Sentences with phrase «first music documentary»

From the time I started working on my first music documentary, I appreciated how it's a way into anything, generations, gender, equality, creative genius, and ideally it can rise above just being about music.

Although Anderson is a veteran of music videos for artists like Fiona Apple, Aimee Mann and, most recently, Joanna Newsom, Junun marks both his first music documentary and debut documentary film in general.

Not exact matches

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Best Documentary Feature Film Best Director of a Documentary Best First Documentary Feature Best Music Documentary Best Sports Documentary Best Political Documentary Most Compelling Living Subject of a Documentary Best Limited Documentary Series for Television / Streaming Best Ongoing Documentary Series for Television / Streaming Best Song in a Documentary Most Innovative Documentary

Features: generally excellent Audio Commentaries [various configurations of producers, writers, directors and cast comment on all eight episodes]; Take a Look at the Lawman — a one hour making of documentary split between discs one and two; Interview Clip with Bharat Nalluri [director for the first two episodes]; The Music of Life On Mars — composer Ed Butt takes us through the surprisingly complex task of composing and arranging the series» theme music; Get Sykes — featurette with production designer Brian Sykes, and a [sadly] pretty average Outtakes Music of Life On Mars — composer Ed Butt takes us through the surprisingly complex task of composing and arranging the series» theme music; Get Sykes — featurette with production designer Brian Sykes, and a [sadly] pretty average Outtakes music; Get Sykes — featurette with production designer Brian Sykes, and a [sadly] pretty average Outtakes Reel.

Hans Zimmer, James Cameron and Trent Reznor Star in the First Trailer for «Score: A Film Music Documentary»

From its first ethereal tones, Academy Award - nominated documentary filmmaker Matthew Heineman's (Oscar - nominated CARTEL LAND) CITY OF GHOSTS music score and sound design achieves a hauntingly simultaneous balance of nearly - imperceptible presence and atmospheric poignancy.

Glastonbury (15) Running time: 135 min *** Julian Temple's loving documentary may at first appear to be aimed at the sort of music fan who prefers Glasto streamed live to their TV.But this collection of archive and commissioned footage from 36 years of England's greatest music festival is likely to appeal more to diehard fans than non-festival-goers, since it revels in precisely the eccentricities that makes the armchair people dive for cover.Most of this film is a structureless, rambling celebration of Glastonbury's boozy, hedonistic, liberated, political and frequently bonkers character rather than of the actual music: great if you were at the party, presumably less great if you weren't.

Glastonbury (15) Running time: 135 min *** Julian Temple's loving documentary may at first appear to be aimed at the sort of music fan who prefers Glasto streamed live to their TV.But this collection of archive and commissioned footage from 36 years of England's greatest music festival is likely to appeal more to diehard fans than non-festival-goers, since -LSB-...]

Check it out below... From acclaimed director Brett Morgen, this first ever, fully authorised documentary feature blends Cobain's personal archive of art, written word, music (both -LSB-...]

My first film was a documentary called They Will Have to Kill Us First about musicians in Mali, Africa who were trying to bring music back to their country after Sharia Law made music illfirst film was a documentary called They Will Have to Kill Us First about musicians in Mali, Africa who were trying to bring music back to their country after Sharia Law made music illFirst about musicians in Mali, Africa who were trying to bring music back to their country after Sharia Law made music illegal.

(Italy) George Harrison: Living In The Material World, music documentary directed by Martin Scorsese (USA) Goodbye First Love, directed by Mia Hansen - Løve, tracks a first love over eight years (France / Germany) Pina, directed by Wim Wenders, which is a 3D dance film and tribute to Pina Bausch (Germany / France / UK) Play, directed by Ruben Östlund, which is a provocative movie about African immigrants taking advantage of Swedish peacefulness (Sweden) Policeman, directed by Nadav Lapid, which includes wealthy anarchists and anti-terrorist police (Israel / France) Sleeping Sickness, directed by Ulrich Köhler who won Best Director at the Berlin Film FestFirst Love, directed by Mia Hansen - Løve, tracks a first love over eight years (France / Germany) Pina, directed by Wim Wenders, which is a 3D dance film and tribute to Pina Bausch (Germany / France / UK) Play, directed by Ruben Östlund, which is a provocative movie about African immigrants taking advantage of Swedish peacefulness (Sweden) Policeman, directed by Nadav Lapid, which includes wealthy anarchists and anti-terrorist police (Israel / France) Sleeping Sickness, directed by Ulrich Köhler who won Best Director at the Berlin Film Festfirst love over eight years (France / Germany) Pina, directed by Wim Wenders, which is a 3D dance film and tribute to Pina Bausch (Germany / France / UK) Play, directed by Ruben Östlund, which is a provocative movie about African immigrants taking advantage of Swedish peacefulness (Sweden) Policeman, directed by Nadav Lapid, which includes wealthy anarchists and anti-terrorist police (Israel / France) Sleeping Sickness, directed by Ulrich Köhler who won Best Director at the Berlin Film Festival.

Composer and songwriter Ronit Kirchman, wrote the score for the riveting Golden Globe nominated series, The Sinner (USA) and is the first - ever composer recipient of the Sundance Institute Time Warner Foundation Fellowship in Film Music and has been awarded the Sundance Composers Lab and Documentary Composers Lab Fellowships.

In 2007, he and the Heartbreakers were the focus of «Runnin» Down a Dream,» a mammoth four - hour documentary directed by Peter Bogdanovich that offered a fascinating and entertaining soup - to - nuts history of the group's first 30 years that could be appreciated by newcomers to the band and their music as well as their hardcore fan base.

Veteran director Robert Wise, still riding on the box - office bonanza of «The Sound of Music», approaches it all with an austere documentary rigour that at first seems to underplay the drama, but builds an almost unbearable degree of claustrophobic anxiety.

That's where Sundance Institute's first Filmmakers Lab was born, and over the last thirty years has grown into year - round artist development programs that have expanded from feature filmmaking to documentary, film music, and theatre.

First, I listened to students in a Hartford high school address an adult and student audience about their projects, such as starting and running a successful business, designing a mural to encompass major elements of African Americans history in this country, making music the center of their lives by creating and performing in a band, and making a documentary about a previously unrecognized medical researcher in order to give fellow students a sense of their own possibilities to achieve and change the world.

These include new technology called «Project Gamma» which will add music and other audio cues to select digital comics, the already - revealed revamp of their «Marvel Unlimited» digital subscription service as a iOS - based system in addition to its desktop form, a new suite of Marvel video products online including documentary series on the companies history and a «Marvel # 1» promotion that will see the company offer over 700 first issues in its line for free for the next two days.

When Bob Dylan held up its lyrics to introduce the documentary Don't Look Back, he may have made the first music video, but that was 1967.

Ahead of their first major museum solo show at MCA Chicago in June, the Ho Chi Minh City - based collective presents a new show including The Living Need Light, The Dead Need Music (2014), a video work that blends documentary and reenactment in a musical meditation on funeral rites.

First of all is the «subversive design» of Ettore Sottsass for the Studio Memphis followed by the graphic design of Peter Saville and Neville Brody; architectural models and rendering, together with preparatory drawings by Philip Johnson for the AT&T skyscraper (1978); works by Robert Rauschenberg, Cindy Sherman and Ai Weiwei; the 1986 stainless steel bust of Louis XIV by Jeff Koons; the reconstruction of the monumental work by Jenny Holzer «Protect Me From What I Want» (1983 - 85); performances and costumes, including the «Big Suit» worn by David Byrne for the documentary «Stop Making Sense» of 1984; extracts from films such as» The Last of England» by Derek Jarman (1987); music videos of Laurie Anderson, Grace Jones and New Order; and also surprising objects such as the dinner services designed by architects like Zaha Hadid, Frank O. Gehry and Arata Isozaki.