Sentences with phrase «first museum study»

Including over 100 prints by one of the most prolific and inventive printmakers of his generation, this exhibition marks the first museum study of this distinguished artist's graphic oeuvre.
The Addison Gallery is organizing a traveling exhibition of the prints, which will be the first museum study of Dunham's graphic work.

Not exact matches

Paul Shapiro, the museum's director for Advanced Holocaust Studies said Desbois» work corroborates evidence found in Soviet and German archives, making «it possible for the first time to see in detail what happened on the ground in that part of the world and know that we are looking at the truth.»
Last fall marine ecologist Vincent Zintzen of the Museum of New Zealand Te Papa Tongarewa published a study describing the first - ever observations of hagfish exploiting those glands to ward off predators.
Prof Chris Stringer, Research Leader in Human Origins at the Natural History Museum, first excavated at Gough's Cave 30 years ago, said: «I first studied «Cheddar Man» more than 40 years ago, but could never have believed that we would one day have his whole genome — the oldest British one to date!
«This is the first time anybody has described the ecological succession in the Mesozoic equivalent of a whale fall in detail,» says Richard Twitchett of the Natural History Museum in London, who led the study.
Fiori, with support from the National Science Foundation and the Smithsonian's National Museum of the American Indian in Washington D.C., led the first detailed engineering study on the Inca Road.
By studying avian bone fragments, James and husband Storrs Olson, both of the Smithsonian Institution's National Museum of Natural History, have pieced together a picture of bird life before the first Polynesian settlers arrived sometime between a.d. 400 and 600.
The skull went first to the Carnegie Museum of Natural History's PaleoLab in Pittsburgh, then made a brief trip to NASA's Marshall Space Flight Center in Huntsville, Alabama, where scientists studied it with the same CT - scan equipment used to examine the space shuttle.
«We were looking at the direct result of a 66 - million - year old forest fire, preserved in stone,» says Emily Bamforth, of the Royal Saskatchewan Museum and the study's first author.
The new study, led by researchers at the American Museum of Natural History, also shows for the first time that DNA found in leeches can be used to identify certain ground birds and, possibly, some bats.
While previous studies had suggested that females sometimes had cubs with outsider males, Lyke's is the first strong genetic evidence, says Bruce Patterson of the Field Museum of Natural History in Chicago.
«At most of the locations we visited by ship, we were the first team of scientists to study the area,» said Museum marine biologist Dr Lucy Woodall.
Institute for Research in Schools London Transport Museum — Inspiring Engineering Young Engineers — Making Knexions Design & Technology Association V&A — Engineering Season (Mind over Matter exhibition) Surrey Wildlife Trust — Nower Wood Education Centre Progressive Palaeontology Conference 2017 Arkwright Scholarships Trust — Liaison officers CaSE — Shaping the Future of Science British Science Association CREST Awards Smallpeice Trust — Electronics programme EDT First Edition EDT EES Applied — Further Development Tomorrow's Engineers — Impact Research Study Kids Invent Stuff — Big Inventor Little Inventor Royal West of England Academy — My Future My Choice Surrey SATRO — Mega Structures Challenge BBC World Service — The Engineers — Robots Natural History Museum Armourers & Brasiers Cambridge Forum
«There are examples of lithospheric buckling on Earth involving both oceanic and continental plates, but this may be the first evidence of lithospheric buckling on Mercury,» said Thomas R. Watters, senior scientist at the Center for Earth and Planetary Studies at the Smithsonian's National Air and Space Museum in Washington, D.C., and lead author of the new study.
When Andrea Curtis became the education program manager for the Farnsworth Art Museum in Rockland, Maine, her first priority was to listen to what teachers had to say, a lesson she learned from studying partnerships between Boston Public Schools teachers and area museums.
A study by Jay P. Greene, Brian Kisida and Daniel H. Bowen, «The Educational Value of Field Trips,» was the first large - scale randomized - control trial designed to measure what students learn from school tours of an art museum.
Today the New Museum «s director, Lisa Phillips, announced three major new scholarship opportunities that aim to promote the study of contemporary art and culture.The first initiative, titled the Mellon Grant for Contemporary Scholarship in Contemporary Art, is a $ 500,000 fund that will be... Read More
Overlapping with his first solo museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery style.
At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy of the Case Study Houses, The Architecture of R.M. Schindler, and At the End of the Century: 100 Years of Architecture to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.
The first exhibition of her work in a US museum, this show focuses on the 1920s, when the young Brazilian artist returned to São Paulo after studying in Europe and being exposed to art movements like Cubism, Futurism, and Expressionism.
As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.
The first comprehensive museum exhibition in the United States about the experimental liberal arts college where influential artists such as Robert Rauschenberg, John Cage, Josef and Anni Albers, and Merce Cunningham studied and taught.
A free, full - day symposium organized by the Clyfford Still Museum Research Center and the Pollock - Krasner House and Study Center, Abstract Expressionism: Works on Paper coincides with the first exhibition and publication ever devoted to Clyfford Still's graphic art.
The subject of the 2002 retrospective, Gerhard Richter: 40 Years of Painting organized by the Museum of Modern Art, Richter was born in Dresden, Germany, and first studied art under the social and political disciplines of the East German communist government.
Archaeology - themed exhibition to complement Terracotta Army: Legacy of the First Emperor of China From uncovering objects in a virtual dig to studying ancient works of art to understand their age, function and make - up, visitors to the Virginia Museum of Fine Arts» new Dig It!
February brought us Leap Before You Look: Black Mountain College 1933 - 1957, the first comprehensive museum exhibition in the United States about the experimental liberal arts college where influential artists such as Robert Rauschenberg, John Cage, Josef and Anni Albers, and Merce Cunningham studied and taught.
The first works by the late African American artist Jack Whitten to enter the museum's collection are the painting on paper Form (3rd Set) 2 (1965) and the drawing Study for Greek Alphabet Series # 2 (1978).
Curated by 14 first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum of Art.
He is Director of the Doctoral Program in Visual Studies at the University at Buffalo, and President Emeritus of the Leslie - Lohman Museum of Gay and Lesbian Art in New York, the world's first queer art mMuseum of Gay and Lesbian Art in New York, the world's first queer art museummuseum.
In 2015, he held a Paul Mellon Senior Visiting Fellowship at the Center for Advanced Study in the Visual Arts at the National Gallery of Art, where he worked on his forthcoming book project, Hopper's Hotels, which will also be the subject of his first exhibition project at the Virginia Museum of Fine Arts.
Since his first solo exhibition in 1979, Schnabel has been the subject of numerous solo exhibitions, including retrospectives organized by the Whitney Museum of American Art, New York (1987); Fundació Joan Miró, Barcelona (1995); Schirn Kunsthalle, Frankfurt (2004); Museo Correr, Venice (2011); and Brant Foundation Art Study Center, Greenwich, Connecticut (2013).
First - Year Students at Bard's Center for Curatorial Studies Present «Re-Shuffle: Notions of an Itinerant Museum» at New York City's Art in General from February 24 through March 18
Curated by first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum.
The Museum was a pioneer: one of the country's first museums primarily engaged in collecting American art (including the work of contemporary, nonacademic artists) and among the first dedicated to the study and creation of a significant Native American art collection.
Re-Shuffle: Notions of an Itinerant Museum, a survey about the possibilities for the museums of today and the future, is presented by first - year graduate students at the Center for Curatorial Studies (CCS) at Bard College, and takes the form of a publication - as - exhibition to be held at Art in General's Gallery 4 at 79 Walker Street, New York City.
ANNANDALE - ON - HUDSON, NY, May, 2013 — This summer The Center for Curatorial Studies at Bard College (CCS Bard) presents the first U.S. museum exhibition of British artist, Helen Marten.
By bringing together the Museum's entire collection of modèles, the first and only set of bronzes cast from the artist's original wax and plaster statuettes, and related pastels, drawings and paintings, Taking Shape offers viewers the opportunity to study Degas's artistic process across media.
Published to accompany the premiere of the exhibition at the Deutsche Guggenheim, Berlin, which was curated by Vivien Greene and will travel to the Guggenheim Museum, New York in the summer of 2007, this focused study of 40 key Divisionist works is the first of its kind to appear in the United States.
It follows him in his studies, first at the New York School of Art and later at the Whitney Studio Club, the precursor of the museum.
The History of Perception was first incubated during a class visit to the Smart's study room and is one of several concurrent exhibitions that showcase the ways in which the Smart Museum engages with and shares the intellectual life of the University with the broader public.
From a young age, art has been a tremendous influence on Figge Wise's life, cultivated at first from her studies at The Art students League of New York, then in Italy where she studied the studio arts and art history, and later by her family's connection with Davenport's Figge Art Museum.
From a young age, art has been a tremendous influence on Figge Wise's life, cultivated at first by her family's connection with Davenport's Figge Art Museum, and later pursued through her studies at The Art Students League of New York, and through the studies of the studio arts and art history in Italy.
Tetsumi Kudo: Garden of Metamorphosis accompanies the first solo museum presentation of this highly original but under - studied artist's work in the United States.
Vasif Kortun was the first Director of the Museum of the Center for Curatorial Studies (1994 — 97).
She continued her education by studying with Hans Hoffman in Munich and working as an assistant to Diego Rivera prior to participating in her first group exhibition organized by the Secession Gallery at the Brooklyn Museum in 1935.
He started his training, first at the Art - Students League, then Bard College, Hunter College, and, finally the Whitney Museum Independent Study Program.
While much of the Marieluise Hessel Collection has been housed at the Center for Curatorial Studies at Bard College since its founding in 1990, the inauguration of the Hessel Museum marks the first time that selections from this collection will be on permanent public display.
FOR IMMEDIATE RELEASE The Center for Curatorial Studies at Bard College Presents: Amy Sillman: one lump or two First museum survey of New York - based painter Amy Sillman On View June 28 through September 21, 2014 in the Hessel Museum of... read museum survey of New York - based painter Amy Sillman On View June 28 through September 21, 2014 in the Hessel Museum of... read Museum of... read more →
The publications included studies by Hungarian museum professionals, academic staff and researchers, and university professor, Péter György, was commissioned to write the first volume.
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