The survey show will include work by Amalia Ulman, Rafael Lozano - Hemmer, The Yes Men, Hito Steyerl, Ryan Trecartin, Olia Lialina, Lynn Hershman Leeson, who's work Lorna was one of
the first interactive installations, and Nam June Paik, from whose musings on the future of the internet and art in 1974 the show borrows its title.
Not exact matches
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Marriott calls it New York's
first «digitally enhanced hotel,» since its public areas feature
interactive digital art
installations; there's also a four - story - high digital clock on top of the building.
Frieze New York 2018 has tapped scholar, curator and writer Adrienne Edwards to oversee its
first - ever Artist Award in New York and Live programming, a slate of performance,
installation, and
interactive projects.
Mario Canali — Born in Monza, Milan, Italy — Began his artistic career in 1975, devoting the
first ten years to painting — In 1985, he turned his attention to electronic and digital art and is considered a pioneer in the field — Recognized as a forerunner in the development of
interactive installations and his -LSB-...]
For the
first time, Frieze New York will feature Live, a section for performances,
installations and
interactive projects, curated by Adrienne Edwards (Performa, New York / Walker Art Center, Minneapolis).
In the
first interactive video art disc, indeed the
first interactive art
installation, users make decisions for Hershman Leeson's agoraphobic female protagonist, interacting with the piece through the use of a remote control connected to a television set.
For the
first time, the New York edition will feature Live, a platform for performances,
installations and
interactive projects throughout the fair, curated by Adrienne Edwards (Walker Art Center, Minneapolis; recently appointed Whitney Museum of American Art, New York).
The program takes a fresh approach to immersive
installation and embraces innovative ideas, provocative content and
interactive projects, engaging
first time viewers and art critics alike, while fostering a greater awareness of the important messages found in contemporary art.
assume vivid astro focus
first explored the concept of the roller rink as an
interactive installation with Public Art Fund in Central Park, New York City in 2004 as part of the Whitney Biennial.
For the
first time, the New York edition will feature Live, a platform for performances,
installations and
interactive projects throughout the fair, curated by Adrienne Edwards (Performa, New York / Walker Art Center, Minneapolis).
Her 1983 artwork «Lorna» was the
first to employ an
interactive, disc - based video component: the
installation features a rudimentary video game, manipulated through a remote control, of an agoraphobic white woman's solemn life.
They include digital sirens like Lorna, the star of a 1983 - 84
installation that's been called the
first interactive videodisc artwork.
In a
first for The Square Gallery, virtual reality will play an exciting part in this exhibition and will involve experiencing work through
interactive installation.
Otto Freundlich — theoretician, political activist, painter, and sculptor — belonged to the
first generation of abstract artists, working alongside Braque and Picasso; Len Lye, a multi-disciplinary artist from New Zealand, was a pioneer of animated film - making; Brazilian painter and
installation artist Lygia Clark created innovative
interactive works; and Blinky Palermo was known for his «fabric paintings.»
The immersive,
interactive installation, Hansel & Gretel, fills the Armory's Wade Thompson Drill Hall and extends into the
first floor of the Head House, creating... Read More
The exhibition will feature a new large - scale
installation of Infinity Engine (2014), an
interactive work
first prototyped at YBCA in the 2013 exhibition Dissident Futures, that re-creates a functional genetics lab to generate infinite narratives about the future of the human species in the post — genetic engineering age.
1984Lynn Hershman: Hero Sandwiches, The Alternative Museum, New York Lynn Hershman: An
Installation of Lorna / The
First Interactive Laser Artdisk, Fuller Goldeen Gallery, San Francisco
Form & concept celebrates its
first anniversary on May 26 with a special
installation by NoiseFold, a collaboration between
interactive media and sound artist Cory Metcalf and visual artist, composer and performer David Stout.
Seven of her
installations can be seen at MitchellInnes & Nash, along with, in Madison Square Park, her
first U.S. outdoor
installation — a large, colorful,
interactive sculptural platform that engages with nature and will appeal to children and parents alike.
The
interactive sculpture was the world's
first art
installation where the viewer rode through an exhibition aboard an amusement ride.
This exhibition presents, for the
first time, the large - scale
interactive digital
installation
The self - titled show, featuring
interactive installations, Rafman's
first live action film, and Oculus Rift technology, received great acclaim following its debut at the Zabludowicz Collection's London gallery last October.
Lynn Hershman Leeson, Deep Contact, 1984,
Interactive videodisk
installation, including
first touch screen created on hypercard and ported, video, color, sound, with coding in collaboration with Sarah Roberts, Infinite duration.
The exhibition opens with Extracurricular Activity Projective Reconstruction # 1 (Domestic Scene)(2000)(on loan from François Pinault Foundation) and Runway for
Interactive DJ Event (on loan from Collezione La Gaia), two significant
installations that were shown together at Mike Kelley's
first solo exhibition in Italy at the Galleria Emi Fontana in Milan in 2000.
«Damaged,» is the artist's
first big show in his hometown for almost 10 years and will include over 200 works including paintings, large - scale sculptures,
interactive installations, stencils, limited editions on wood and metal — and there's even an accompanying newspaper called «The Damaged Times.»
The
first of three rooms in the gallery is an
installation of seven large - scale (from 6 x 6 feet — 6 x 8 feet) paintings centered around an octagonal floor mandala and
interactive sculpture.
The
first is Pia Camil's «A Pot for a Latch,» an
interactive sculptural
installation inspired by markets in the artist's hometown of Mexico City.
In 2007 she was commissioned to create a permanent lobby
installation for the Jewish Community Center of Manhattan, and debuted the
first interactive performance of Tea House at the 11th Annual D.U.M.B.O. Art Under the Bridge Festival, in Brooklyn, NY.
Works added to the collection of the Solomon R. Guggenheim Museum during 2010 included a 2009 16 mm film, Beau Geste, by Morocco - based Yto Barrada, a 2009 slide - projection
installation, In the Near Future, by New York — based Sharon Hayes, a 19 - channel digital video, The Torn
First Pages, 2004 — 8, by Indian artist Amar Kanwar, the 2006
interactive piece This Progress by German artist Tino Sehgal and the 2010 sound
installation The Shallow Sea by Scottish artist Susan Philipsz.