Sentences with phrase «first narrative project»

Nicks is also developing his first narrative project Escaping Morgantown, which is loosely based on the year he spent in federal prison in the early 90s, for which he received a SFFS / KRF screenwriting grant.

«A Private War» is BAFTA, DGA and Academy Award - nominated filmmaker Matthew Heineman's first narrative project after helming feature documentaries including «Cartel Land» and «City of Ghosts.»

Not exact matches

Dylan projects a narrative voice into his work, so that there is a thin line, and much ambiguity, between first - person confession andsui generis invention.

This is a much different project, of course, both in terms of setting and story, and the screenplay could use more narrative focus in its first half.

The first writer to come on the project of adapting a six - hour British miniseries into a 127 - minute film was Carnahan, whose 2007 film The Kingdom has the kind of narrative drive and political awareness that was useful for this film.

The project received financing first through Telefilm Canada and Elevation Pictures, followed by Narrative Capital.

My first big project I tried to do which I failed at was a feature documentary right after college which was actually a narrative.

Then, in part three, we discuss Spurlock past and future including the disappointing box office of the fantastic Pom Wonderful Presents The Greatest Movie Ever Sold, his upcoming film Mansome, some TV projects and even his first narrative feature.

Director James Marsh's first narrative feature, «Shadow Dancer,» may not have received the same attention as his documentaries («Man on Wire» and «Project Nim»), but his follow - up is guaranteed to be in the awards mix thanks to some early buzz following its premiere at the Toronto International Film Festival.

Red Hook Summer, Lee's latest and the first narrative film he's written (or co-written, in this case with novelist James McBride, who also wrote Lee's little - loved Miracle At St. Anna and the novel it was based upon) since the unholy mess that was 2004's She Hate Me, illustrates why even Lee's fans (including myself) are right to view his intensely personal projects with profound skepticism.

And stick with its presentation parameters: If the grant maker wants the project narrative first, lead off with that, even if you're used to putting goals and objectives first.

While I spent 3 days exploring the city of Hebron, the first was with a fascinating project called the Dual Narrative Tour.

First, let me say that about half of what started me thinking about this was a discussion with my friend Pat, the Narrative Designer on my project, who pointed out a few brilliant things about the HUD design in GRAW that tied in in a nice way with my own currently developing thoughts on Camera in games in general.

Secret Location created the first original serialized VR narrative and is the first company in the world to win a Primetime Emmy Award for a VR project.

Project: We're working on a narrative heavy first person shooter with action adventure elements.

Winifred Phillips» latest project is the story - driven narrative music for the open world first - person shooter video game Homefront: The Revolution, developed by Dambuster Studios and published by Deep Silver.

Coming from Ready At Dawn, the studio that brought us the PSP God of War games and the poorly received (but utterly beautiful to look at) The Order 1886 on PS4, Echo Arena is one of the first proper second - generation VR titles and serves as a sister title to RAD's other project, a poignant Adr1ft - style narrative in space.

The Real Guerrilla Girls, four mysterious photographs that hang dramatically under spotlights in a room of their own among the group show Narrative / Collaborative, are the first four iterations of a long - term project by Petah Coyne and Kathy Grove, which seeks to gather and commemorate the women behind the first fifteen years of the Guerrilla Girls movement.

Slyk Chaynjis is both the name of the Morrisons» first major U.S. institutional project and «the protagonist in a fictional narrative about an unlikely pair of travelers on an epic journey.

James Hall reflects on the personal and political narratives concealed within the portraits of Elizabeth I, arguably the first monarch to understand the importance of image as a means of projecting power.

Marking the first U.S. project designed by Spanish firm Aranguren + Gallegos Arquitectos, the new 37,500 - square - foot building launches with a bold inaugural program that reflects the museum's mission of championing new narratives in contemporary art and providing a platform for the exchange of art and ideas.

A site - specific visual environment created in the first floor gallery incorporates the personal narratives of recent emigres from the Democratic Republic of Congo, Bhutan, Iraq and Cuba to create a positive, public dialogue about community, similar to the artists» previous projects in Armenia, Republic of Georgia and Romania.

06.2017 Suffering ², MONA, Tasmania (solo show) 04.2017 The World Made New, PiArts London [commissioned] 03.2017 Casebooks, Ambika P3 London [commission] 10.2016 Suffering, Queenstown, Tasmania [commission] 10.2016 Nowhere Less Now ⁷ Glynn Vivian Gallery, Swansea, Wales, UK [commissioned solo show] 07.2016 Leisure Land Golf, Quad, Derby, UK 06.2016 Seeing Round Corners, Turner Contemporary UK 04.2016 Leisure Land Golf, New Art Exchange, Nottingham, UK 02.2016 Objects Do Things, Ujazdowsky Castle, Centre for Contemporary Art, Poland 03.2016 Stories in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 09.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The pieces featured in this exhibition provide entry points into bodies of work that construct robust narratives, representing ongoing projects and life - long dedications of twelve artists maintaining practices with the essential studio support of LAND in NYC, Hozhoni in Flagstaff, Creative Growth and NIAD in the Bay Area, First Street Gallery Art Center and ECF in Los Angeles, and Creative Vision Factory in Wilmington, Delaware.

The scholarship produced through this project will contribute to the development of alternate storylines around the dominant narrative of post-war abstraction while at the same time revealing, for the first time, the roots of the body of work for which Bearden is best known.

In Xiao - yang Li's first solo show, «Totem Index,» at Narrative Projects gallery in London, the artist exploits a wide base of knowledge to explore one such truth.

narrative projects is pleased to present works by Mahmoud Bakhshi (b. 1977, Tehran), Goia Mujalli (b. 1985, Rio de Janeiro) and Carlos Noronha Feio (b. 1981, Lisbon) at the first edition of Crossroads Art Show in London.

For the first edition of UNTITLED art fair in San Francisco narrative projects joins forces with Kristin Hjellegjerde Gallery and presents curated booth with new works by Harm van den Dorpel (b. 1981), Jeremy Everett (b. 1979), Carlos Noronha Feio (b. 1981) and Martine Poppe (b. 1988).

In each intimate chamber is projected the first - person narrative of an individual caught up in larger social and political forces.

The contributions also consider such specific works as Kelly's Interim (1984 — 1989), the subject of a special issue of October; Gloria Patri (1992), an installation conceived in response to the first Gulf War; The Ballad of Kastriot Rexhepi (2001), an extensive project including a 200 - foot narrative executed in the medium of compressed lint and the performance of a musical score by Michael Nyman; and two recent works, Love Songs (2005 - 2007), which explores the role of memory in feminist politics, and Mimus (2012), a triptych that parodies the House Un-American Activities Committee's 1962 investigation of the pacifist group, Women Strike for Peace.

narrative projects is pleased to present the first solo exhibition of Xiao - yang Li, a Chinese born painter who lives and works in London.

This project encapsulated what its curator Anselm Franke refers to as «undead histories»: those lacking sufficient authority to question officially sanctioned narratives, or simply without the financial support or infrastructure to be exhibited in the first place.

TNTP was the first established narrative training project of it's kind opened in Toronto.

Utilizing Housing First, Queer Theory and Narrative informed approaches; RainCity co-created with youth the 1st Housing First Project developed specifically for LGBTQ2S * youth in Canada.

Aboriginal Health was invited to participate in a project with key collaborators from UNBC and the First Nations Health Authority about the use of storytelling and narrative in relation to health and well - being in northern British Columbia.