Sentences with phrase «first opening scene»

We have the first opening scene via IFC Midnight to show you from director Sean Byrne's The Devil's Candy, a dark horror film with a heavy metal vibe.

Not exact matches

Below are some scenes from the opening of the the first Starbucks / Teavana tea bar in New York.

The final ad will be a spoof of the «red pill / blue pill» scene from the first «Matrix,» in which Neo has a choice to open his mind to a new world.

As in the opening of the first scene (II Sam.

Those who were lucky enough to be pulled or pushed, a year or so ago, to the Beatles» first movie, A Hard Day's Night, will recall the enchanting scene in which the four of them escape from the prison - like television studio, where worldly men are trying to get them to perform properly, and flee to an open field for a few surrealistic moments of jumping, dancing, abandon.

Atomic Cafe in Little Tokyo first opened its doors in 1946 and never expected that it'd become the «L.A. punk scene's after - hours headquarters,» with a jukebox as famous as the food.

The shaved ice course had to be skipped because the real reason for trekking out to Fremont was to go join the mob scene at 85 Degrees, a Taiwanese bakery chain that opened its first Bay Area location somewhat recently.

DALLAS (August 25, 2015)-- Misery Loves Company, the group behind the acclaimed Proof + Pantry in the Dallas Arts District, are heating up the Dallas culinary scene yet again with their newest concept — Madrina, which will officially open at The Shops of Highland Park the first week of September.

Jonathan Kaye (below) made the scene last week at the Tucson Open, his first appearance on Tour since being suspended following a run - in with a security guard at October's Michelob Championship.

As the doors to Anfield's brand new Main Stand open, LFCTV will be bringing you all the behind - the scenes access from the official opening, coverage of the first home game of the 2016 - 17 season, plus a brand new documentary that charts the history of Liverpool's iconic home and the painstaking process of expansion.

Reported in Scientific American, This Week in World War I: January 23, 1915 The cover of this issue of the magazine has a boisterous scene from the opening months of the First World War, titled «Night attack by German armored motor boats in a flooded section of Flanders.»

After all, it was only five years ago that bitcoin appeared on the scene and provided the world with the first open - source, decentralized alternative to government controlled currencies.

When Birchbox burst on the scene, I was giving subscriptions to friends and family as gifts and anxiously awaiting the opening of the first brick and mortar store in Soho when the time came.

Not only does it boast the cosy, open - fire - lit snug where Dylan dreamt up much of his finest works, but it's also the heart of Swansea's buzzing live music scene — perfect for that all - important first dance!

The Bavarian and I have split up so for the first time ever, I am open explore Berlin's modern dating scene.

Dear Captain Awkward, I am a 34 year old straight woman in an open marriage with a I am 44 years old and entering the dating scene again for the first time in 25 years.

Haneke's methods are clear from the opening: after a long, quiet stretch of simple credits, followed by an extended black screen as silent as the grave, the film smash - cuts into its first scene with a terrifying jolt.

The inbred lowlifes in this B - movie black comedy are members of the Smith family, a clan of troglodytes in a seedy Texas trailer park replete with vicious barking dogs on chains, who swing into ruthless high gear from the very first scene, when penny - ante drug dealer Chris Smith (a game turn by Emile Hirsch, who has grown from the appealing, open - faced kid in The Emperor's Club into a scabby, hirsute roughneck) arrives in a torrential rainstorm and is greeted at the screen door by his father's new wife Sharla with a female full - frontal.

We open on a familiar scene: Parents dropping their daughter off for the first day of college of her senior year.

The opening scene of Saverio Costanzo's first English language film Hungry Hearts defines the meaning of situational irony.

After a hostage negotiation goes terribly wrong in the opening moments of the first episode (one of the few scenes where violence comes into play), Ford, a green agent obsessed with the connection between psychology and the increasing occurrences of violence in the country, pushes the FBI toward softening its typical understanding of serial killers.

Some of the footage included M. Night Shyamalan's sequel to Unbreakable and Split, Glass, David Gordon Green's Halloween, Damien Chazelle's First Man, the Peter Jackson produced Mortal Engines, the opening scene from J. A. Bayona's Jurassic World: Fallen Kingdom, and a lot more.

But punchiest (literally) and most memorable of all the many roles is Farrell's petty criminal Lehiff, particularly his first scene, which opens the film.

For fans of the first film, the final ending scenes are the most spectacular in linking directly into the opening of the first Thing.

The first crucial miss is the opening scene: We're on the tarmac as a plane is being loaded with luggage.

Even the first 10 seconds of the opening scene will provoke design envy and, for those who care about the details, Copenhagen apartment envy, circa 1926.

It's not until the first shrinking scene that the pic really opens up, serving up some incredible macro photography and eye - popping special effects.

Of the group, Buddy (Curtis Cotton III) seems most child - like which is why Nasia dumps him in the opening scene (she's looking for a real man), only the first of the tragedies that will befall a youngster too innocent for his world.

The opening sequence has an impossibly large spacecraft, though not doing the exact same thing that the Millennium Falcon did in its first screen appearance, a scene in a cantina where many strata of society and species meet while music fills the air, and a sun (only one) that sets with the same desolate glow on a desert planet that we first saw on Tatooine when Luke Skywalker (Mark Hamill) lived there.

From the opening sequence — a clogged freeway overpass filled with singers and dancers lamenting a traffic jam — where Sebastian and Emma's first (very) brief encounter is entirely negative; to the final scenes (in which our expectations are heightened and then thwarted), this is a unique film experience.

The opening scene, of the first episode titled» Bad News,» is a single shot of Patrick answering the phone, being told that his father is dead.

In case you missed the first five movies (and to show you how little the plot actually matters in these films), the opening credit scene summarizes them all in the span of one blaring pop song.

The concept may sound a little strange at first (and trust me, it is), but that only opens the door for some truly comedic scenes between the two lead actors.

A TNT Barrel appears for the first time in the opening scene of Donkey Kong Country.

As he does, «The Little Prince» makes a remarkable stylistic leap from the accomplished but familiar CG environs of these opening scenes (big - eyed, bobble - headed humans; modernist - futurist design influences) into 2D stop - motion animation, bringing the world of Saint - Exupery's original story to life in beautiful handcrafted images based on the author's own crudely elegant watercolors (seen in the book's first printing and all subsequent editions).

In the opening scene of Marjorie Prime, we first meet Marjorie, an 85 - year - old struggling with memory loss, as she listens to Walter Prime, a computerized hologram version of her husband, describe the second dog that she and her real husband adopted.

In the opening scene of the film, first - time director Grandage depicts this quite literally, with a bustling Manhattan in black and white — until Wolfe appears.

We first get an impression of the kind of theatrical, charismatic performer Vinny was in his prime in the opening scene, set in Caesar's Palace in Vegas.

John Michael McDonagh's much - anticipated follow - up to first feature The Guard, Calvary certainly aims to shake audience expectations, evidenced scarcely five seconds into the opening scene when our faceless parishioner delivers his ultimatum.

The opening scene, in which Tommy and Greg (played by James Franco's brother, Dave) meet in acting class, does a really good job of making us understand, in such a short amount of time, why Greg would be drawn to a dude like Tommy in the first place: He's failing to connect with his own work, and then sees this wild, off - his - rocker older guy give an indescribable, balls - to - the - wall interpretation of Brando in Streetcar that makes zero sense.

He's barely tolerable in his first scene and he becomes the uninvited guest that detracts from the movie every time he opens his mouth.

, a quaint but sweet comedy, in the opening moments, due to how strategic and generic the first few scenes are.

02 «Value,» the sixth episode of Donald Glover's extraordinary first season of Atlanta, opens with an extended showcase scene of friendly rivalry between the luminous Zazie Beetz (as long - suffering public school teacher Van) and one - episode wonder Aubin Wise (as her childhood pal, now an «Instagram escort»).

It opens with Michael Fassbender and Penelope Cruz in bed together after what is supposed to be a marathon lovemaking session, but director Ridley Scott films the first part of this scene so that they are totally covered by white sheets, as if they were mummies.

First, there are a few scenes of sexual innuendo, including the infamous washing machine scene, where it the nosy neighbor, Marcie, thinks that he is having sex in the washroom, when all the while he is just trying to open it («I'm going to shove my load into you whether you like it or not!»).

Spall is first glimpsed glowering in the shadows, but one of the most terrifying scenes in the movie places him out in the open.

When the film opens, for the first half an hour we're given some of the most visual stimulating scenes as we're not bogged down with exposition as much as we're allowed to feast on the actions, clearly shown by our director.

Within the first few tracks on the album, it has served as a scene - setting opening in the main title, a haunting lullaby in «The Killing» and a warm, glowing pastorale in «Coming Home».

The great George Kennedy plays Wahlberg's dying grandfather in the film's opening scene, and he is the first to provide warning on the mess his grandson has created.

From the opening moments of Jia Zhang - ke's A Touch of Sin, something strange is afoot — and not just the unexpected flourish of violence which punctuates the first scene.