Sentences with phrase «first group exhibition exploring»

Pace London's first group exhibition exploring the legacy of Mingei, a Japanese folk craft movement led by philosopher and criticSōetsuYanagi, and featuring paintings, sculptures, ceramics, and textile works.

Pace London's first group exhibition exploring the legacy of Mingei, a Japanese folk craft movement led by philosopher and critic

Not exact matches

rosenfeld porcini presents L'Âge Mûr, a first UK solo exhibition of Italian artist Nicola Samorì, which follows his initial participation in the sculpture exhibition Memory and in The Continuation of Romance, a group exhibition exploring the renaissance of painting in contemporary art.

In the past two years, standout exhibitions have included «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» which explored the influence of the 1960s African American avant - garde on current creative output, and, up now, the first - ever survey of the Ho Chi Minh - based, politically minded collective The Propeller Group.

It is the first and only group show of these artists together, presenting current works or revealing new directions that the artists may explore in their solo exhibitions occuring in 2017.

SFMOMA Soundtracks, SFMOMA's first large - scale group exhibition exploring the role of sound in contemporary art, is on view through January 1, 2018.

For her first solo exhibition in Italy, La Kermesse Héroïque, the Brussels - based Lucy McKenzie has made a group of new works, including mural paintings on canvas, painted objects, sculptures and figures - combined with elements of decor (such as lighting and furniture) to explore the relationship between style, ideology and value.

This is why, when Ms. Beckwith and Claudia Schmuckli — then the director of the University of Houston's art museum, now a curator at the Fine Arts Museums of San Francisco — came here to plan the Propeller Group exhibition, its members insisted they first explore the city and the vast Mekong Delta that flanks it.

All Of Us Have A Sense of Rhythm is a new group exhibition in London that explores the adoption of African rhythms in contemporary art forms throughout the twenty - first century.

Fangor's first exhibitions in the United States took place in the 1960s, where he was included in two group exhibitions at the Museum of Modern Art in New York City, including 15 Polish Painters (1961) and The Responsive Eye (1965), the latter of which explored contemporary developments in optical art.

Player's Ball is Lüpertz's first solo exhibition in London in over twenty - five years and explores the artist's fifty - year pursuit of painting with a focus on works of the 1960s and 1970s juxtaposed with a group of new paintings and sculptures.

«Naturalia» is the first collaborative exhibition of Paul Kasmin Gallery and Sotheby's Old Masters Department, the exhibition explores the influence of a specific group of Old Master artists from the 16th, 17th, and 18th Centuries paired with contemporary artists who approached their practice through the lens of the natural science — and its myriad presentations in art.

Harmony Murphy Gallery is pleased to present its first group exhibition: Flat Foldability, which explores the notion of determining crease pattern potentials from a single vertex that can result in a flat object or, the last point of departure from three dimensions to two.

Harmony Murphy Gallery is pleased to present its first group exhibition: Flat Foldability, which explores the notion of determining crease pattern potentials from a single vertex that can result in a flat object or, the...

Latham's influence on contemporary art is further explored in the exhibition «A Lesson in Sculpture with John Latham» at the Henry Moore Institute, which presents his work in conversation with sixteen sculptures by artists working across the twentieth and twenty - first centuries (24 March — 19 June); and the group shows «KALEIDOSCOPE: The Indivisible Present» at Modern Art Oxford (6 February — 16 April) and «Conceptual Art in Britain: 1964 - 1979» at Tate Britain (12 April — 29 August).

This is the first exhibition to examine in depth the contrasts between Jensen and LeWitt, though the work of the two artists has previously been included in group exhibitions at Pace that explore the connections between artists working over mediums and decades, including Logical Conclusions: 40 Years of Rule - Based Art (2003) and On the Square (2010).

Liles explores Tansaekhwa («monochrome painting») by revisiting one of the first overseas exhibitions of the group, entitled «Five Korean Artists, Five Kinds of White,» which took place in 1975 at the Tokyo Gallery in Japan.

At Tate Britain, a group exhibition to mark the centenary of the First World War, Aftermath, will explore the immediate impact of the conflict on British, German and French art and reveal its importance in the development of Dada and Surrealism.

rosenfeld porcini is proud to present L'Âge Mûr, a first UK solo exhibition of Italian artist Nicola Samorì, which follows his initial participation in the sculpture exhibition Memory and in The Continuation of Romance, a group exhibition exploring the renaissance of painting in contemporary art.

In «Coyotaje» — the group's first solo exhibition in New York — Postcommodity further explored the complex relationship between those trying to penetrate the US border and those employed to prevent that from happening.

As the director and curator of Carnegie Mellon's Miller Gallery she curated Keep It Slick: Infiltrating Capitalism with The Yes Men, the first solo exhibition of the internationally renowned culture - jamming group; Whatever It Takes: Steelers Fan Collections, Rituals, and Obsessions, which explored sports fanaticism as a significant form of cultural production; and Alien She, a traveling exhibition on the lasting impact of the global punk feminist movement Riot Grrrl, among other exhibitions.

In 1998, Paul Schimmel organized Out of Actions: Between Performance and the Object, 1949 - 1979 at the Museum of Contemporary Art, Los Angeles; Out of Actions was arguably the first major museum exhibition exploring the complex dynamics of postwar artwork involving action and performance, and work by the Gutai group was displayed prominently at the entrance.