Sentences with phrase «first installation of this work»

Guyton's choice of title bears witness to the site of both the first installation of the work, in Germany, and its place of production in downtown Manhattan.

Not exact matches

Also during the first quarter of 2018, the ASA Area was given a Limited Notice to Proceed by PTSC Offshore Services Joint Stock Company for the provision of early preparation works for the transport and installation of the Sau Vang Central Processing Platform, the Dai Nguyet Wellhead platform and associated pipelines offshore Vietnam.

Since Boeing delivered the first C - 17 Globemaster III to Joint Base Lewis - McChord in 1999, the aircraft manufacturing giant has maintained a working relationship with the Department of Defense through Field Integrated Services hubs for various installations.

The installation of the extra wide baby gate in the first picture and the full swing gate pictured in the second image, are a clear example of our efficiency and quality of work.

One of the first modifications buyers might learn about from their new Subaru forum pals is that a full floor Dynamat installation under the carpet works wonders.

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

«America Is Hard to See,» the Whitney Museum's inaugural exhibition in its new building, showcased art by Castle, Bill Traylor (who was born into slavery in Alabama and began making art at age 85), and Horace Pippin (one of the first self - taught African American painters to attract the attention of major museums like the Museum of Modern Art and the Whitney), but was also, in Edlin's view, «something of a missed opportunity,» considering the overall ratio of those few works to the entire installation.

Works in the show include a tableau sculpture about airplane hijackings by Eleanor Antin, Robert Arneson's controversial ceramic portrait of assassinated San Francisco mayor George Moscone, and Mike Kelley's first - ever installation (an environment that reimagines a little girl's room).

Nearby, in the midst of the protest grounds and the White House itself, the new Trump International Hotel in the Old Post Office building played home to a momentous installation work refurbished by the First Family's resident art expert — even if few artists in town knew about it.

«First House» is the site of Richard Prince's installation of paintings and other works through April 30.

In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.

Brought together from international public and private collections, this will be the first time these particular works have been exhibited together in a group of this size since Judd's 1989 installation.

Richards» presentation for Cymru yn Fenis Wales in Venice 2017 — his first major commission at an international biennale — will consist of a new, site - responsive sound installation and a suite of additional works containing overlapping archival samples and musical extracts repeated or reworked into different forms.

You Only Live Once will feature the first line of Arcangel Surfware, produced in partnership with the global music merchandising company Bravado, alongside an installation of new work by the artist.

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

This exhibition is the first large - scale installation of Simmons» ongoing Index series, photographic works whose core are found in the language of the sculptural.

From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold, fluorescent lamp that hangs on a diagonal on the wall — a work which marks the artist's first use of fluorescent light alone, until his death in 1996, Flavin produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations of light and color.

The first mid-career survey dedicated to Deschenes's work, this exhibition will feature 20 years of her art, including explorations of various photographic technologies, rich and nuanced work with photograms (a type of photographic image made without a camera), and sculptural installations that reflect the movements and light within a given space and respond to a site's unique features.

Their first installation, Vapegoat Rising, is described by the artists as a «percolation of fog and rock» and features work by Josh Callaghan, Kathryn Garcia, Mark Hagen, Rick Hager, Yanyan Huang, Whitney Hubbs, Sofia Londono, and Barak Zemer.

Following her monumental installation in MASS MoCA's largest gallery, Building 5, in 2007 — which marked her first indoor projection in the U.S. — Holzer returns with a campus - wide series of work that will include a large - scale outdoor projection on the River Street side of the factory's complex titled For North Adams, 21 of her celebrated carved stone benches located throughout MASS MoCA's sprawling campus, an installation of her Inflammatory Essays posters, and rotating exhibitions of her work spanning the breadth of her career.

When you enter The Sun Teaches Us That History Is Not Everything, one of the first works you might overlook amongst the other more colorful installations is a large suspended orb slowly spinning in the center of the room.

Rafael Ferrer, Exterior installation Anti-Illusion: Procedures / Materials exhibition Whitney Museum of American Art, NY, 1969 June 8 — August 22, 2010 El Museo del Barrio is proud to announce that Retro / Active, The Work of Rafael Ferrer, the first solo exhibition in a museum to examine the breadth and depth of the artist's influential production over the last 55 years, will be on view June 8 — August 22, 2010.

This is the first solo museum exhibition of the Brazilian - born artist that showcases her dynamic installations, indoor and outdoor sculptures, and works on paper.

On view will be the nominal three (to William of Ockham), 1963, an installation that was of seminal importance to the artist's body of work, in that it was the first work by Flavin to explore a systematic procedure.

The first is an installation, with a studio view of the work in progress, photographed from the proverbial dark upward toward the light, and the second is crocheted cotton, handmade paper, inkjet printing, copper wire, beads, and paper embroidery floss sleeves.

Working in photography, as well as video and installation, her projects have documented same - sex marriage and used first - person accounts to surface the «experience of living in a country that constitutionally protects the rights of LGBTI people but often fails to defend them from targeted violence.»

MARTHA MYSKO (* 1982) is a recent Cranbrook graduate whose first show at the gallery in 2012 included room - size sculptural installations and wall works assembled from found domestic matter: painted carpets, outdated TVs and iMacs, half of a couch.

The first installation features 20 photographs by several of the artists whose work appears in the first issue, including Anthony Barboza, Roy DeCarava, Louis Draper, LeRoy Henderson, Beauford Smith, Ming Smith, and Shawn Walker.

Exhibited for the first time as a seven - screen work, PLAYTIME transforms the whole of Victoria Miro's upstairs gallery into a striking and immersive installation, montaging the work's protagonists and locations across multiple screens in reference to capital's potential to both facilitate global movement and to create its own barriers.

bau bau is the first exhibition devoted to Céline Condorelli that includes the many - facets of her work, such as sculpture, installation, display devices, research, writing and teaching; her comprehensive approach draws from Italian traditions of art and design, such as that of Bruno Munari, as well as conceptual art and the relational art of the 1990s.

When Installation first featured the work of Anna Ayeroff, she appeared as a transition artist in our debut issue California.

Tai Shani presents her first major solo exhibition in a public gallery, presenting the culmination of her ongoing project Dark Continent, which includes an immersive installation in The Tetley's atrium, film works, posters and a selection of artworks drawn together by Shani.

In the Serpentine Sackler Gallery, the installation Today We Reboot The Planet offers the first UK exhibition of the work of Argentine artist Adrián Villar Rojas.

NADA, dear to first - time collectors for its original material and low prices, held back on its usual outré installations, but did well with artfully crafted work such as a David Adamo bubblegum - pink deflated balloon and sold out of affordable, artist - made limited - edition souvenirs.

This event has been organized in conjunction with The Barnes Foundation's exhibition Yinka Shonibare MBE: Magic Ladders.Nigerian - born, London - based Yinka Shonibare's first major Philadelphia exhibition since his artist residency at the Fabric Workshop and Museum in 2004 includes works of sculpture, photography, painting, and installation, with a focus on themes of education, enlightenment, and opportunity.

Works central to this exhibition include the theatrical setting A Fashionable Marriage, through which visitors can walk; 40 small paintings comprising Inside the Invisible, seen for the first time in the UK; and The Feast Wagons, an installation of handcarts.

Showing in a commercial London gallery for the first time, Pasquali has created a large - scale, colourful, plastic cloud in Peckham's MOCA London, and filled Mayfair's Tornabuoni Art with a cross-section of her works, from her best - known pieces made with drinking straws, to a carpet of broom bristles, on which we sit to talk, during a break from installation.

German illustrator Robert Malte Engelsmann (aka kaeghoro) gives Installation Magazine an exclusive first look into his most recent body of work, along with key insights into his artistic process.

Surprising everyone, on the last day of installation Otto Zitko digressed from his signature unending line, inserting his first figurative work — a quote of Käthe Kollwitz's «No More War.»

In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York exhibition of his work, featuring more than one hundred works spanning from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

Serves as a member of the Pennell Committee at the Library of Congress until 1993, replacing Jim Dine; works first with Donald Saff and then with Yvonne Jacquette to select prints for the Library of Congress Pennell Print Collection; is guest teacher at Cornell University, SUNY Purchase, and University of Southern California, Los Angeles; sings in and designs a set based on Goya's prisoner figures for the «El Salvador» oratorio concert by the Back Bay Chorale under the direction of conductor Larry Hill, which takes place at Harvard's Sanders Theater on 18 May; exhibition Wakeby Day / Wakeby Night: Monumental Monotypes by Michael Mazur opens 11 March at the Hayden Gallery, MIT (colorplate 18), in conjunction with installation of Wakeby monotypes at the 500 Memorial Drive dormitory building.

Johnson first received critical attention at the age of 24 at the Freestyle exhibition at the Studio Museum in Harlem, has worked in photography, sculpture, and mixed media / video installation.

A large body of his work, from 1977 to today, combining tables and monumental installations movement, is currently presented for the first time at the Grand Palais.

Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.

His first US retrospective «Juan Downey: The Invisible Architect» was held last year at MIT's List Visual Arts Center and the Bronx Museum of the Arts, and the Tamayo show presents many of the same works, including «Plato Now», «The Invisible Eye series», «Video Trans Americas», and many beautiful topographical drawings and installations.

Curated by Jens Hoffmann, Fontaine produced the work during her residency in San Francisco as part of the Capp Street Project, the first residency program created in the United States dedicated only to the making of art installations.

It thus first interacts with the works of a great master, Dieter Roth, and then enters into a generational and cultural dialogue with Cildo Meireles on different ways of interpreting installations.

Installation photographs of the rooms within the Betty Parsons Gallery in New York, where Still, Jackson Pollock, Barnett Newman, and Mark Rothko first showed their classic works, suggest these artists were accustomed to having their paintings dominate the viewer's field of vision.

It is the first exhibition of the American artist in Italy, and brings together over 80 works including installations, assemblages, collages and sculptures produced between 1966 and 2016.

Today we have a new collection of installation photos and performance shots from the first few days of «Juxtapoz x Superflat <» including works by Toilet Paper Magazine and Yuji Ueno.