Sentences with phrase «first museum exhibition since»

Although Braque's late paintings and Cubist compositions have come under fresh scholarly scrutiny in recent years, Georges Braque: A Retrospective is the first museum exhibition since 1988 to present the full arc of the artist's career, from his first Fauve paintings of 1906 to 1907, to his final monumental canvases of the 1960s.

On the event of his first museum exhibition since 1984 (at the Whitney), Neil Jenney talks about why he rarely has an exhibition, and this series of black - bordered landscape painting from the last decade.

Not exact matches

«Tea Ceremony» is the first solo exhibition to be held at the museum since it opened more than 30 years ago as a site to house and exhibit Noguchi's work.

There have been a large number of international exhibitions of his work since his first solo exhibition at the Frye Art Museum in Seattle, USA, 2012.

This is the first showing of Hartung's works in New York since his controversial 1975 exhibition at the Metropolitan Museum of Art, and focuses on the artistic output of his last years of life.

The current exhibition at Gary Snyder — his first New York show in fourteen years — brought to mind the refrain that has been repeated since the artist died, not yet sixty, more than twenty years ago: a museum really ought to do his retrospective.

Since I first discovered her in the «70s, Popova has benefited from much scholarly research and several excellent museum exhibitions and monographs.

This week marks one year since I first saw the work of Jamaican - born artist Cosmo Whyte in the exhibition «Rites» at the Zuckerman Museum of Art.

Dial has been highly regarded since the 1990s when his first solo museum exhibition debuted at the New Museum in New York inmuseum exhibition debuted at the New Museum in New York inMuseum in New York in 1993.

Since his first retrospective exhibition in Hanover, Germany in 1960, Soulages» oeuvre has been exhibited internationally without interruption, most recently with a major 2009 retrospective at the Centre Georges Pompidou in Paris as well as retrospectives at the Museum of Fine Arts, Houston; Museo de Arte Moderno, Mexico; Kunstmuseum, Berne; Seibu Museum of Art, Tokyo; Museum Fridericianum, Kassel; IVAM - Centro Julio González, Valencia; Musée d'Art Contemporain, Montréal; and the National Museum of Contemporary Art, Seoul.

Since then she has held Senior Curator positions at the American Federation of Arts and Location One, both in New York City, and perhaps, most famously, was the Founding Curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminisMuseum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminismuseum devoted exclusively to feminist art.

It is her first exhibition in New York since her celebrated exhibition As it were... So to Speak at the Jewish Museum in 2013 and her first gallery exhibition in New York in seven years.

Jennine Culligan, Director of the Eleanor D. Wilson Museum, writes in the exhibition catalog, «Since 1987, the first floor of her home, her large studio a few steps away, and the daily comings and goings of her family have been her main source for compositions based on observation and imagination.

Bruno David Gallery is pleased to present Judy Pfaff «s first solo exhibition in St. Louis since her exhibition Currents 41 at the Saint Louis Art Museum in 1989.

In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures and an installation which includes a video made in collaboration with the Austrian film - maker BERNARD RIFF.

Mitchell - Innes & Nash is pleased to present the first solo exhibition of Jay DeFeo's work in New York since the acclaimed Jay DeFeo: A Retrospective at the Whitney Museum of American Art in 2013.

The first major exhibition of Morandi's later work in America since the acclaimed 2008 retrospective at the Metropolitan Museum of Art, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and painting.

You Only Live Once is Arcangel's first one - person exhibition featuring new work in the U.S. since his 2011 exhibition at the Whitney Museum of American Art.

His first one - person exhibition took place in 1968, and since then his work has been shown at numerous museums, including one - person exhibitions at the Saint Louis Art Museum, the Carnegie Museum of Art in Pittsburgh, the San Diego Museum of Art, and the Museum Boijmans Van Beuningen in Rotterdam.

The LSU Museum of Art will feature the first museum exhibition of Nari Ward's work since the New York - based artist received a coveted Rome Prize in 2012 -Museum of Art will feature the first museum exhibition of Nari Ward's work since the New York - based artist received a coveted Rome Prize in 2012 -museum exhibition of Nari Ward's work since the New York - based artist received a coveted Rome Prize in 2012 - 2013.

This event has been organized in conjunction with The Barnes Foundation's exhibition Yinka Shonibare MBE: Magic Ladders.Nigerian - born, London - based Yinka Shonibare's first major Philadelphia exhibition since his artist residency at the Fabric Workshop and Museum in 2004 includes works of sculpture, photography, painting, and installation, with a focus on themes of education, enlightenment, and opportunity.

The exhibition will be accompanied by a fully illustrated publication with a scholarly essay by the curator, commissioned texts, and a biography of the artist, marking the first comprehensive catalogue on Ree Morton produced by a U.S. institution since her show at the New Museum in 1980.

Protruding Patterns is Lin's first major solo exhibition in New York since 2012, when she presented Bound Unbound at the Asia Society Museum and Badges at Galerie Lelong & Co..

Since his first early career retrospective in 1972, he has been the subject of numerous solo gallery and museum exhibitions internationally.

It will have to be enough, in their first exhibition since at the Jewish Museum in 1967, the year of his death.

This will be the first public exhibition of this series of paintings — the artist's earliest mature body of work — since a retrospective exhibition was organized by the Ringling Museum of Art in 1968.

Accompanying a major exhibition at The Metropolitan Museum of Art in New York and Rijksmuseum, Amsterdam, this revelatory two - volume catalogue raisonné (one volume comprised of plates and the other of critical texts) is the most substantial work on the artist ever published, and the first in English since 1978.

«Melvin Edwards has been making beautiful and profound sculpture since his first museum exhibition in 1965, and continues to do so today.

The first solo exhibition since his death in Berlin in 1967 was held at England & Co in 1988 — a retrospective that led to the British Museum acquiring the set of macabre ink drawings that he made for his book Out of My Mind (1946).

Since his first solo show, at Roko Gallery in New York in 1954, Katz has been the subject of numerous international exhibitions, including solo shows at the Museum of Fine Arts in Boston, the Whitney Museum of American Art, the National Portrait Gallery in London, the Jewish Museum in New York, the Carnegie Museum of Art in Pittsburgh, the London Institute of Contemporary Arts, the Irish Museum of Modern Art in Dublin, the Albertina Museum in Vienna, the Saatchi Collection in London, the Brooklyn Museum, the Musée Grenoble, the Deichtorhallen Hamburg, and the Museum fur Moderne Kunst in Frankfurt.

Infinities is the first exhibition in the United States devoted to Charles Seliger's paintings since his 1986 retrospective at the Solomon R. Guggenheim Museum, New York.

Ron Nagle's first one - person exhibition took place in 1968, and since then his work has been shown at numerous museums, including one - person exhibitions at the Saint Louis Art Museum, the Carnegie Museum of Art in Pittsburgh, the San Diego Museum of Art, and the Museum Boijmans Van Beuningen in Rotterdam.

Since his first solo exhibition in 1979, Schnabel has been the subject of numerous solo exhibitions, including retrospectives organized by the Tate Gallery, London (1982); Kunsthalle Düsseldorf, Düsseldorf (1987); Centre Georges Pompidou, Paris (1987); Whitney Museum of American Art, New York (1987); Musée d'Art Contemporain, Nîmes (1989); Palais des Beaux - Arts, Brussels (1989); Museum of Contemporary Art, Chicago (1989); Fundació Joan Miró, Barcelona (1995); Schirn Kunsthalle, Frankfurt (2004); Museo Nacional Centro de Arte Reina Sofía, Madrid (2004); Museo di Capodimonte, Naples (2009); The Art Gallery of Ontario, Toronto (2010); Museo Correr, Venice (2011); J.F. Willumsens Museum, Frederikssund (2013); Dairy Art Centre, London (2014); Museu de Arte de São Paulo, São Paulo (2014); and Aspen Art Museum, Aspen (2016).

Composed of works from the museum's collection made since 2000, including several recent acquisitions and works on view for the first time, the exhibition explores the prevailing correlations between the personal, the intimate, and the individual; constructions of identity, history, and culture; the instability of materials; and strategies to rediscover or recover the past.

Since the Museum opened in 1996, it has established an impressive track record for organizing first - rate, mission - specific, art exhibitions that expand art offerings in Atlanta and the southeast region.

This will be Anatsui's first exhibition in New York since his acclaimed solo show, Gravity and Grace: Monumental Works by El Anatsui, traveled to the Brooklyn Museum in 2013.

This exhibition is the first comprehensive survey in America of Sturtevant's 50 - year career, and the only institutional presentation of her work organized in the United States since her solo show at the Everson Museum of Art in 1973.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

This is Liu Dan's first European solo show since his exhibition at the British Museum in 2012 and, though demand for his work traditionally comes from Asia, that exhibition alongside those at the Metropolitan Museum of Art in New York and the Musée Guimet in Paris has, according to Eskenazi, broadened international interest.

This is the first installation since the Museum's inaugural exhibition in which the majority of the galleries are dedicated to Still's masterworks.

Exhibitions of her work were organized by the Serpentine Gallery in London, the Musée Moderne de la Ville de Paris, and the Moderna Museet in Stockholm over the past decade, yet the Sturtevant retrospective slated to open at MoMA in November 2014 will be the first museum show of her work in the U.S. since 1973.

This is his first exhibition in 25 years in Japan since his work was included in «CHILE TODAY» at Hara Museum ARC in 1992.

Jackson Pollock: Blind Spots is the first large - scale exhibition to be curated by Gavin Delahunty at the DMA since he joined the Museum in May 2014.

This will be the artist's first solo exhibition in New York since her major retrospective at The Museum of Modern Art in 2010, and her first performative work in a gallery since The House with the Ocean View at Sean Kelly in 2002.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

This will be Amer's first solo museum exhibition in France since 2000 and will include painting, sculpture and two outdoor garden installations.

As such, Pepe's first mid-career museum survey is among Vicario's first major exhibitions since joining the Phoenix Art Museum in 2015 as the Selig Family Chief Cumuseum survey is among Vicario's first major exhibitions since joining the Phoenix Art Museum in 2015 as the Selig Family Chief CuMuseum in 2015 as the Selig Family Chief Curator.

It is the artist's first major solo exhibition in Germany since his sensational museum retrospective at the Schirn Kunsthalle in Frankfurt 2004.

The internationally touring exhibition will be the first dedicated presentation of Morisot's work to be held in the United States since 1987, the very first solo exhibition of her work to be mounted in Canada, and the first time since 1941 that a French national museum will devote a monographic show to this important painter.

The exhibition, currently on view at MoMA (the Museum of Modern Art) in New York City, is the first retrospective of the pioneer filmmaker and artist in New York City; the first complete retrospective of the artist's 50 - year career; the first survey of Conner's work in around 16 years and the first retrospective since his death in 2008.