Sentences with phrase «first object on display»

We shall not give too much away because surprise is part of the enjoyment, but as a brief taster the first object on display is actually a full size cinema screen.

Not exact matches

Alongside the precious medal groups in the gallery there are many objects on display for the first time.

The sketches of a pair of shoes or piece of furniture, for example, are drawn directly by hand on a touchscreen and recognized using a sophisticated image retrieval system, where the top 10 retrieval accuracy is close to 100 per cent on some object categories so that it always displays the desired product on the first page.

The controls are easy to master as they are as responsive and intuitive as the first Destiny with the default control scheme consisting of pressing R2 to shoot; pressing R1 to perform a melee attack; pressing L2 to aim down the weapon's sights; pressing L1 to throw a grenade; pressing L1 and R1 to perform a super ability; pressing X to jump; double pressing X to engage thrusters in order to reach greater heights; pressing O to crouch; pressing square to reload; holding square to interact with an object; pressing triangle to change weapon; pressing up on the d - pad to wave; pressing right on the d - pad to dance; pressing down on the d - pad to sit; pressing left on the d - pad to perform a customised movement; changing the direction of the left analogue stick to move your character; pressing L3 to sprint; changing the direction of the right analogue stick to look around your surrounding environments; pressing R3 to highlight a player; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The controls are well mapped to the DualShock 4 controller with the default control scheme consisting of pressing R2 to fire a weapon; pressing L2 to aim down sights; pressing R1 to throw a grenade or use lethal equipment; pressing L1 to use tactical equipment; pressing X to jump or mantle; pressing square to reload or use an object such as opening an unlocked door, breaching a locked door or entering a vehicle; pressing O to crouch, go prone or dive; pressing triangle to switch between your primary and secondary weapons; pressing up on the d - pad to activate a morale ability; pressing down on the d - pad to perform a specific action; pressing right on the d - pad to use a first aid kit; pressing left on the d - pad to use a weapon skill; pressing L3 to sprint or use sharpshooter; pressing R3 to perform a melee attack on an enemy; changing the direction of the left analogue stick to move forward or backward and strafe left or right; changing the direction of the right analogue stick to look up or down and rotating left or right; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

With over 300 objects — from rare drawings and photographs to vintage advertisements, artist books and recreated department store window displays — many on public display for the first time, Adman provides a comprehensive look at Warhol's first decade in New York.

Select past exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collection.

Among the stunning array of ancient objects on display is a rare and exquisitely carved Roman marble theatre mask from around the third century AD which once belonged to the politician and socialite Sir Philip Sassoon, and an enormous multibreasted torso of the Great Mother Goddess Artemis from Ephesus which dates from the first century AD.

Situated among the beams of the High Line exposed entirely in this exhibition for the first time, the eight sculptures on display combine to create a forest of displaced objects and reveal the artist's interest in tradition and contemporaneity as well as the prevalence of displacement in post-modern societies.

Now as a follow - up, McGinness and the museum will open «Studio Visit» on January 25, 2014, a three - part exhibition, the first gallery will provide a glimpse of McGinness's studio practice, the second will display a selection of the objects McGinness chose from the museum collection alongside his sketches and final image, and the last portion will show early works the artist made while growing up in Virginia Beach.

On 7 September 2016 as part of Antony Gormley — OBJECT, his first display at the National Portrait Gallery, a cast - iron sculpture cast from the artist's body will be suspended from the ceiling of the Main Hall.

Currently on view in England are several shows featuring wunderkammer displays of objects and artworks from disparate times and places that provide insight into «the world we live in»: Brian Dillon's Curiosity: Art and the Pleasures of Knowing at Turner Contemporary; Ralph Rugoff's Alternative Guide to the Universe at the Hayward Gallery; and Mark Leckey's The Universal Addressability of Dumb Things at Nottingham Contemporary (see my first travelogue entry).

Situated among the beams of the High Line exposed entirely in this exhibition for the first time, the seven sculptures on display combine to create a forest of displaced objects and reveal the artist's interest in tradition and contemporaneity as well as the prevalence of displacement in post-modern societies.

The exhibition is a rare opportunity to see some of these objects in the UK, since it's the first time that many of them have been on public display outside of France.