo-magazine.com/ Not exact matches
So the shadow first secretary of state took the opportunity to set out her credentials to the press gallery over lunch today, telling the assembled hacks:
Films don't start screening until later this evening, but the SXSW poster gallery is already set up in the convention center, giving us first looks at some of the most highly anticipated features hitting the big screen this week.
Collected together in this book and in our gallery for the first time was the best of that on - set photography, with iconic, rare, and previously unseen images.
For the first time ever, Oxfam have opened their «Words and Pictures» media archive to the public and they are making a set of four galleries of photographs available exclusively to teachers in partnership with TES Resources.
Albany is where the first European settlers set foot in Western Australia in 1826 and much of their legacy remains today, with colonial buildings housing museums, galleries and restaurants.
This charming city marks the spot where the first European settlers set foot in Western Australia, and much of their legacy remains today with colonial buildings standing proudly as museums, galleries and restaurants.
Wave height as it shows in the first half of today's photo gallery was hitting the Main Peak and Temple sections in the waist to head high class and the occassional bigger freak set.
A big part of that scene is the First Friday Art March (artmarchsavannah.com), where galleries and studios, including the Non-Fiction Gallery (henandcake.com/flourless), open their doors to the public and local artists set up their easels along De Soto Avenue.
Featured in Dwell when it opened in 2013, the building set a new standard as the first commercial art gallery to receive LEED (Leadership in Energy and Environmental Design) certification.
The exhibition brings together Tolle's iconic public work, Eureka, on view for the first time in the United States and in a gallery setting, paired with his Levittown sculptures.
Director: Leon Major Set design: Howard Hodgkin Music: Chamber opera by Gustav Holst Lighting: Neil Fleitell First performed at the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institute, Washington DC on 21/05/99.
The gallery's first exhibitions investigated the work of Carleton Watkins, Lee Friedlander, and NASA's lunar photographs, and these set the tone and pattern for what followed.
Having set up his first NYC studio at the corner of Bowery and Rivington in 1970, solo exhibitions soon followed at O.K Harris Gallery in 1974 and 1978.
It isn't the first time I've set sail across the concrete Sargasso of the South Bank either; last time I floundered in a rowing boat on the flooded sculpture court of the Hayward Gallery, courtesy of the Austrian collective Gelitin in the Hayward's 2008 Psycho Buildings show.
Serves as a member of the Pennell Committee at the Library of Congress until 1993, replacing Jim Dine; works first with Donald Saff and then with Yvonne Jacquette to select prints for the Library of Congress Pennell Print Collection; is guest teacher at Cornell University, SUNY Purchase, and University of Southern California, Los Angeles; sings in and designs a set based on Goya's prisoner figures for the «El Salvador» oratorio concert by the Back Bay Chorale under the direction of conductor Larry Hill, which takes place at Harvard's Sanders Theater on 18 May; exhibition Wakeby Day / Wakeby Night: Monumental Monotypes by Michael Mazur opens 11 March at the Hayden Gallery, MIT (colorplate 18), in conjunction with installation of Wakeby monotypes at the 500 Memorial Drive dormitory building.
In one gallery, David Shrigley's 2013 Turner Prize installation «Life Model» is presented in London for the first time: a three metre high sculpture of a naked and comically disproportioned male model is set within a traditional life drawing classroom.
The work has gone on public display for the first time at the Saatchi Gallery in London, part of an exhibition bringing together 16 chess sets made over the past decade by contemporary artists, including Tracey Emin, Gavin Turk and Rachel Whiteread.
2013 Cranford Collection: Out of the House, Sala de Arte Santander, Madrid, Spain La Sentinelle, curated by Didier Arnaudet, Contemporary Art Museum of Bordeaux, France Sin motivo aparente, Centro de Arte Dos de Mayo, Madrid, Spain Regarding Warhol: Sixty Artists, Fifty Years, The Andy Warhol Museum, Pittsburgh, PA Macho Man, Tell It To My Heart: Collected by Julie Ault, Museum für Gegenwartskunst, Zurich, Switzerland, travels to: Lissabon Culturgest, Lisbon, Portugal; Artists Space, New York, NY NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, NY Lenbachhaus, München, Germany Think First, Shoot Later: Photography from the MCA Collection, Museum of Contemporary Art Chicago, IL Vues d'en Haut, Centre Pompidou Metz, France Gallery of Modern Art, Glasgow, UK El Cazador Y La Fabrica, La Collección Jumex, Ecatepec, Mexico A Sense of Place, Pier 24 Photography, San Francisco, CA LAT.
Be among the first to see the exhibition during Saturday night's party, with galleries open late, live music by Jungle Fire, and DJ sets by Chulita Vinyl Club.
Too near the Hopper and the Calder, some media - mad curator has decided to install the first of an absolutely infuriating number of television sets (and yes, there is a corner for Nam June Paik, but that is sculpture and TV sets are just TV sets) whose volume is set just loud enough to intrude on the viewing of everything within three galleries.
Doyle in Dublin 12 May Until 15 July, London's Michael Hoppen Gallery is hosting «End», the third and final set of three collections of work created by Irish photographer Eamonn Doyle, and his first solo exhibition in London.
This exhibition, the first large - scale museum survey devoted to artworks Conrad presented in museum and gallery settings, is part of an ongoing reappraisal of his creative achievement.
Tankerton Bay Besides the «Picture Planes», Malcolm Morley is showing on the first floor of the gallery a set of four hologrammes.
1984 Helen Lindhurst Gallery, University of Southern California: «3EP Ltd. — Selected Prints, 1979 - 1984» Los Angeles, California Museum of Contemporary Art: «The First Show: Painting and Sculpture from Eight Collections 1940 - 1980» Los Angeles, California Koplin Gallery: «Olympiad: Summer 1984» Los Angeles, California Phillipe Bonafont Gallery: «The Artist and The Theatre: Set and Costume Designs by Artists» San Francisico, CA Hunsaker / Schlesinger Gallery: «Major Works by California Artists» Los Angeles, CA Madison Gallery: «Neon on my Mind.»
Their profound simplicity resonated in a city enthralled by abstract expressionism and action painting, and in October 1959 she secured her first solo show in at the Brata Gallery, barely a year after she had first set foot in the city.
The video is the first piece commissioned by the poet and filmmaker for extended display in a gallery or museum setting.
For the first of its Concrete Lates, Hayward Gallery had decided to partner with Boiler Room and showcase three progressive sets from performers who are interested in pushing boundaries and exploring the fault line between noise and techno.
Setting the tone in her first exhibition at Bianchini Gallery, New York in 1965, she installed replicas of works by her peers: Jasper Johns, Claes Oldenburg, Roy Lichtenstein, Frank Stella, Andy Warhol and George Segal.
After having presented the acclaimed set of sculptures, Circle of Animals / Zodiac Heads in 2016, the National Gallery in Prague is proud to host the Law of the Journey, the first exhibition in the Czech Republic (and in Central - Eastern Europe) of the distinguished Chinese contemporary artist, Ai Weiwei.
In his first solo show outside of The Date Farmers (cover artists, October 2006), Carlos Ramirez has a new body of work, «Complejo de Cristo y Vampiros», set to open January 14 at New Image Art Gallery in LA.
Among the other highpoints of the show is the documentation for The Dante Hotel (1973), one of the first installations that used a setting outside a gallery.
This is the first time Chihuly has created a Persian Pergola Ceiling for a gallery setting.
Founded in 1995 by the contemporary art collector Patrizia Sandretto Re Rebaudengo, the Fondazione set up its first public gallery in 1997.
With Western galleries continuing to open in Greater China (by and large in Hong Kong) and Western museums attempting to introduce audiences to the development of contemporary art in the region (witness the Guggenheim Museum's current exhibition), it's no surprise that Helbling, who has been promoting contemporary art in China since he set up Shanghart in 1996, is the first port of call for advice and information.
Jitish Kallat, the Mumbai - based artist whose first show at New York's Sperone Westwater gallery opened last week, frequently uses unorthodox methods: He labors away in the rain at night, or douses drawings with inflammable liquids and sets them on fire.
And now, as it prepares to mark its 30th anniversary, the Saatchi Gallery in London is set to get the art world talking again, with its first all - female exhibition.
The photographs were first seen at the National Portrait Gallery in exhibitions held there over the previous two summers, Road to 2012: Setting Out (2010) and Road to 2012: Changing Pace (2011).
During the first phase, artist, writer, and filmmaker Chris Kraus will begin a unique set of 18 short stories / texts for each gallery of the Hessel Museum of Art.
This is the first time a selection of his flyposting works have been brought together in a gallery setting.
At the core of the exhibition are a selection of paintings by Francis Bacon set against some unfinished works by the artist - on display in Italy for the very first time - and a selection of photographic and archival material from the artist's studio, presented thanks to a collaboration with the Dublin City Gallery The Hugh Lane.
In his first solo show outside of The Date Farmers, Carlos Ramirez has a new body of work, «Complejo de Cristo y Vampiros», set to open January 14 at New Image Art Gallery in LA.
Setting up a branch of his gallery in New York in 1974, the first show was the legendary I like America and America likes me by Joseph Beuys.
The 78th installment (which, ironically enough, is the first in its new «iceberg» home downtown) was set to preview to members during gallery hours today, and open with a star - studded gala tonight.
The first encounter with American artist Molly Soda's work will probably not occur in a traditional gallery or museum setting and may not even occur within a typical art context at all.
Llyn Foulkes, the senior artist in the group, sets the pace in the first gallery with a work of haunting intensity.
2009 Mayer, Sally, Straight Man, Wonderland, April - May Sculptor Shows his Own Poetry in Motion, The Southland Times, March Sherwin, Skye, Exhibitionist: The Best Art Shows to See this Week, The Guardian, 18 September De Wilde, Femke, Room With a Political View, Frame, March - April Lutticken, Sven, Taped Together: On The Bijlmer Spinoza Festival by Thomas Hirschhorn, Texte Zur Kunst, September Weiner, Emily, ArtForum (Review of show at Gladstone Gallery, NYC), March ArtForum (Review of show at Galerie Susanna Kulli), April Thomas Hirschhorn to Present his First Ever Solo Exhibition in a UK Public Art Gallery, Art Daily, 8 September Indepth Art News: Anschool by Thomas Hirschhorn, Absolute Arts, April 2008 Rappott, Mark, Strange Love, Art Review, June Stroh, Frank, Thomas Hirschhorn: Hotel Democracy, Creative Europe Online, June Thomas Hirschhorn's «Hotel Democracy» at Art Basel 2008, Designboom, June Art Basel Becomes More Global, Swissinfo.com, 5 June Basel Art Blow - Out, Artnet, 30 May Art 39 Basel: El Dorado of the International Art World Set to Open in Switzerland, Art Daily Online, June Art Basel Opening, Zimbio.com, June Bowes, Elena, Thomas Hirschhorn, Indagare, June Vogel, Carol, Hotel Democracy, New York Times, 21 March Crow, Kelly Culture Clash: Soccer Fans, Art Elite Butt Heads, The Wall Street Journal, 30 May Vogel, Carol, New York Times, 21 March Harris, Gareth, Art Basel, Financial Times, 24 May Reust, Hans Rudolf, Infinite Glass: The Arts Beyond the Discipline, Parkett, No. 84 2007 Demos, T. J., On the Ground - London, Artforum, December Nesbit, Molly, Le plan d'amitie entre art et philosophie, Le Monde Diplomatique, August Kultureflash.net, no. 124, 3 August Downey, Anthony, Thomas Hirschhorn, Flash Art, July - September, p. 134 Pennell, Arden, This is Your Brain on Reality, Whitehot magazine of contemporary art, Issue 3, May Icon, issue 046, April Sam, Serman, Thomas Hirschhorn, The Brooklyn Rail, April Kulture Flash, issue 198, 28 March Jones, Jonathan, How War Made Art Better Again, Guardian Unlimited Art Blog, 26 March Thomas Hirschhorn - Substitution 2 at Stephen Friedman Gallery, www.artvehicle.com, Issue 12, 23 March Coomer, Martin, Thomas Hirschhorn, Time Out London, 20 March Hubbard, Sue, This is the father of all battles, The Independent, 14 March Westcott, James, ArtReview: blog, 13 March Hirschhorn, Thomas, Eternal Flame, Artforum, Vol.
In 2013 she curated the first retrospective of Babette Mangolte at VOX, Centre d'image contemporaine, and in 2014, the exhibition and performance series STAGE SET STAGE: On Identity and Institutionalism at SBC Gallery for contemporary art.
The current exhibition of recent work at Goodman Gallery Cape, the first in Cape Town for five years, sets elements from these projects together with new work made especially for the exhibition — allowing the gallery to be the space where different bodies of work collide and make new conneGallery Cape, the first in Cape Town for five years, sets elements from these projects together with new work made especially for the exhibition — allowing the gallery to be the space where different bodies of work collide and make new connegallery to be the space where different bodies of work collide and make new connections.
Galleries range from Platform China, a new media - focused gallery with an artists residency program aimed at fostering a global dialogue between local and international artists, to the Western powerhouse Pace, which was the first New York gallery to set up shop in the area in 2008.