Sentences with phrase «first hour of the film»

That makes the first hour of the film an entertaining and briskly paced mixture of biography (We learn of Philippe self - teaching himself to walk the tightrope, as well as his career before his most famous performance) and planning (the logistics of how the wire should be set up, how to physically set it up, and how to get into and to the top of the towers without arousing enough suspicion for someone to call the cops).

It's almost crazy how flimsy and poorly constructed the first hour of the film is.

Director Kathryn Bigelow has masterfully created unrest and mayhem in the first hour of the film, while effectively setting up the backgrounds of the primary characters.

The first hour of the film was excellent but the climax was pretty weak (sinfully teasing at an epic airplane fleet battle that never takes place) and the closing epilogue narration felt extremely rushed (also contains a gimmicky «The end?»

The first hour of the film is compelling and one is engaged in a story that promises more than it ultimately delivers.

the first hour of this film make up one of my favorite hours in cinematic history.

I vastly preferred the first hour of the film to the others, but was always curious to see how things played out.

For the first hour of the film, Winocour plays on Vincent's extraordinary paranoia, cultivated no doubt when he was in a state of constant high alert on army manoeuvers.

This wouldn't be a problem if the audience weren't three steps ahead of the characters for the first hour of the film, but they are and that brings much of the suspense to a grinding halt.

It all seems like a waste considering how good the first hour of the film plays.

We spend the first hour of the film in the company of notorious bounty hunter John «The Hangman» Ruth (Kurt Russell), who's making tracks for Red Rock, Wyoming, to deposit Jennifer Jason Leigh's dastardly outlaw, Daisy Domergue.

For the first hour of this film, it seemed the...

The first hour of the film is told almost entirely from the point of view of Briony.

Roughly the first hour of the film is a riveting killers - on - the - lam psychodrama, with the treacherous Gecko brothers, the relatively level - headed Seth and paranoid, hotheaded sex offender Richard (George Clooney and Tarantino), fleeing the authorities following Richard's jailbreak of Seth and their subsequent killing spree.

In fact, the first hour of the film is so talky and stagnant, I kept expecting commercial breaks to erupt at any moment to alleviate the jargon - heavy conversations.

The first hour of the film relies quite heavily on setting up brief backstories for the lesser known team members.

I've had friends text me during the first hour of the film saying, «Why did you send me to this movie?»

The first hour of the film boasts a level of accomplishment that, unsurprisingly, it can't quite sustain throughout.

The first hour of the film almost feels like the director is taking you by the hand and going through a walk through pop culture.

What seems wrong is the first hour of the film, which I suppose sets up the characters effectively, but really Limbo only begins to pay off by the last half where the trio are stranded with seemingly no way off their deserted island.

The first hour of the film is a masterclass in observational humour.

The first hour of the film feels rife with potential.

Well not at least for the first hour of the film anyway.