Sentences with phrase «first museum exhibition came»

Not exact matches

The Museum of Broken Relationships is an entity that first came to life as a temporary exhibition that travelled around the globe.

Born in Alabama, Roger Brown first came to prominence as an artist when his work was included in the 1969 exhibition, «Don Baum Says: Chicago Needs Famous Artists,» at Chicago's Museum of Contemporary Art.

After being shown at prestigious museums such as Moderna Museet in Stockholm, and the Hamburger Bahnhof in Berlin, the exhibition comes to Museo Picasso Málaga, presenting for the first time in Spain the work of this unusual artist, with more than 200 works that summarize her complex, consistent and radical career.

The first breakthrough of Houseago's work came in 1996 with his exhibition in the Bureau Amsterdam at the Stedelijk Museum where he showed a group of highly expressive and colourful figures.

Jennine Culligan, Director of the Eleanor D. Wilson Museum, writes in the exhibition catalog, «Since 1987, the first floor of her home, her large studio a few steps away, and the daily comings and goings of her family have been her main source for compositions based on observation and imagination.

Coming Soon: First - Ever Exhibition of Sculptures by Jack Whitten Opening at Baltimore Museum of Art in April 2018

EXHIBITION» Betye Saar: Still Tickin»» @ Scottsdale Museum of Contemporary Art, Scottsdale, Ariz. (Jan. 20 - May 1, 2016): After originating in the Netherlands, Betye Saar «s first European solo museum show is coming to the United SMuseum of Contemporary Art, Scottsdale, Ariz. (Jan. 20 - May 1, 2016): After originating in the Netherlands, Betye Saar «s first European solo museum show is coming to the United Smuseum show is coming to the United States.

The first major art world recognition of Pop art came in the form of a 1962 exhibition «Symposium on Pop Art» at the Museum of Modern Art in New York, setting the stage for the next evolution of the movement in the United States.

As with that exhibition, many of the works now on view at the Aquavella Galleries» posh, mirrored townhouse on Manhattan's 79th Street (the artist's first show there), a few blocks north of the Whitney Museum of American Art, came from the Thiebaud Family Collection, the artist's studio, museums and private collections.

This is Liu Dan's first European solo show since his exhibition at the British Museum in 2012 and, though demand for his work traditionally comes from Asia, that exhibition alongside those at the Metropolitan Museum of Art in New York and the Musée Guimet in Paris has, according to Eskenazi, broadened international interest.

As one comes off the first escalator, that floor alone holds eleven exhibitions and installations, spanning the last few decades and forcing a look at both the museum's past and its future.

What May Come had been commissioned by the Art Institute's Print and Drawings Club in 1945, and the exhibition illuminated the TGP's cultural connections to Chicago, both through the museum and via artists such as Eleanor Coen and Max Kahn, the husband - wife team who were the first Chicago - based artists to collaborate with the TGP.

Not only that, but the Rose's galleries have been rehung for the new exhibitions by Dabney Hailey, the museum's first director of academic programs, who came to the Rose last year after eight years as a curator at the Davis Museum and Cultural Center at Wellesley Comuseum's first director of academic programs, who came to the Rose last year after eight years as a curator at the Davis Museum and Cultural Center at Wellesley CoMuseum and Cultural Center at Wellesley College.

It also came just as the organizer of Radical Presence, Contemporary Arts Museum Houston senior curator Valerie Cassel Oliver, was preparing to open the first installment of Black in the Abstract, a two - part exploration of abstract painting by black artists, as part of CAMH's six - exhibition, two - installment abstraction extravaganza, Outside the Lines.

The exhibition also introduces another important element: the Köler Prize, awarded by the Contemporary Art Museum of Estonia (CAME), the first of which was presented in 2011 to an installation by Jevgeni Zolotko.

On view through Jan. 8, the Menil exhibition comes just a few years after the MFAH hosted the Guggenheim Museum's Picasso Black and White — the curator's acknowledgements in the catalog say it was Gary Tinterow's «first commitment» as MFAH director — and seems to have been triggered by that occasion.

His work first came to the public's attention in the 1967 landmark exhibition curated by John Szarkowski, New Documents, at The Museum of Modern Art, New York, alongside that of Diane Arbus and Garry Winogrand.The many exhibitions devoted to his photographs since that time include a major traveling retrospective organized by The Museum of Modern Art in 2005.

This came on the heels of his first major retrospective in May 1962 at the Tate in London, which was followed by a triumphant exhibition at New York's Guggenheim Museum in October 1963.

Instead, the Bronx museum — which lent more than 80 works from its permanent collection to the National Museum in summer 2015, the first part of the two - country exhibition, «Wild Noise / Ruido Salvaje» — will mount a show of some 60 pieces drawn from public and private collections outside Cuba, representing many of the artists whose works would have come from the national collemuseum — which lent more than 80 works from its permanent collection to the National Museum in summer 2015, the first part of the two - country exhibition, «Wild Noise / Ruido Salvaje» — will mount a show of some 60 pieces drawn from public and private collections outside Cuba, representing many of the artists whose works would have come from the national colleMuseum in summer 2015, the first part of the two - country exhibition, «Wild Noise / Ruido Salvaje» — will mount a show of some 60 pieces drawn from public and private collections outside Cuba, representing many of the artists whose works would have come from the national collection.

«Previous jurors, such as Jodi Hauptman (2009), Curator in the Department of Drawings at the Museum of Modern Art, has curated sculptural exhibitions, but this year's juror, Ruba Katrib, would be the first juror who specifically comes from a background in curating sculpture,» she continued.

Coming almost twelve years after the first comprehensive exhibition of its kind at the Queens Museum in 2005 titled «Fatal Love: South Asian American Art Now,» «Lucid Dreams» unequivocally paves the way for what Vishakha Desai, the former president of the Asia Society, and chair of the advisory board of the Smithsonian Asian Pacific American Center, describes as a need to «project» these untold marginalized stories.

06.2017 Suffering ², MONA, Tasmania (solo show) 04.2017 The World Made New, PiArts London [commissioned] 03.2017 Casebooks, Ambika P3 London [commission] 10.2016 Suffering, Queenstown, Tasmania [commission] 10.2016 Nowhere Less Now ⁷ Glynn Vivian Gallery, Swansea, Wales, UK [commissioned solo show] 07.2016 Leisure Land Golf, Quad, Derby, UK 06.2016 Seeing Round Corners, Turner Contemporary UK 04.2016 Leisure Land Golf, New Art Exchange, Nottingham, UK 02.2016 Objects Do Things, Ujazdowsky Castle, Centre for Contemporary Art, Poland 03.2016 Stories in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 09.

An important American painter who first came to prominence in the early 1950s, Joseph Glasco's career began with his inclusion in a groundbreaking exhibition organized by the Museum of Modern Art entitled

An important American painter who first came to prominence in the early 1950s, Joseph Glasco's career began with his inclusion in a groundbreaking exhibition organized by the Museum of Modern Art entitled Fifteen Americans, which also featured the work of William Baziotes, Jackson Pollock, Mark Rothko, and Clyfford Still.

He first came to attention in 1960 when his work was included in an exhibition at the Los Angeles County Museum of Art, curated by influential art critic Clement Greenberg.

His humorous, but hard - won paintings first came to the attention of a wider audience in the 1970s, and he was the focus of a solo exhibition at the Seattle Art Museum in 2007.

He first came to wide public recognition when he was included in the enormously popular exhibition The Responsive Eye at the Museum of Modern Art, New York, 1965, which greatly contributed to the public awareness of the Op Art movement.

This is why, when Ms. Beckwith and Claudia Schmuckli — then the director of the University of Houston's art museum, now a curator at the Fine Arts Museums of San Francisco — came here to plan the Propeller Group exhibition, its members insisted they first explore the city and the vast Mekong Delta that flanks it.

Hopkins had spent his first day on the job with William Seitz, a prominent curator at the Museum of Modern Art in New York, who had come to Los Angeles to judge the annual open exhibition at the county museum in ExpositionMuseum of Modern Art in New York, who had come to Los Angeles to judge the annual open exhibition at the county museum in Expositionmuseum in Exposition Park.

Break out your ripped jeans and flannel for the Montclair Art Museum's (MAM)»90s Dance Party Saturday, March 7, 8 p.m. — 1 a.m. Inspired by the Museum's current exhibition Come as You Are: Art of the 1990s, the first major Museum survey of art from this pivotal decade, this party will take you back in the day.

The first solo museum exhibition of sculptor and installation artist Martha Russo, coalescere, Latin for «come together,» highlights work created over the course of the artist's career as well as a series of new works and large - scale, site - specific installations.

Although, Creed has been the focus of several recent solo exhibitions (Museum De Paviljoens, Almere, 2013; Fruitmarket Gallery, Edinburgh, 2012) this will be the first major survey of his work, and it is a long time coming.

Lamis's first New York museum success came with his inclusion in the 1964 Whitney Museum's annual exhibition of sculmuseum success came with his inclusion in the 1964 Whitney Museum's annual exhibition of sculMuseum's annual exhibition of sculpture.

For anyone who may have come across her work for the first time at the 2013 Venice Biennale, or last year at the Tinguely Museum in Basel as part of Haroon Mirza's collaborative exhibition, this is at last an opportunity to grasp Horowitz» project in greater depth.

In conjunction with the exhibition There Will Never Be Silence: Scoring John Cage's 4» 33» These programs are free with Museum admission and open to the public on a first - come, first - served basis.

For the artist's first solo museum exhibition (coming straight off her Frieze Project) she'll create a video installation engaging with the museum's new Renzo Piano — designed building.

For her exhibition at Wasserman Projects, Oka Doner is coming full circle on her own creative cycle, one she started almost four decades ago for her first solo museum show in 1978 at the Detroit Institute of Arts.

So it might not come as a total surprise that De Cock's first US museum exhibition is organized by a photography curator, Roxana Marcoci.

Although Braque's late paintings and Cubist compositions have come under fresh scholarly scrutiny in recent years, Georges Braque: A Retrospective is the first museum exhibition since 1988 to present the full arc of the artist's career, from his first Fauve paintings of 1906 to 1907, to his final monumental canvases of the 1960s.

The fresh agenda came about when Naima Keith joined the Los Angeles museum as its first - ever deputy director of exhibitions and programming.

Coming up is the museum's first major exhibition of a contemporary Chinese artist, a show featuring three O`ahu - based artists who express the impact of the Chinese Cultural Revolution on their lives, a collaboration with the University of Hawai`i that presents contemporary Japanese artists using traditional techniques, a history - tracing exhibition by Los Angeles — based textile artist Karen Hampton, a look at First Hawaiian Bank's collection, and the debut of a newly restored volcano painting by Charles Furnfirst major exhibition of a contemporary Chinese artist, a show featuring three O`ahu - based artists who express the impact of the Chinese Cultural Revolution on their lives, a collaboration with the University of Hawai`i that presents contemporary Japanese artists using traditional techniques, a history - tracing exhibition by Los Angeles — based textile artist Karen Hampton, a look at First Hawaiian Bank's collection, and the debut of a newly restored volcano painting by Charles FurnFirst Hawaiian Bank's collection, and the debut of a newly restored volcano painting by Charles Furneaux.

This is Roma's first major New York exhibition of new photographs since his acclaimed solo exhibition Come Sunday at the Museum of Modern Art in 1996.

That was the first public screening of «Can't Swallow It, Can't Spit It Out,» which the Hammer Museum in Los Angeles included in its exhibition «Eden's Edge» last year and the Whitney also tapped for the coming Biennial.

The exhibition of Fire in My Belly in 2010 came exactly twenty years after Wojnarowicz's work was first exhibited at the New Museum.

This marks Gomes» first show in the UK since her solo exhibition at the Chisenhale Gallery in 1997 and comes a year before her forthcoming museum solo show at the Ikon Gallery, Birmingham.

Plans for the coming year, the 15th anniversary of IMMA's foundation, also include a series of shows by prominent international artists, receiving their first solo exhibitions in Ireland; the first showing in this country of one of three film works by the acclaimed Irish artist James Coleman, acquired by the Museum in 2004, and an extension throughout the school year of IMMA's primary school programme.

Selected group exhibitions: PRESENT, SHANGHAI GALLERY OF ART, Shanghai, 2014; OPENING EXHIBITION OF ANNTENNA SPACE, ANNTENNA Space, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YEARS?

The films, the Brown Bag talks, and daily exhibition tours are free with museum admission on a first come, first served basis.