Sentences with phrase «first international contemporary art»

By means of contemporary art, the first International Contemporary Art Biennial of South America — BIENALSUR — will simultaneously connect 32 cities in 16 countries and will gather over 350 artists and curators from the five continents.

Im happy to announce my participation in Bangkok Art Biennale 2018, Bangkok's first international Contemporary art festival which will represent a major public display of works of art by 75 international and local artists at various venues around the Bangkok Metropolitan Area.

This October, London will become host to its first international contemporary art fair from an African perspective.

Co-written by Stephanie Baptist and Missla Libsekal This October, London will become host to its first international contemporary art fair from an African perspective.

Recent solo exhibitions include George Eastman House, New York; L'Ecole des Beaux Arts, Monaco; and First International Contemporary Art Biennial, Columbia.

Artrooms is the first international contemporary art fair offering free exhibition space to independent artists.

Not exact matches

The Garage Museum of Contemporary Art's opened its new home in Moscow last week, first to a large envoy of international press and VIPs, and then, come Friday, to the public, who waited calmly in a line that stretched around the shimmering Rem Koolhaas — renovated building into the expanses of Gorky Park.

The Garage Museum of Contemporary Art's opened its new home in Moscow last week, first to a large envoy of international press and VIPs, and then, come Friday, to the public, who waited calmly in a line that stretched around... Read More

1966 The First Flint Invitational: An Exhibition of Contemporary Painting and Sculpture, Flint Institute of Arts, Flint, Michigan (November 4 — December 31) Two Decades of American Painting, International Council, Museum of Modern Art, New York.

First part of an exhibition series with new acquisitions of contemporary Chinese and international art

Alice Neel: Family is a satellite exhibition in the first ever Dublin Contemporary, a large scale multi venue exhibition that has brought a slice of international contemporary art, most of it installation in nature, to Ireland's capital for six weeks during the autContemporary, a large scale multi venue exhibition that has brought a slice of international contemporary art, most of it installation in nature, to Ireland's capital for six weeks during the autcontemporary art, most of it installation in nature, to Ireland's capital for six weeks during the autumn of 2011.

In 1996, he became the first American artist to receive the International Contemporary Art Prize awarded by the Prince Ranier Foundation of the Principality of Monaco.

Passages: Walking in Contemporary Art, Perlman Teaching Museum, Carleton College, Northfield, MN (2016); Another Landscape, Yang Art Museum, Beijing, China (2016); Real / Unreal, The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China (2015); The Persistence of Images, Redtory Art and Culture Organization, Guangzhou, China (2015); The 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing, China (2015); The 9th Shanghai Biennale, China (2013); Retrospection & Deviation, Times Art Museum Beijing, Beijing, China (2011); Rendez - vous 09, Institut d'Art Contemporain, Villeurbanne, France (2009); and 55 Days in Valencia, Chinese Art Meeting, Institut Valencia d'Art Modern, Valencia, Spain (2008).

At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first tiArt Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first tiart) presents mainly new acquisitions in the field of international contemporary art for the first tiart for the first time.

2015 The Freedom Principle: Experiments in Art and Music, 1965 to Now, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA SAIC 150th Anniversary Show, Sullivan Galleries, School of the Art Institute of Chicago, IL Piece by Piece, Kemper Museum of Contemporary Art, Kansas City, MO Wild Noise: Artwork from The Bronx Museum of the Arts and El Museo Nacional de La Habana, The Bronx Museum, Bronx, NY Bring in the Reality, Nathan Cummings Foundation, New York, NY Pilgrimage Dun Huang — First International City Sculpture Exhibition, Architectural Society of China, Dun Huang, China POP Stars!

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

The Deer Shelter was the Art Fund's first ever commission, made in response to the underrepresentation of international contemporary art in British public collectioArt Fund's first ever commission, made in response to the underrepresentation of international contemporary art in British public collectioart in British public collections.

Billed as a soft opening, Punjab's first - ever international contemporary arts festival launched on 3 March, with performances staged in the courtyard of the Ran - Baas and before the magnificent Darbar Hall, where the Raj had held court, and which still flourishes gilded plaster mouldings, walls inlaid with mirrored glass and 14 crystal, status - symbol, F&C Osler chandeliers.

2010 Schwager, Michael, Personal Identities / Contemporary Portraits, University Art Gallery Sonoma State University, November / December Schuster, Dana, A-List Artist, New York Post, 29 December Siverio, Ida, Kehinde's R - evolution, October, pp. 24 - 27 Watson, Simon, Kehinde Wiley, Whitewall Fall 2010, pp. 119 - 123 Halperin, Julia, Kehinde Wiley Now Represented in New York by Sean Kelly Gallery, New York Observer, 17 September Jackson, Brian Keith, A World Stage, Juxtaposed: Kehinde Wiley Between Africa and China, Leap No. 03, pp. 86 - 93 PAFA's Summer Surprises and More, SanArt, 1 August Feldman, Melissa, World Cup Chic Kehinde Wiley's Fancy Footwork, New York Times Magazine, 2 June Loszach, Fabien, Bling - Bling, Everytime I Come Around, Esse Arts + Opinions, No. 69, Spring / Summer Badinella, Chiara and Fabrizio Affronti, Grandi Maestri, Fonte Perenne, La Casana No. 1, January - March, pp. 26 - 29 100 Artisti da Scommetterci / 100 Artists to Bet On, Arte Magazine, Milan, Italy, August, pp. 120 - 140 Hunt, Kena and Watson, Simon, Kehinde Wiley, Vogue Italia, October Dreyfuss, Joel, Meet the Root 100, 2010 Edition, The Root unveils its latest list of young African - American pace setters and game changers, The Root, 10 October Garfield, Joey, Kehinde Wiley, Juxtapoz January, pp. 46 - 61 Karcher, Eva, The Colours of Africa: Art Beyond the Primitive, The Mini International Vol.34, Issue 2, pp. 36 - 41 Krentcil, Faran, First Look: Puma Africa, Nylon Magazine, 16 March

Temple by FAILE is one of the artworks in public space that are presented within the framework of Portugal Arte 10, the first edition of the international survey of contemporary art in Portugal.

22, No. 1, pp. 54 - 56 Passariello, Micol, Gangsta E Gentiluomo, L'espresso, 17 July, p. 158 Fels, Sophie, Paint it Black, Time Out New York, 10 - 16 July Jackson, Brian Keith, Native Son, Giant Magazine, June / July What's Up, The Studio Museum in Harlem Magazine, Summer, pp. 2 - 5 + cover Evans, Ali, A Portrait of an Artist by an Artist, Studio: The Studio Museum in Harlem Magazine, Spring Fortune, Brandon, Brame, Frank H. Goodyear III and Jobyl A. Boone, Recognize: Hip Hop and Contemporary Portraiture, Washington D.C., Smithsonian Institute Claiborne, Barron, Black is Beautiful, Paper Magazine, March Fortune, Brandon, Hip Hop Baroque, Art World, February / March, p. 20 Bentley, Kyle, Previews: Kehinde Wiley, Studio Museum in Harlem, Artforum, May, p. 161 The Associated Press, Portrait Gallery Opens First Hip - Hop exhibit with LL Cool J, Ice - T, International Herald Tribune, 8 February Stoilas, Helen, Toppling the Ivory Tower, The Art Newspaper, 7 February Jankauskas, Jennifer, Greg Tate and Paul Miller (DJ Spooky), Kehinde Wiley: The World Stage - China, Sheboygan: The John Michael Kohler Arts Center, Los Angeles: Roberts & Tilton, Chicago: Rhona Hoffman Gallery, New York, Deitch Project

Fired by the conviction that she could stage anything short of revolution by dint of her close connection to management — she is Amarinder's first cousin — Sarah Singh resolved to break both class - ceiling and cultural breakwater by realising her vision of the first - ever international contemporary arts event, Panorama Punjab.

While my first visit in 2013 took place in the comfort of an international symposium on contemporary African art, my second visit was marked by the total absence of peers.

Opening: «Noah Becker Presents Something» at Berry Campbell Noah Becker — artist, curator and founder of Whitehot Magazine of Contemporary Art (full disclosure, I also write for the publication)-- takes on the role as the first guest curator at Berry Campbell with a show of 20 international artists exploring enigmatic narratives in their paintings, sculptures and works on paper.

She has exhibited, among other locales, at the Institute of Contemporary Arts in London, the New York Museum of Modern Art, the San Francisco Museum of Modern Art, Sundance International Film Festival / New Frontier, El Museo del Barrio Museum of Contemporary Art, First International Performance Biennial, Deformes in Santiago, Chile and the Kiasma Museum of Helsinki.

2013 Luke, Ben, Kehinde Wiley on his first UK solo show for Frieze week, Evening Standard, 11 October George, Kendall, Kehinde Wiley's The World Stage: Israel, SFAQ International Arts and Culture, 19 February Chun, Kimberly, Kehinde Wiley brings «World Stage» to SF, San Francisco Chronicle, 13 February Frock, Christian L., Background Considerations: Kehinde Wiley at Contemporary Jewish Museum, KQED, 17 February Mason, Wyatt, Kehinde the First, GQ Magazine, 232, April Crow, Kelly, A Creative New Frame Game, The Wall Street Journal, 8 March G.M., The Portraits of Kehinde Wiley, The Black Diaspora, via Israel, The Economist, 18 February Crenn, Julie, Kehinde Wiley, Art Press, January, first UK solo show for Frieze week, Evening Standard, 11 October George, Kendall, Kehinde Wiley's The World Stage: Israel, SFAQ International Arts and Culture, 19 February Chun, Kimberly, Kehinde Wiley brings «World Stage» to SF, San Francisco Chronicle, 13 February Frock, Christian L., Background Considerations: Kehinde Wiley at Contemporary Jewish Museum, KQED, 17 February Mason, Wyatt, Kehinde the First, GQ Magazine, 232, April Crow, Kelly, A Creative New Frame Game, The Wall Street Journal, 8 March G.M., The Portraits of Kehinde Wiley, The Black Diaspora, via Israel, The Economist, 18 February Crenn, Julie, Kehinde Wiley, Art Press, January, First, GQ Magazine, 232, April Crow, Kelly, A Creative New Frame Game, The Wall Street Journal, 8 March G.M., The Portraits of Kehinde Wiley, The Black Diaspora, via Israel, The Economist, 18 February Crenn, Julie, Kehinde Wiley, Art Press, January, p. 28

Since his first solo show, at Roko Gallery in New York in 1954, Katz has been the subject of numerous international exhibitions, including solo shows at the Museum of Fine Arts in Boston, the Whitney Museum of American Art, the National Portrait Gallery in London, the Jewish Museum in New York, the Carnegie Museum of Art in Pittsburgh, the London Institute of Contemporary Arts, the Irish Museum of Modern Art in Dublin, the Albertina Museum in Vienna, the Saatchi Collection in London, the Brooklyn Museum, the Musée Grenoble, the Deichtorhallen Hamburg, and the Museum fur Moderne Kunst in Frankfurt.

Miao Xiaochun, Zhang Dali: «Utopias and Heteropias - The First Wuzhen International Contemporary Art Exhibition,» North Silk Factory and West Scenic Zone, Wuzhen, China

He is currently involved in the creation of the first Italian museum devoted to contemporary art made of glass, the Berengo Center for Contemporary Art and Glass, based in Murano, which boasts one of the most important collection of works made of glass by internatiocontemporary art made of glass, the Berengo Center for Contemporary Art and Glass, based in Murano, which boasts one of the most important collection of works made of glass by international artisart made of glass, the Berengo Center for Contemporary Art and Glass, based in Murano, which boasts one of the most important collection of works made of glass by internatioContemporary Art and Glass, based in Murano, which boasts one of the most important collection of works made of glass by international artisArt and Glass, based in Murano, which boasts one of the most important collection of works made of glass by international artists.

Just this past year, we welcomed the addition of Ayn Foundation with a captivating series of crosses from the iconic Austrian painter Arnulf Rainer; The International Center of Photography (ICP) at Mana opened its gallery on our 6th floor; we launched the Mana Urban Arts Project with Shepard Fairey's largest mural to date; Mana Wine began offering interactive wine tastings and events; our Chicago location participated in the first Chicago Architecture Biennial with a presentation of Richard Meier's process and vision; during Miami Art Week, our Wynwood location hosted a blockbuster program of exhibitions; and Mana Contemporary was named one of the Top 10 Private Museums in the U.S. by Artnet News.

As one of the first galleries worldwide to do so, since its first contact in the middle of the 1990s, the Galerie Urs Meile has also been intensively involved in the Chinese contemporary art scene, whose protagonists now participate in the discourse on contemporary visual art at the highest international level.

If This Art Could Vote, online exhibition, The Huffington Post 2015 Respond, Smack Mellon, Brooklyn, NY 39 or So..., NOCCA Alumni Show, 5 PRESS Gallery and Kirschman Artspace, New Orleans, LA Manifest: Justice, Los Angeles, CA Levy, Boyd Satellite Gallery, New Orleans, LA REVERB: Past, Present, Future, The Contemporary Arts Center, New Orleans, LA Louisiana Contemporary, Ogden Museum, New Orleans, LA 2014 Louisiana Contemporary, Ogden Museum, New Orleans, LA No Blue Dogs Here, Gallery Twenty One Fourteen, New Orleans, LA Bombay Sapphire Artisans Series, Contemporary Arts Center, New Orleans, LA Bombay Sapphire Artisans Series, Art Basel, Miami, FL Above Canal: Rights and Revival, Prospect 3 +, New Orleans, LA AWARDS AND COMMISSIONS 2014 Regional Finalist, Bombay Sapphire Artisans Series, New Orleans, LA National First Runner Up, Bombay Sapphire Artisan Series, Art Basel Miami, FL 2015 Grand Prize Winner, Manifest: Justice, Los Angeles, CA Bombay Sapphire Mural Commission, New Orleans 2016 Grand Prize Winner of No Dead Artists International Juried Exhibition, Jonathan Ferrara Gallery, New Orleans, LA SELECTED COLLECTIONS Beth Rudin DeWoody, New York, NY Lester Marks, Houston, TX Peggy Cooper Catfriz, Washington, DC Empire TV Series, Chicago, IL Lauren and Richard Nijkerk Collection, Singapore Ric Whitney & Tina Perry - Whitney, Los Angeles, CA

Work by the artist has been extensively included in international group exhibitions, including This Will Have Been: Art, Love & Politics in the 1980s, which was first hosted by the Museum of Contemporary Art Chicago in 2012.

First established in 1992 as Nippon International Contemporary Art Fair, Art Fair Tokyo is now the biggest fair of its kind in Japan and has branched out to showcase a variety of artistic styles and disciplines from a range of eras.

Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) collects, preserves, researches, and exhibits twenty - first century art from Africa and its Diaspora; hosts international exhibitions; develops supporting educational and enrichment programmes;Art Africa (Zeitz MOCAA) collects, preserves, researches, and exhibits twenty - first century art from Africa and its Diaspora; hosts international exhibitions; develops supporting educational and enrichment programmes;art from Africa and its Diaspora; hosts international exhibitions; develops supporting educational and enrichment programmes;...

Although Erling Kagge purchased his first artwork 32 years ago, it is mainly in the course of the past 15 years that his art collection has taken form, expanded and become one of Norway's most significant private collections of international contemporary art.

is a leading contemporary art gallery representing many of the most significant international artists and estates of the twentieth and twenty - first centuries.

Pace is a leading contemporary art gallery representing many of the most significant international artists and estates ofthe twentieth and twenty - first centuries.

Art Project International, based in New York, was founded in 1993 by Jung Lee Sanders and was one of the first galleries in the United States to focus on contemporary artists from Asia... and continue to bring new artists to wider audiences.

An ambitious and ground - breaking exhibition of contemporary international art from the first decade of the twenty - first century will be presented at the Gallery of Modern Art (GoMA) from December 18, 2010 to April 25, 20art from the first decade of the twenty - first century will be presented at the Gallery of Modern Art (GoMA) from December 18, 2010 to April 25, 20Art (GoMA) from December 18, 2010 to April 25, 2011.

A massive structure of wooden poles festooned with colorful ribbons by the British sculptor Phyllida Barlow is the first work one encounters when visiting the 2013 Carnegie International, the quadrennial (or thereabouts) show at Pittsburgh's Carnegie Museum of Art that stands as the oldest global contemporary art exhibition in the United StatArt that stands as the oldest global contemporary art exhibition in the United Statart exhibition in the United States.

Art by the Latest Generation), with Luis Gómez and Ibrahim Miranda, Openspace, Palazzo dell» Arengario, / Spacio Vigentina, Milan, Italy 11th Engraving Exhibition of the City of Curitiba, Venue of the Curitiba Cultural Foundation, Curitiba, Brazil First Exhibition of Contemporary Cuban Art, National Museum of Fine Arts, November, Havana Estampa Edición 95, Salón Internacional del Grabado y Ediciones de Arte Contemporáneo (International Exhibition of Engraving and Contemporary Art Editions), Upper Salon of the Museum of Contemporary Art, Madrid, Spain 1er.

Contemporary Chinese Photography and the Cultural Revolution, Staatliche Mussen zu Berlin, Berlin, Germany (2017); The Exhibition Go Annual Contemporary Art in China, Beijing Minsheng Art Museum (2016); Silk Road International, Art Museum of Nanjing University of Arts, Nanjing, China (2016); New Capital: Huang Yu Collection Exhibition, Museum of Contemporary Art, Chengdu, China (2016); Guns and Roses, Kunstraum, Potsdam c / o Waschhaus, Germany (2016); Links — Locality and Nomadism, The Galaxy Museum of Contemporary Art, Chongqing, China (2015 - 2016); Beyond the Earth — The First Xi'an Contemporary Photography Exhibition, Xi'an Art Museum, Xi'an, Shaanxi Province, China (2015); Chinese Photography: Twentieth Century and Beyond, Three Shadows Photography Art Centre, Beijing, China (2015); Unfamiliar Asia: The Second Beijing Photo Biennial, CAFA Art Museum, Beijing, China (2015); China 8: Contemporary Art from China on the Rhine and Ruhr, Folkwang Museum, Essen, Germany (2015); 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing China (2015); and Pull Left — Not Always Right,» Urban Arts Space, Ohio State University, Columbus, OH (2014), Hillstrom Museum of Art, Saint Peter, MN (2014); and Unboundedness, China Cultural Center, Berlin, Germany (2013 - 2014).

The first major exhibition in Australia of work by acclaimed Italian contemporary artist Francesco Clemente, and second in the annual Schwartz Carriageworks series of major international visual arts projects, Encampment includes six of Clemente's celebrated large - scale tents, transforming 30,000 square feet of the precinct into an opulent tented village.

Robert Miller Gallery is pleased to announce its first year of participation at Expo Chicago, the International Exposition of Contemporary and Modern Art.

1962 Introductions 1936 - 1948, Willard Gallery, New York, NY Masters of American Watercolor, Whitney Museum of American Art, New York, NY The First 5 Years: Acquisitions by the Friends of the Whitney Museum of American Art 10th Annual Exhibition, Museum of Art of Ogunquit, Ogunquit, ME The Artist's Environment: The West Coast, Amon Carter Museum of Western Art, Fort Worth, TX American Art Since 1950, Institute of Contemporary Art, Boston, MA 7th Annual International Exhibition of Modern Art, Mary Washington College, Fredericksburg, VA

Passages: Walking in Contemporary Art,» Perlman Teaching Museum, Carleton College, Northfield, MN «Photography and Film Constructs,» Ringling College of Art and Design, Sarasota, FL «Another Landscape,» Yang Art Museum, Beijing, China «Dust,» SKPxPQA art showcase, Beijing, China 2015 «Jimei X Arles: Encounters Between East and West — International Photo Festival,» Yuanbo Garden, Tan Kan Kee Art Center, Three Shadows Art Center Xiamen, China «Real / Unreal,» The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China «The Persistence of Images,» Redtory Art and Culture Organization, Guangzhou, China «It's not right, but it's okay,» Ucca Store, Beijing, China «The 2nd Three Shadows Experimental Image Open Exhibition,» Three Shadows Photography Art Centre, Beijing, ChArt,» Perlman Teaching Museum, Carleton College, Northfield, MN «Photography and Film Constructs,» Ringling College of Art and Design, Sarasota, FL «Another Landscape,» Yang Art Museum, Beijing, China «Dust,» SKPxPQA art showcase, Beijing, China 2015 «Jimei X Arles: Encounters Between East and West — International Photo Festival,» Yuanbo Garden, Tan Kan Kee Art Center, Three Shadows Art Center Xiamen, China «Real / Unreal,» The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China «The Persistence of Images,» Redtory Art and Culture Organization, Guangzhou, China «It's not right, but it's okay,» Ucca Store, Beijing, China «The 2nd Three Shadows Experimental Image Open Exhibition,» Three Shadows Photography Art Centre, Beijing, ChArt and Design, Sarasota, FL «Another Landscape,» Yang Art Museum, Beijing, China «Dust,» SKPxPQA art showcase, Beijing, China 2015 «Jimei X Arles: Encounters Between East and West — International Photo Festival,» Yuanbo Garden, Tan Kan Kee Art Center, Three Shadows Art Center Xiamen, China «Real / Unreal,» The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China «The Persistence of Images,» Redtory Art and Culture Organization, Guangzhou, China «It's not right, but it's okay,» Ucca Store, Beijing, China «The 2nd Three Shadows Experimental Image Open Exhibition,» Three Shadows Photography Art Centre, Beijing, ChArt Museum, Beijing, China «Dust,» SKPxPQA art showcase, Beijing, China 2015 «Jimei X Arles: Encounters Between East and West — International Photo Festival,» Yuanbo Garden, Tan Kan Kee Art Center, Three Shadows Art Center Xiamen, China «Real / Unreal,» The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China «The Persistence of Images,» Redtory Art and Culture Organization, Guangzhou, China «It's not right, but it's okay,» Ucca Store, Beijing, China «The 2nd Three Shadows Experimental Image Open Exhibition,» Three Shadows Photography Art Centre, Beijing, Chart showcase, Beijing, China 2015 «Jimei X Arles: Encounters Between East and West — International Photo Festival,» Yuanbo Garden, Tan Kan Kee Art Center, Three Shadows Art Center Xiamen, China «Real / Unreal,» The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China «The Persistence of Images,» Redtory Art and Culture Organization, Guangzhou, China «It's not right, but it's okay,» Ucca Store, Beijing, China «The 2nd Three Shadows Experimental Image Open Exhibition,» Three Shadows Photography Art Centre, Beijing, ChArt Center, Three Shadows Art Center Xiamen, China «Real / Unreal,» The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China «The Persistence of Images,» Redtory Art and Culture Organization, Guangzhou, China «It's not right, but it's okay,» Ucca Store, Beijing, China «The 2nd Three Shadows Experimental Image Open Exhibition,» Three Shadows Photography Art Centre, Beijing, ChArt Center Xiamen, China «Real / Unreal,» The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China «The Persistence of Images,» Redtory Art and Culture Organization, Guangzhou, China «It's not right, but it's okay,» Ucca Store, Beijing, China «The 2nd Three Shadows Experimental Image Open Exhibition,» Three Shadows Photography Art Centre, Beijing, ChArt, China «The Persistence of Images,» Redtory Art and Culture Organization, Guangzhou, China «It's not right, but it's okay,» Ucca Store, Beijing, China «The 2nd Three Shadows Experimental Image Open Exhibition,» Three Shadows Photography Art Centre, Beijing, ChArt and Culture Organization, Guangzhou, China «It's not right, but it's okay,» Ucca Store, Beijing, China «The 2nd Three Shadows Experimental Image Open Exhibition,» Three Shadows Photography Art Centre, Beijing, ChArt Centre, Beijing, China

Visit our free library dedicated to the history and theory of Russian and international contemporary art of the twentieth and twenty - first centuries.

The Warehouse Gallery opens its first exhibition of contemporary international art with Faux Naturel, on view 9 November 2006 through 27 January 2007, free to the public.

Since her first exhibition in 2005 she has exhibited her work at The Museum of Contemporary Art of Georgia, Hartsfield Jackson International Airport, the Rialto Center for the Performing Arts, Agnes Scott College and Sandler Hudson Gallery.