Sentences with phrase «first kind of character»

Thor, who has always been a muscles - first kind of character in the MCU, can easily be mocked because he's already a larger - than - life figure.

Not exact matches

An event of a highly distinctive kind and of incalculable creative power occurred in first century Palestine; it was remembered as centered in and taking its character largely from a certain Jewish teacher and prophet.

Reversing the words of the first scene's title, Bergman has moved his principal characters from panic to a kind of knowing innocence.

A word more about the inner character of the event - theoretical framework, which consists of (1) the usual quantificational theory of first order, extended to include the theory of virtual classes and relations, (2) the theory of identity, (3) Lesniewski's mereology or calculus of individuals, (4) logical syntax in its modern form, (5) a semantics or theory of reference both extensional and intentional, (6) variant renditions of systematic pragmatics as needed, (7) the theory of events, states, acts, and processes, and, finally, (8) a theory of structural or grammatical relations of the kind needed for the analysis of natural language.

but, im ok with this vardy transfer... it shows us many things: 1) wenger is changing, something some of us have been demanding for a long time; 2) it shows that wenger is taking risks: think about it, he is buying a men for a not cheap price, knowing he could not getting anything after, with a future sell i mean... this is an act that shows wengers intentions to win something, the buy is not motivated by any financial or economic reason but only for a «get the f epl once again» reason... this is an act that shows us hungry, even if we fail, we could said we try... first ever, we really try; 3) finally but very important... vardy is the kind of player we need... he is a warrior, a fighter... he has character... look at how he celebrate his goals... full of energy... he, like alexis, can motivate the team when the things are not going in our way (something wenger cant do because of his age and because he has never been an active coach on the pitch)... the vardy transfer, if it finish well, is a demostration of a change, and a good one... lets take care of winning things and do nt look the economic side for once... vardy is a bit old, but we can give a chance to welbeck after maybe, or akpom... u are not thinking about the future when we talk about ibra... guys: u complain when wenger do nt spend or because he is always looking for the bargain when u are the guys who has to pay the very expensive tickets... u complain when wenger buy the always for the future guy... like morata... stop to complain for everything and be consequent with yourself... i would love auba, but it is not going to happen... lukaku is awesome but the asking price is stupid... lets try with vardy, give us the throphy..

«You have to first think about what kind of character you're talking about.

Psychologists who have studied attachment have found that when human kids have that same kind of licking and grooming - style bonding with their parents, especially in the first year of life, it gives them all sorts of psychological strength, confidence [and] character that, when they reach school age and even into adulthood, will make a huge difference in how well they do.»

As much as he was kind of a colorless billionaire when he first ran, he's turned into a bit of a character, a little bit a hottie [sic].

Children consume more low - nutrition, high - calorie food such as cookies and candy after observing seemingly overweight cartoon characters, according to a first - of - its - kind study led by the University of Colorado Boulder.

A weakness is that few of its characters are instantly memorable or distinctive; there's a kind of generic, TV - commercial homogeneity to the Chester's Mill we first see.

EGM's TAKE: The whole thing just screams desperation for the first 30 seconds, as real people are shown dressing up as their favorite characters from the series, kind of like a really bad cosplay convention.

It's a shame that his first solo film falls victim to the same kind of slipshod storytelling, overloaded with characters and setpieces at the price of screen time for its lead.

That's partly in character, as T'Challa is a king who thinks of and serves his people, the kind of monarch who puts the kingdom first.

It's his best and most transcendent film since his masterpiece The Royal Tenenbaums, and the first in which I've ever wanted to revisit the characters later in life to see what kind of people they've become.

by Walter Chaw I look at the first film in this very fine trilogy as Jason Bourne embodying Harrison Ford's Deckard character from Blade Runner: someone with hidden potential and a certain confusion about his place in the world — and the kind of figure Matt Damon is best at portraying, as it happens.

The first reactions indicated that this was the perfect follow - up to Harry Potter, delivering a different kind of magic in a simultaneously familiar and refreshing fashion, thanks to a whole new roster of characters.

All three characters engage in the kind of sexual practices and dizzying social behaviour that will ensure viewers stick around for every minute of the eight episodes, the first two of which are being directed by James Kent — who made the film Testament Of Youth with Alicia Vikandeof sexual practices and dizzying social behaviour that will ensure viewers stick around for every minute of the eight episodes, the first two of which are being directed by James Kent — who made the film Testament Of Youth with Alicia Vikandeof the eight episodes, the first two of which are being directed by James Kent — who made the film Testament Of Youth with Alicia Vikandeof which are being directed by James Kent — who made the film Testament Of Youth with Alicia VikandeOf Youth with Alicia Vikander.

GONYEA: With the taxi driver - obviously, your most famous creation is that character, Travis Bickle, played by, of course, Robert De Niro, but many of your films have - while they have varied in subject matter, in a panel discussion following a screening this week of «First Reformed,» you talked about how you keep returning to, kind of, a version of Travis Bickle's character.

Dirk's loyalty in spitting on Herman's car and Max's civility in offering the tuna sandwich are two good examples of the kind of gifts offered by this movie to both its characters and its viewers — an act of piety toward passion in the first case, a respect for simple courtesy in the second.

There is a cast of human characters here and they're very good (more on them shortly), but «Crimson Peak» is first and foremost a cinematic picture book, dispensing the kind of confectionary art design that few films attempt and even fewer get right.

When Lara Croft first appeared in 1996, she was a rare kind of character — a female protagonist in a video game.

Their characters survived the first film, and like all good horror flick survivors, I'm sure they'll offer some kind of cursory explanation of what's happening, that explanation will be ignored until it's too late, and then at least two out of the three survivors will be destroyed.

But in the way that matters most, the franchise hasn't changed a jot since the first film: Our three heroes — Manny the mammoth, Sid the sloth and Diego the saber (Ray Ramano, John Leguizamo and Denis Leary)-- have remained static as characters, and life in their motley «herd» goes on with no development of any kind in their relationships, such as they are.

The Florida Project unfolds at first like a series of sketches about the characters who live in the motel, held together by the hysterical antics of Moonee and her pack as well as long - suffering hotel manager Bobby (a splendid, warm Willem Dafoe), who tries to put up with it all while keeping some kind of order.

With his first feature, Australian filmmaker Julius Avery packs the screen with intense characters, raucous set - pieces and suggestions of all kinds of metaphorical meaning.

Any movie like this made for the most part since the 1980s would talk the talk about showing the changes, but not show it, show it badly and / or be more sexually oppressed than not, but Russell has zero trouble from this first film he had control over himself dealing with all kinds of human sexuality, yet that freedom is incidental to character study, capturing the story and bringing it to life as he does so well here.

For the first time in the enduring Morricone - Leone collaboration, a kind of pantomime pervades the music, with notes and actions so closely coordinated that the Charles Bronson character's theme becomes diegetic: Every time Bronson, called Harmonica because the instrument is practically his first language, blows into his harp, the resulting noise is incongruously omnipresent.

Nostalgic references to classic Hollywood — like that «Presented in CinemaScope» title card in the beginning and the two main characters» first date at a screening of Rebel Without a Cause — don't excite me as much as they used to, and nor does a movie that, to my mind, simple - mindedly posits the John Legend character as a kind of villain for daring to think progressively about jazz — an entirely noble and necessary endeavor, whatever you may think of the music his character actually creates — rather than remain rooted to the past like Ryan Gosling's character does.

I play the first assistant director and I kind of compare my character to Jason Batemen's on «Arrested Development».

The recent revelation by actor Mark Ruffalo that Thor: Ragnarok is the first part of a three - movie arc for the Hulk raises immediate questions about what kind of evolution fans should expect in the character.

If the first film showed us the kind of fun that could be had with this character by removing everything about him that could make him unique among his superhero peers, Thor: The Dark World shows how dull the adventures of the guardian of the nine realms of the universe can be when played with sincerity.

Gibson's character doesn't even play a very big part in the first film, and though he's given a more traditional leading role in the gonzo, post-apocalyptic sequels, he seldom gets the chance to showcase the kind of movie star charisma that defined his future work.

These are questions that haunt us in the same way they haunt Jones» character, a fundamentally good and decent man who can not fathom the kind of senseless crimes and the horrific motivation behind them that he reads in the papers daily and is now witnessing first - hand.

Moments that might strike childless viewers as schmaltzy — like the audience's last glimpse of Richard Kind's Bing Bong, a character who seems to have grated on David but whom I regard as one of the great fictional creations of the year — provided my 9 - year - old and me with our first - ever experience of weeping together over a work of art.

There are three major challenges for education today: 1) To become lifelong, beginning in the first year of life and extending to old age; 2) To go beyond curricula (subject matter) in the usual sense and to focus sharply on character (the kinds of human beings we want to nurture); 3) To prepare for a world where the landscape of work is likely to be totally different and changing constantly.

And so he did that in the school setting, but he also added this lovely humour; his character wasn't quite ready to go on stage yet, so he had to have a shower first of all, and all these kind of humorous actions that he was putting in there I think can show a kind of a development in being able to already formulate these characters in very different, more and more complex ways really.

The first of its kind and more powerful BMW i3s incorporates a number of design elements all of its own that highlight its particularly dynamic character.

We interviewed Cash last spring for A Land More Kind Than Home, where he talked about discovering the literature of the South, publishing his first novel and crafting memorable characters.

I thought he was kind of a jerk at first, but he became my third favorite character (behind Ona and the boy).

First of all, I never read this kind of book; they are usually very sad and the main character always dies!

The noir - ish novel is set largely in the first half of the 20th century, and it is salted with the kinds of characters one finds in an Edith Wharton novel, primarily those in Ethan Frome — those kinds of people who are burdened with some lingering illness or deformity and have a story to tell, a compelling story, one from which it is impossible to turn away.

The lesson is obvious: your story has to start in the first paragraph, with an interesting character facing some kind of problem that captures the reader's interest or concern, and your very best writing has to be up front.

This is the kind of narrator most first person pieces use and most readers think of — a trustworthy character telling their own story.

hi im interested on ur work but i do nt have much budget my name is luther john and i created our very own first princess fairy tale called the last moondancer Princess Luna the lead female protagonist is based on the character of ancient Babaylans before the spaniards discovered the philippines She was adopted by the oldest moondancer in puerto princesa After a cursed volcanic eruption in mt mayon and was trained all her life to become a moondancer but all her life she only dreams of finding this magical pearl which believed to be the tear from the Gods that grants ur wishes Moondancers can heal any kind of sickness when they dance and their powers wer gift from the Goddess of the Moon Mayari

Called Kindle Worlds, the service has been announced as the first commercial publishing platform of its kind for those who get inspiration from fictional universes and characters created by authors they admire.

Ever since Brawl, I wanted to see a SSB game that allowed us to customize the actual playable characters, instead, we had all these costume parts that only worked on those big headed Miis...) SSB for Wii U just wasn't the kind of game I was hoping for, being the first hd entry in the series, and I mostly blame it on Sakurai's decision to make the 3ds and Wii U version trying to go at par with content, which really made the Wii U version suffer in comparison.

Griping with the linear aspects of the first half or so of the game is that Masayuki ends up being a god among men, and then you'll toss him and any kind of experience you've built with him to the wind and have these low - leveled characters thrown into your service.

This is from another website «it doesn't matter if it has iconic characters or not, the fact remains Smash Bros. is not the first of it's kind.

If we had tried to add one for Phantasy Star IV, first, it would have to be absolutely perfectly entered (just having one character off would mean it wouldn't work), and the password would be so long it would take two screens to write out — not the kind of thing you can just write down on a notepad.

First - of - its - kind facial tech lets players animate their character's face while playing the game