Right from
his first minimalist sculptures it's always about the beauty of particular colours.
Not exact matches
After her
first solo show, Greenberg declared in his essay «Recentness of
Sculpture» (1967) that Truitt's work «anticipated»
minimalist art.
Truitt's one - person show at André Emmerich Gallery in 1963 was one of the
first exhibitions of minimal - type
sculpture; her work was included in «Black, White, and Grey» (1964) and «Primary Structures» (1966), the defining exhibitions of the
minimalist tendency.
Teresa Margolles's Plancha (2010) is at
first view a seemingly innocent
minimalist sculpture, but it packs an intense emotional punch by its provocative use of bodily substances and its evocation of traumatic events.
Rafael Ferrer
first exhibited his art in Puerto Rico in 1961, but he felt his collaged paintings, environments, and
Minimalist sculptures were misunderstood, prompting him to move, in 1966, to Philadelphia, where he began teaching at the Philadelphia College of Art (now University of the Arts (Philadelphia)-RRB-.
His switch from painting to
sculpture was coincident with a growing interest in architecture and in industrial processes and materials, such as galvanized steel, concrete, plywood and aluminum, which he used to create large, hollow,
Minimalist sculptures.This decisive development is documented here for the
first time, from the early work of the 1950s up to 1968, the point at which Judd's artistic vocabulary reached its complete formation.
Additionally, the Dwan bequest will include five paintings by Yves Klein — the Gallery's
first acquisition of works by Klein, a leading member of the nouveau réalistes — as well as paintings by Ad Reinhardt and Agnes Martin; and
sculptures by such
minimalist artists as Carl Andre, Dan Flavin, Sol LeWitt, Robert Morris, and Fred Sandback.
Minimalist sculptor Dan Flavin was the
first to adopt the medium, creating
sculptures from straight glowing bars of neon, using the commercially available materials as a sort of readymade.
At
first glance, the old adage «Plus ça change, plus c’est la même chose» seems the perfect way to describe Part II of «Other Primary Structures», the Jewish Museum's revival of its seminal 1966 show of
minimalist sculpture.
It's opening exhibitions were: on the outside terrace «Cosmogonía doméstica» an outdoor installation by Mexican artist Damian Ortega, on the
first floor: «James Lee Byars: 1/2 an Autobiography» co-curated by Peter Eleey and Magalí Arriola, showing the work of the late American
minimalist James Lee Byars, and on the second floor: «Un Lugar en Dos Dimensiones: una selección de Colección Jumex + Fred Sandback» («A Place in Two Dimentions: A Selection from Colección Jumex + Fred Sandback»), curated by Patrick Charpenel showcasing a selection from the Jumex Collection, as well as 7
sculptures by American
minimalist Fred Sandback.
In 2007, the artist designed the
first Raf Simons store in Tokyo with bleached and splattered denim covering the walls from floor to ceiling and showcases echoing
minimalist sculpture.
Opening: «Richard Serra» at Gagosian Gallery Presenting four large - scale steel
sculptures and an installation drawing by the famous American
minimalist artist, this double - header (at Gagosian's West 21 Street and West 24 Street spaces) is the
first solo sculptural show Mr. Serra has had at a New York - based Gagosian since 2014.
After
first exploring highly textured monochrome relief
sculpture, he began employing industrial processes and materials in his works - including concrete, steel, plywood and colour - impregnated Plexiglas - in order to create large, hollow
Minimalist sculptures, typically in the form of boxes, which he arranged in repetitive geometric forms.
Presaging and foreshadowing the work of the Pop and
Minimalist masters which would accompany his, and the New York School's ascendancy in twentieth and twenty -
first century art history, Chamberlain time and time again challenged the notion of what
sculpture could be and was capable of effecting in the minds and eyes of the viewer.
First of all, I have a confession to make: I still haven't recovered from my first «encounter» with minimalist sculpture and, more precisely, with a Carl Andre floor p
First of all, I have a confession to make: I still haven't recovered from my
first «encounter» with minimalist sculpture and, more precisely, with a Carl Andre floor p
first «encounter» with
minimalist sculpture and, more precisely, with a Carl Andre floor piece!